Monthly Archives: February 2021
Today in Madonna History: February 20, 2001
On February 20 2001, Madonna’s official website announced that Madonna planned to record a Spanish version of her next single, What It Feels Like For A Girl, with a tentative release date of late March.
While the Spanish version (titled Lo Que Siente La Mujer) featured on the maxi-single and serviced to Latin radio stations was set to the album version of the song, Madonna would blend the Spanish lyrics with the music from the Calderone & Quayle Dark Side Mix for the live version performed during the Drowned World Tour.
Today in Madonna History: February 19, 2014
On February 19 2014, Madonna went to see the rehearsals of New York City Ballet’s Les Bosquets.
Les Bosquets was choreographed by Madonna’s longtime friend, JR, and featured Lil Buck, who was a dancer on the MDNA World Tour.
Watch a clip of Les Bosquets here: https://vimeo.com/96113355 (the video cannot be embedded here for some reason).
Today in Madonna History: February 18, 2015
On February 18 2015, Madonna thanked her fans on Twitter for bombarding BBC Radio One to play her new single, Living For Love, despite the radio station’s refusal to play Madonna’s music because of her age.
It’s terribly concerning and sad that an industry that milked Madonna’s music for decades would turn its back on her because of age.
Growing older is inevitable — and being young and quality of music do not always go hand in hand — so why discriminate based on age?
Forget about Madonna for a second — she’s had an incredible career — but what about the artists who develop their talent later in life? Think about all the artists whom will never be heard.
I’ll take a Tina Turner over another Selena Gomez or Demi Lovato — ANY DAY OF THE WEEK.
The rules are changing and we need to remember the artists that created the soundtrack for our lives — they weren’t always 25. They were 40 and 50 and 60 and beyond. They weren’t always blonde and cute — they were raunchy and haggard and crazy looking and fucked up. Only Disney can produce the pretty – virgin-like, powder coated princesses.
The real musicians came out hard and loud and proud .. with balls. You’ve gotta love balls!
Now think about Madonna again — why should she be be muted because she’s already had an incredible career? Why can’t that career continue? Someone or some conglomerate is writing the end of her radio career — without the involvement of music fans or radio listeners. Some guy or a board of guys has decided that she can’t have another Top 10, or Top 5 or #1 single because they say so.
Fuck them. FUCK THEM!
Will Madonna’s music ever find a home on the radio again? – Jay
Today in Madonna History: February 17, 2007
Today In Madonna History: February 16, 1997
Today in Madonna History: February 15, 1985
On February 15 1985, the Vision Quest original motion picture soundtrack was released on Geffen Records. To promote the release, music videos for Crazy For You and Gambler were both serviced to MTV together in late January.
Despite Gambler only being released as a single in markets outside North America, its video received moderate rotation from MTV nonetheless – possibly due to the fact that there were no competing videos produced for the final two singles from Like A Virgin.
Gambler was Madonna’s last entirely self-written single until the 2007 release of the charity single, Hey You. Other singles for which she received sole writing credit include Everybody (which was in fact a Stephen Bray co-write, however a publishing arrangement granted him sole credit for another of their collaborations, Ain’t No Big Deal, in trade), Burning Up, Lucky Star and Sidewalk Talk. Album tracks Think Of Me, I Know It and Shoo-Bee-Doo were also entirely self-written.
A third Madonna song that was recorded for the Vision Quest soundtrack, Warning Signs, was eventually dropped from the project. A cassette copy of the song, which is also credited to Madonna alone, was submitted to the Library of Congress for copyright registration in February of 1984, at the same time as Gambler.
With Stephen Bray having confirmed his involvement in the song’s production (which he described as “a cool synth track”), it appears that its production credits would mirror those of Gambler, which was produced by Jellybean Benitez and arranged by Bray. Given that early press for Vision Quest (including an on-set interview with Madonna herself) mentioned the inclusion of three new songs, footage of Madonna performing Warning Signs was likely filmed but ended up on the cutting room floor. Surprisingly, this additional footage has never resurfaced and the song has never leaked.