On February 11 1984, Madonna’s self-titled debut album, Madonna, debuted at #85 on the UK albums chart, just as Holiday hit #7. It fell off the chart the following week, but re-entered at #55 on February 25. The album was re-released in Europe in July 1985 with new artwork, re-titled The First Album. A 2001 international remastered edition of the album restored its original artwork and title in all markets.
On January 28 1984, Madonna’s single, Holiday hit #16 on the Billboard Hot 100 in the USA.
Holiday was released on September 7, 1983, and became Madonna’s first hit single and remained on the charts from Thanksgiving to Christmas in 1983. It was Madonna’s first song to enter the Billboard Hot 100, at 88 on the issue dated October 29, 1983 and reached a peak of 16 on January 28, 1984 and was on the chart for 21-weeks. The song debuted at eight on the Hot Dance Club Play chart on the issue dated November 2, 1983 and was Madonna’s first number one single on the Hot Dance Club Play chart remaining at the top for five weeks.
In the United Kingdom, Holiday has been released three times as a single; in January 1984, reaching number six, and in August 1985 reaching number 2 (only being kept from number one by her own Into the Groove single). Its third release in 1991 included new artwork to promote The Immaculate Collection with a limited edition EP titled The Holiday Collection, which contained tracks omitted from the compilation; this version peaked at number five.
The photos for this post are from Madonna’s Solid Gold performance of Holiday.
On January 27 1984, Madonna performed Burning Up and Holiday on the UK television program, The Tube. The show was broadcast live from The Hacienda club in Manchester.
Malcolm Gerrie, executive producer of The Tube, has been quoted as saying that the show paid for Madonna to travel to Manchester because Warner Bros. didn’t yet consider her a “priority artist” and were unwilling to cover her travel costs.
Filmed in Venice, Italy, the video marked Madonna’s second collaboration with director Mary Lambert. Lambert later recalled of the shoot:
“For Like a Virgin I said ‘Lets do it in Venice!’ The idea of Madonna singing in a gondola was the most outrageous thing I could think of. And Madonna dug it, because she has the whole thing with the Catholic Church and her Italian heritage. It turned into a huge party.”