Today in Madonna History: June 30, 1997

On June 30 1997, Madonna began recording sessions for what would become her Ray Of Light album at Larrabee North Recording Studios, Universal City, Los Angeles.

Madonna had already spent several months writing songs and producing demos with Patrick Leonard, Rick Nowels and Babyface (although none of the Babyface material would make the final cut) by the time she entered the studio with co-producers William Orbit and Marius De Vries. Leonard would return to the project to assist with arrangements, earning him a co-producer’s credit on four of the album’s tracks. Madonna would add lyrics and melody to at least a half-dozen previously composed Orbit demos during these sessions as well, with six of their songs making the final track list.

Today in Madonna History: June 25, 1994

On June 25 1994, Madonna’s I’ll Remember peaked at #1 on the Billboard Adult Contemporary chart in the USA.

Today in Madonna History: June 23, 1990

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On June 23 1990, Madonna’s I’m Breathless: Music from and Inspired by the Film Dick Tracy hit #2 on the Billboard Top 200 Albums Chart in the USA.

After the filming of Dick Tracy was complete, Madonna began work on the film’s soundrack, with songwriter Stephen Sondheim, producer Patrick Leonard and engineer Bill Bottrell. She also worked with producer Shep Pettibone on the album’s first single, Vogue. The album was recorded within three weeks in California.

Today in Madonna History: June 7, 1986

On June 7 1986, Madonna’s Live To Tell hit #1 on the Billboard Hot 100 in the USA, giving Madonna her third #1 single.

Written by Madonna and Patrick Leonard, Live To Tell was Madonna’s fourth soundtrack song in two years (Crazy For You, Into The Groove, Gambler + Live To Tell), and it was also the lead single from Madonna’s True Blue album.

What is your favourite Madonna soundtrack song?

Today in Madonna History: February 25, 1987

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On February 25 1987, Madonna’s La Isla Bonita was released as the fifth and final single from the True Blue album.

An instrumental version of the song, written by Bruce Gaitsch, was first offered to Michael Jackson for his Bad album, but Jackson declined to use the track.

While working with Patrick Leonard on the True Blue album, Madonna accepted the instrumental track and then wrote the lyrics and melody, giving her a co-writing credit with Leonard and Gaitsch. The track was also produced by Madonna and Patrick Leonard.

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Today in Madonna History: March 13, 1999

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On March 13 1999, Madonna’s The Power of Good-Bye, fell to #63 on the Billboard Hot 100 Single Sales chart, spending its final week on the chart (after 22 weeks).

The Power of Good-Bye was written by Madonna and Rick Nowels.  The song was produced by Madonna, William Orbit, Patrick Leonard with string arrangements by Craig Armstrong.

Rick said this of the hit song:

“The lyrics to The Power Of Good-Bye are stunning. I love Madonna as an artist and a songwriter… She is a wonderful confessional songwriter, as well as being a superb hit chorus pop writer… She doesn’t get the credit she deserves as a writer.”

Today in Madonna History: February 23, 1998

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On February 23 1998, Frozen was released by Maverick records as the lead single from Madonna’s seventh studio album, Ray of Light. The song was written by Madonna & Patrick Leonard and was produced by Madonna, Leonard & William Orbit.

Madonna has mentioned that she considers Frozen as part of a thematic trilogy with The Power Of Good-Bye and To Have And Not To Hold. In an interview with Barry Walters for Spin magazine, Madonna commented on the inspiration behind the song:

“I was so obsessed with the movie The Sheltering Sky and that whole Moroccan/orchestral/super-romantic/man-carrying-the-woman-he-loves-across-the-desert vibe. So I told [Patrick Leonard] that I wanted something with a tribal feel, something really lush and romantic. When he started playing some music, I just turned the DAT on and started free-associating and came up with the melody.”

Initially unsure of which song should be released as the album’s first single, Madonna was eventually convinced by Warner Bros. executives that Frozen would be a perfect way to bridge the Adult Contemporary leanings of her most recent hits (Take A Bow, You’ll See and the singles from Evita) with the more cutting-edge, electronic sounds of Ray Of Light.

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