Today in Madonna History: September 20, 1993

On September 20 1993, Madonna’s The Immaculate Collection (her first collection of greatest hits) was certified 4x platinum for shipment of 4 million units in the USA.  

Today in Madonna History: September 19, 2000

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On September 19 2000, Madonna’s eighth studio album Music was released by Maverick Records.  Music was released in some markets on September 18.

In anticipation of the release Madonna made this statement:

“Hey Mr. DJ, put a record on… Hi, it’s Madonna. You’ve probably been hearing about my new record, Music, for a while. Well, I just wanted to make sure you knew that the single is gonna drop very soon. I worked on it with a French guy named Mirwais, and he is the shit. The album will be released worldwide on September 19, and I hope you like my music.”

Today in Madonna History: September 17, 1998

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On September 17 1998, Madonna released a statement against the World Vaisnava Association’s criticism of her Ray of Light/Shanti MTV performance: “The essence of purity and divinity is non-judgement… they should practice what they preach… if they’re so pure, why are they watching MTV?”

Today in Madonna History: September 16, 2017

On September 15 2017, Madonna spoke to Mark Savage (BBC) about how after a career of huge production shows, she’s thinking about a smaller scale residency style show in the future.

“I’ve done so many shows – world tours, stadiums, sports arenas, you name it – that I feel like I have to reinvent that now too. I like doing intimate shows and being able to talk directly to the audience. This is something I’m exploring right now: the idea of doing a show that doesn’t travel the world, but stays in one place and utilizes not only humour and the music in a more intimate setting but other people’s music, as well, and other entertainment. Kind of a revolving door of amazing, gifted, unique talent – dancers, musicians, singers, comedians, me, humour. I don’t know! Like, I’m trying to come up with all those ideas now.”

Here’s part of their interview:

Before we start, there’s one thing I need to know: Did your FedEx package ever arrive?

Ha ha! Yes, it has. FedEx is blaming customs, customs is blaming FedEx and we’ll never know what happened. But I have it now.

So, I saw the Rebel Heart tour when you were in London and the DVD does a really good job of capturing what it was like to be in the audience. How do you go about that?

I was there every step of the way, every day for months and months. It’s really hard to capture the true feeling of the excitement and the passion and the heat and the blood, sweat and tears. I’m pleased with the way it came out.

There’s a particularly touching sequence during True Blue, where everybody in the audience embraces each other.

I know, it’s a very sweet, emotional moment in the show. I didn’t expect it to be, but when I look back at the DVD it almost brings a tear to my eye because everyone seems so in love.

How do you put a show like this together? Where do you get the ideas?

Everything’s based around my song choice. So first, I go through my catalogue of songs with my band and I start working on things that excite me and inspire me in the moment. Some songs I’m sick of doing and I don’t want to do them. Other songs I say, “No, I did that on the last tour, I don’t want to do it again.”

So I try to rotate things and I also try to reflect my current mood and what I’ve been feeling, and what’s been inspiring me artistically or filmically, politically, philosophically. I try to put songs together in groups that have thematic connection, and then I try to tell a story. And then I do the visuals. It’s quite a process.

What are the songs you don’t want to do again?

Well, I tend to not want to do the songs I did on the tour before. That’s what I mean. So if I did Material Girl on the tour before, or Express Yourself on the tour before, then I’ll say, “OK, I did that for 88 shows. I can’t do it again.”

How do you keep a healthy balance between new songs and your back catalogue?

It’s just playing in rehearsal. It’s really hard for me, especially with my older songs, to do them with the original arrangement. Because 33 years later, after doing it for so long, you just have to reinvent things. Well, I do.

And it’s fun for me to take an ’80s pop song and turn it into a salsa song, or turn it into a samba, or make an uptempo song into a ballad.

The DVD also includes the Tears of a Clown show you did in Melbourne. Was that a one-off or a trial run for a different type of Madonna concert?

I like doing intimate shows and being able to talk directly to the audience; to play with them and use humour and pathos and truth, and share my life – and also make up stories. I like the freedom of it and I like the intimacy of it, and I would like to explore doing it more in the future.

Maybe a residency?

Yeah, a residency. If I look back at the Rebel Heart tour, my favourite part was really the last section where I got to just sit on the stage and play my ukulele and sing La Vie en Rose and talk to the audience. [It was] just more intimate. More audience participation and connecting to human beings – I feel I’m craving that more and more.

Did it feel like there was more room for improvisation in that section?

Yeah, I have freedom and I can make mistakes. That’s another thing I do in Tears of a Clown – if I start a song off wrong and I make a boo-boo, I just turn around and go “Stop! Let’s start again!”

When you’re doing a sports arena show, you’re linked up to video, you can’t stop. Once the train leaves the station, you have to keep going.

There’s a certain kind of adrenalin rush to that – but there’s no room for error. So I like the idea of mistakes and free-styling. Free-falling, really. It’s more exciting to me right now.

You can read the full interview here.

Today in Madonna History: September 15, 2017

On September 15 2017, Madonna’s Rebel Heart Tour was released on DVD, blu-ray and double-CD.

Here is the official press release:

Madonna today released her long-awaited REBEL HEART TOUR concert film on a variety of formats. REBEL HEART TOUR was recorded around the world and features both live and behind the scenes material, as well as previously unreleased footage culminating with performances at the Sydney Qudos Bank Arena (formerly known as the Allphones Arena) in Australia in March of 2016.

REBEL HEART TOUR is nearly two hours long and features Madonna’s most recent hits from the Rebel Heart album, and some of the biggest classics of her career including stunning reinterpretations of old favourites, which were unique to the tour. Bonus features on the DVD, blu-ray and iTunes version are Like A Prayer and ‘An Excerpt From Tears Of A Clown’ – incredibly rare footage of Madonna’s one-off Melbourne theatre show, which was completely different to the Rebel Heart shows in both scale, content and production. Featuring music, art and mischief, the exclusive fan club show was a celebration of Madonna’s return to Australia after 23 years.

Eagle Vision are releasing the film on DVD and blu-ray (both with an exclusive 14-track highlights CD) and digital download. Also released is a 22-track double CD, which is also available on all digital music services. In addition to the physicaland digital formats, madonna.com have exclusive fan merchandise bundles.

MADONNA: REBEL HEART TOUR was co-directed by Danny B. Tull and Nathan Rissman, both of whom have worked extensively with Madonna on her feature films and tour movies.

The tracklist for MADONNA: REBEL HEART TOUR film and live concert album span all decades of the iconic superstar’s illustrious career, including songs from her chart-topping Rebel Heart album to classic fan favorites.

Produced by Live Nation Global Touring, the Rebel Heart Tour kicked off on September 9, 2015 in Montreal and visited arenas in 55 cities on four continents over seven months. Madonna performed 82 shows, plus the special Tears Of A Clown fan club show in Melbourne.

Today in Madonna History: September 12, 1984

On September 12 1984, Madonna attended Dallas Boesendahl’s party for the Orion Pictures movie release of Amadeus at the Limelight club in New York.

In 2003, photographer Patrick McMullan released a coffee table book called: So80’s: A Photographic Diary of a Decade. In the book he said this of Madonna:

I was at this Dallas Boesendahl party for Amadeus at Limelight, and a publicist named Reid Rosefelt said to me, “You should come meet this girl Madonna.” I said, “Sure, I’m very happy to meet her,” but I didn’t know who she was. So I met her and took a few pictures of her. She couldn’t have been sweeter. It was just a very simple, unguarded moment.

 

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