Today in Madonna History: May 21, 1983

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On May 21 1983, Madonna’s Burning Up/Physical Attraction hit #3 on USA Hot Dance Music/Club Play chart.

Burning Up was written by Madonna and Physical Attraction was written by Reggie Lucas. Both were produced by Lucas with additional remixing by Jellybean Benitez on the latter.

Interestingly, the original copyright claim filed for the song Physical Attraction, which remains on file at the U.S. Library Of Congress, lists Madonna as its sole writer and Only Child Music (who handled Madonna’s songwriting publishing prior to the creation of Webo Girl) as its publisher, with no mention of Lucas or his publishing company, Likasa Music.

Burning Up went through several incarnations both before and after its official release. The earliest recording of the song to have surfaced is a live performance by Madonna with her band Emmy, likely from 1980. Although the lyrics underwent only minor revisions in later years, its initial guitar-driven arrangement and melody were relatively loose – if not underdeveloped. A more focused beat-driven version was recorded by Madonna with Stephen Bray in early 1982 and was featured on the four-track demo tape that brought her to the attention of Sire Records. In addition to the originally released version that appeared on the 12″ single, there are also two noticeably different album mixes of Burning Up. Early vinyl pressings of her debut LP featured a longer version with alternate guitar and synth parts and more prominently mixed backing vocals. This alternate album mix resurfaced in 1985 as the b-side to the Angel single in the UK, but it has never been officially released in digital or CD format.

Today in Madonna History: May 13, 1983

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On May 13 1983, Madonna performed Physical Attraction during a track date at the FunHouse in New York City.

Located at 526 West 26th St, the FunHouse (1979-1985) was a breeding ground for the new electronic sounds of the street and helped to make its resident disc jockey, Jellybean Benitez, one of dance music’s first superstar DJ’s.

Of course, Jellybean’s close association with Madonna certainly didn’t hinder his growing popularity either. His first working collaboration with Madonna was to remix Physical Attraction, the b-side to her sophomore single on Sire Records, Burning Up/Physical Attraction, which may explain why it was chosen over the more frequently performed lead track for her performance at the FunHouse. The same remix of Physical Attraction was later used on her debut album, together with new remixes Jellybean provided for Burning Up and Lucky Star alongside his first full production for Holiday.

Today in Madonna History: April 30, 1983

On April 30 1983, Madonna’s second single – the double A-side Burning Up/Physical Attraction – moved into the Top 10 on Billboard’s Dance/Disco Top 80 chart (now known as Hot Dance/Club Play), leaping from #18 to #9.

Interestingly, the release charted as Physical Attraction/Burning Up throughout its run on the Dance chart. When two songs are promoted together to dance clubs, Billboard will generally position the track that earns the higher number of spins first in its Dance chart entry.

The same Billboard issue also saw some early radio support for Madonna, as New York City’s WKTU-FM featured Physical Attraction among their top playlist adds for the week.

Today in Madonna History: March 9, 1983

On March 9 1983, Madonna’s second single, the classic double A-side Burning Up/Physical Attraction, was released on 12″ vinyl.

The sleeve of the single featured a series of sketches of Madonna created by her close friend, Martin Burgoyne.

 

Today in Madonna History: October 13, 1983

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On October 13 1983, Madonna performed Burning Up, Everybody and Holiday at Camden Palace’s Thursday Party Night in London, England.

The following article about Madonna’s performance was originally published on October 15 1983 by The Guardian:

This could be the way pop promotion is going – new artists launched not with a full concert, but with the live equivalent of a video clip.

The scene at the Camden Palace in the early hours was like something from a British version of Flashdance. The place was packed with the usual exotically dressed clientele – there to see and be seen rather than just listen to the music – when the dancing was interrupted by what’s known on the American disco scene as a “track date.”

Pioneered by the likes of Grace Jones, this is a cut-price promotion device in which a disco artist suddenly appears for half an hour, singing live to backing tapes.

This demonstration was by a white girl in her early twenties, known simply as Madonna, a dancer who moved to New York from the Mid-West as an ambitious teenager and is currently the most important new figure in the American dance scene.

She succeeded partly because she makes great records and partly because she has turned the boring idea of a track date into an exotic event.

Dressed in holocaust chic – black top, black skirt and leggings, lots of bare midriff, and hair in ringlets – she sang well, with a husky, black-sounding voice, and danced even better. She hurtled around the stage, mostly swivelling her hips like a belly-dancer while performing her songs like Lucky Star and the stirring Holiday.

Given a full set and a live band behind her, Madonna would seem to have the makings of a major star, so it’s no wonder she is now being managed by the man who guided Michael Jackson’s recent career.

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Today in Madonna History: August 27, 1983

On August 27 1983, Madonna’s debut album was reviewed in Billboard magazine. In the same issue, the album made its chart debut at #201 on the Bubbling Under LP chart.

Today in Madonna History: April 29, 1995

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On April 29, 1995, Bedtime Story peaked at #42 on the Billboard Hot 100 in the U.S.

Released as the follow-up to the longest-running U.S. #1 single of her career (Take A Bow), Madonna & Warner Bros. likely hoped that the momentum would carry over to the cutting-edge Björk penned title track. Despite a respectable reception in Europe (in the U.K. it performed better than Take A Bow) and significant buzz generated by its music video, Bedtime Story proved to be too unconventional for radio in North America, where it became her first fully promoted single to miss the Top 40 since Burning Up in 1983. It fared no better in Canada, peaking at #46 on May 1st, 1995.

The remixes for Bedtime Story, however, were a hit with North American D.J.’s and earned Madonna another #1 on Billboard’s Hot Dance/Club Play chart.