On July 27 1992, Madonna was featured on the cover of People magazine and in a feature article about the previous 50 years of teen idols.
Here’s a snippet of what People had to say about Madonna in 1992:
Not Just a Mirror of the Times, Madonna Is a Hall of Mirrors: Temptress, CEO, Atomic Blonde, Fatal Attraction—She Struts a Multitude of Selves Across the Stage – From Brando to Axl, the boys have always had somebody to act out their fantasies of rebellion and stand in for their forbidden selves. Then, in 1984, the girls got Madonna. So what if she had a Betty Boop voice and a smidgen of fat around her navel? She also had lyrics that would have made a black-and-white cartoon blush scarlet. “Unlike the others, I’ll do anything,” she sang in the video Burning Up: “I’m not the same/ I have no shame.” No wonder the nuns at her Michigan grade school used to tape her smart mouth shut. Top it off with clothes that seemed hijacked entirely from Frederick’s of Hollywood. Madonna was the material girl all right, and the material she paraded was spandex, Lycra and nylon net. For millions of teenagers, Madonna was the girl of their disobedient dreams. She had power; they had none. She was free, while they still needed Mom’s permission to stay out past 10. Madonna could afford to call herself a boy toy. This was one puppet who pulled her own strings. Her ambition had muscles; her will had the glint of chrome. Susan Seidelman, who directed Madonna in her first hit film, Desperately Seeking Susan, understood her appeal: “Funkiness mixed with amazing confidence—that’s a real powerful combination, especially for teenage girls.” For some big boys too. Did Sean Penn give her trouble? She dumped him like a smart cookie shaking off a crumb. Warren Realty was the permanent playboy? A few months with Madonna and he went running for the quieter life of wedded bliss—with another woman. “I’m tough, ambitious, and I know exactly what I want,” Madonna once said. “If that makes me a bitch, OK.”
On June 30 1992, Madonna contributed a remixed version of Supernatural (originally released as the b-side to Cherish in 1989) on the AIDS benefit CD, Red Hot & Dance.
On April 20 1992, Madonna signed a deal with Time Warner to set up her own multimedia entertainment company called Maverick.
The 7-year arrangement (with an option to extend to 11 years) allowed Madonna to run Maverick with her then long-time manager, Freddy DeMann, and have its headquarters based in Los Angeles.
Madonna was advanced as much as $60 million for the deal that included music publishing, television, film, merchandising and book-publishing.
David Geffen said this of the deal:
“Madonna’s deal is certainly extraordinary, but I think she’s a great talent with a great will, and if she wants to do something she’ll do it. She works very hard, takes big risks and stays at the cutting edge of what’s happening.”
Charles Koppelman, the chief operating officer of EMI Records North America, had this to day:
“If anyone is going to get a deal of this magnitude, she is the kind of artist to give it to, she’s the exception: someone who taps into artists and musical genres before the rest of the world does. In other deals where artists get their own labels, such perks are usually window dressing to satisfy their egos. Madonna’s different. I would bet on her to make something more of it.”
The first two projects released under Maverick included Madonna’s own Erotica album and her coffee table SEX book, in October of 1992.
On April 15 1992, Madonna appeared on the cover of Smash Hits magazine.
Here’s a snippet of the featured interview:
Smash Hits: So what have you been up to lately?
Madonna: I’ve just finished working on the movie A League Of Their Own, which I’m very excited about. I’ve also been working on material for my next record but that probably won’t be released for a couple of months.
Smash Hits: Are you planning any amazing tours and perhaps finally popping down to Australia along the way?
Madonna: Yes, absolutely. But right now I want to concentrate more on film. I’ve always wanted to become an actress – so I want to concentrate on film, the theatre and also dance.
Sorry for the crappy scan — if you have a better scan of this magazine cover, please let us know, thanks! – Jay
On February 25 1992, the Pioneer LaserDisc-only release Madonna: Blond Ambition World Tour Live won Best Music Video–Long Form at the 34th annual Grammy Awards at Radio City Music Hall, New York.
Although Madonna had received four Grammy nominations in previous years (Best Female Pop Vocal in 1986 & 1987; Best Original Song From A Motion Picture in 1988; Best Music Video–Short Form in 1991 for Oh Father), Madonna: Blond Ambition Tour Live represented her very first Grammy Award win. Ironically, the lack of a VHS edition or of any subsequent DVD/Blu-Ray reissue of the title meant that only those in possession a pricey LaserDisc player were afforded the opportunity to purchase and enjoy the award-winning release.
Madonna would receive three more Grammy nominations for Best Music Video–Long Form in the years that followed; she was nominated in 1995 and 2007 for The Girlie Show–Live Down Under and I’m Going To Tell You A Secret, respectively, before finally winning the award a second time for The Confessions Tour in 2008.
On December 6 1992, Madonna bought a 1920’s mansion on Mulholland Drive overlooking Hollywood for $5 million. The nine-story, 8,000 square foot home with nine bedrooms and six baths was previously owned and used as a gambling den by Bugsy Siegel, the original owner of the Flamingo Casino and Hotel in Las Vegas.
Soon after buying the mansion, called Castillo del Lago, Madonna had it painted with pink and yellow stripes, making it both hated by neighbours and easy to locate by both fans and stalkers. Christopher Ciccone, Madonna’s brother and former interior designer, says the stripes were inspired by a church in Portofino.
The home gave Madonna a 300-degree view of Los Angeles and the ocean. Designed by John De Lario, it was completed in 1926.