On January 31 2005, BBC Radio-One asked fans to vote for the Greatest UK Number One Single to celebrate the 1,000th number-one hit in the country. Madonna was the most voted for female artist with two songs in the top ten:
- Queen – Bohemian Rhapsody
- Iron Maiden – Bring Your Daughter To The Slaughter
- Michael Jackson – Billie Jean
- Madonna – Like A Prayer
- Madonna – Vogue
- Elvis Presley – Jailhouse Rock
- Oasis – Don’t Look Back In Anger
- Abba – Dancing Queen
- Mariah Carey – Without You
- John Lennon – Imagine
What do you think of the results of the poll?
On November 20 2005, Madonna’s Confessions On A Dance Floor debuted at #1 on the UK album chart, becoming her ninth UK #1 and her fifth consecutive album to reach the top of the chart. While Confessions took the top spot, Hung Up enjoyed a second week at the top of the singles chart in the UK, ahead of Westlife’s You Raise Me Up (#2) and Black Eyed Peas My Humps (#3).
On November 3 2005, Madonna opened the 2005 MTV Europe Music Awards in Lisbon, Portugal with her first live performance of Hung Up.
Less than three months after suffering several broken bones in a horse riding accident, Madonna’s performance was triumphantly received by fans and the press – not to mention the very enthusiastic audience who attended the show in Lisbon.
On September 21 2005, legendary gossip columnist and longtime Madonna supporter Liz Smith continued to generate excitement for the release of Madonna’s album Confessions On A Dance Floor in her New York Post column:
Disc Jockeys from all across the U.S. converged in a small, chic backroom down at 14th Street’s Lotus restaurant last Wednesday afternoon. They were there to listen to three tracks from Madonna’s soon-due ‘Confessions on a Dance Floor’ album, and to meet the CD’s brilliant British producer, Stuart Price. Although it was all very casual, with cocktails and munchies, the music men – and women – listened intently, in their own hectic, head-bobbing way. (And most of them looked like fresh-faced college students!) M’s sound went over big time, and Grammy-winner Price, only 30 years old, was mobbed. There were at least three dozen people in this confined space — Price could hardly move from all the handshaking, shoulder slaps and hearty hugs. He is worshiped in the dance community and uses another name on some work — Jacques Le Cont. He’s produced for No Doubt and many others. Talking about the songs, Price, who also has a very naughty sense of humor, said: ‘When dance music was young, there was a strong vocal, and the beat was underneath. Now, the vocal is not so prominent. Madonna and I wanted to make a dance album for today, which would satisfy everybody — those who want to really hear her voice and those for whom the driving thump-thump is the thing. I think we’ve succeeded.’ Music scribe Maggie Stein, who also writes under the nom de plume Odyssey Jones, said, ‘This is hopeful dance music. It has a positive message, in that it’s fun. Just fun. It’s what Madonna needed to do.’
On July 2 2005, Madonna performed Like A Prayer, Ray Of Light and Music in front of an audience of over 200,000 during the Live 8 benefit concert at London’s Hyde Park. Part of a series of concerts, many of which were held simultaneously at various locations around the world, Live 8 was broadcast live on television and radio to an estimated global audience of two billion.
Madonna is one of only eight acts – and the only female artist – to have been a headlining performer at both 1985’s Live Aid and 2005’s Live 8. Other returning performers were U2, Paul McCartney, Elton John, Sting, The Who, George Michael, and organizer, Bob Geldof. It took a bit of arm twisting on Geldof’s part to win Madonna’s commitment the second time around, as Madonna explained to MTV’s John Norris in a backstage interview after her performance:
Bob Geldof sent me a letter asking ‘will you do Live 8?’ and he didn’t really tell me anything and I went ‘Oh common dude, you gotta do better than that! Prove to me that it’s gonna make a difference and I’ll be there for you.’ And he did!”
In what turned out to be one of the event’s most moving moments, Madonna was introduced to the stage by Geldof with Birhan Woldu – the starving African child featured in the CBC News report twenty years earlier who had prompted Geldof to organize Live Aid. When Geldof had asked Woldu which artist she would like to appear with on stage, she immediately selected Madonna for the simple reason that she was the only artist on the bill that she had ever heard of. In a later interview, Woldu recalled the experience:
The crowd seemed to stretch for miles, but I’d been telling myself not to be nervous. There was just a huge picture of me as a child on the screen. That photo still upsets me. It was taken 20 years ago, when both my mother and sister died. I knew I must be strong for them but when I walked on I could feel my body shaking. Then Madonna took my hand and looked into my eyes, the crowd roared and I realised the world wanted to help my continent. I felt myself grow stronger.”
Madonna’s memorable performance at Live 8 was largely praised by mainstream media and fans alike.