On December 19 1987, Madonna’s haunting ballad The Look Of Love peaked at number nine on the UK Singles Chart. The third and final Madonna single from the Who’s That Girl soundtrack, it was released only in select European countries and in Japan.
The Look Of Love was written, produced and recorded by Madonna and Patrick Leonard during the second of a three-day studio session, with the title track of the soundtrack being written and recorded on the first day. Additional musicians were brought in for overdubs and mixing was completed for both tracks by the end of the third day.
Despite being a set-list staple on the Who’s That Girl tour – the song’s limited release, moderate chart success, along with the fact that it has not been included in any of Madonna’s subsequent retrospective collections has led to it being largely forgotten, although fans frequently cite it as an underrated gem.
In a 1991 interview with ICON magazine, background vocalist Niki Haris expressed fond memories of performing the track with Madonna during the 1987 tour:
“My favorite song ever to perform with Madonna was a song called The Look Of Love from the Who’s That Girl Tour [Niki sings: Nowhere to run, nowhere to hide…]. That is one of the greatest songs and Madonna sings it really great. That’s my favorite song of all time as far as singing with her.”
The single reached number six in Ireland, number eight in the Netherlands and number ten in Belgium, while it peaked outside the top-ten in Germany, Switzerland, France and Japan.
On November 25 2000, Madonna’s mimed performance of Music recorded for the BBC music series Top Of The Pops aired on RTL in Germany. It would later air on the BBC’s year-end retrospective edition of Top Of The Pops on December 25th.
Madonna was accompanied by long-time back-up singers/dancers Donna De Lory and Niki Harris during the performance.
On September 1 1990, Madonna’s Vogue spent its final week on Billboard’s Hot Singles Sales chart at #40. The massive hit was present on the U.S. sales chart for a total of twenty weeks, including two weeks at #1 in May of 1990.
Vogue has been certified double-platinum by the RIAA for physical sales of over two million units. In terms of physical sales alone, it remains Madonna’s best-selling single in the U.S.
On November 1 1997, Buenos Aires peaked at #3 on Billboard’s Hot Dance/Club Play chart.
The promo-only set of remixes by Madonna, Pablo Flores & Javier Garza were serviced to clubs by Warner Bros. Records to promote the home video release of Evita. Produced in the summer of 1996 during the same sessions that yielded the hit remixes for Don’t Cry For Me Argentina, the percussion-heavy Buenos Aires club mixes again featured re-recorded vocals by Madonna and additional harmonies provided by Donna De Lory & Niki Haris.
On September 6 1989, Madonna performed Express Yourself at the 6th annual MTV Video Music Awards at the Universal Amphitheatre, Los Angeles, CA. The Express Yourself music video picked up awards for Best Direction, Best Art Direction, Best Cinematography, while Like A Prayer won the Viewer’s Choice Award.
Serving as a sneak preview for 1990’s Blond Ambition Tour, the performance marked the first of many to feature the vocal trio of Madonna, Donna De Lory and Niki Haris. De Lory and Haris had previously toured with Madonna during the 1987 Who’s That Girl Tour, but had been joined by a third background vocalist, Debra Parsons. The pair would be more heavily featured as vocalist/dancers from this point forward, rather than simply band members who rarely left the confines of their microphone stand.
It was during rehearsals for the 1989 VMA performance that Niki Haris brought voguing to Madonna’s attention, and stylized poses were then fittingly incorporated into the performance’s choreography.