On October 30 2014, Madonna and Guy Oseary attended Keep A Child Alive’s 11th Annual Black Ball at the Hammerstein Ballroom in New York.
Madonna appeared in photos with Alicia Keys, Kanye West and a few other handsome men.
On October 29 2013, photographer Richard Corman announced the release of an exclusive photographic book, Madonna NYC 83, devoted to the photo shoot he created with Madonna back in 1983, a few months before the release of her first studio album.
“As a young photographer in 1983, I had the opportunity to capture a series of images with Madonna as she was on the verge of releasing her debut album,” said Richard Corman. “The rebellious energy of the East Village was the backdrop to showcase Madonna’s style, spontaneity and pioneering attitude. She consistently conveyed an attitude of fearlessness and fierce determination.”
In conjunction with the U.S. book launch, Milk Gallery in New York City hosted a special exhibition featuring images from Madonna NYC 83 which ran from November 15 – December 15, 2013.
On October 28 2015, Katy Perry was the Unapologetic Bitch during the Los Angeles Rebel Heart Tour stop. Instead of giving Perry a standard banana, Madonna treated her to a banana flask filled with an alcoholic drink.
Later on Instagram, Madonna declared Katy to be the “Best Unapologetic bitch ever!”
Katy shared her videos of the experience on Instagram saying, “Well, that was unrehearsed but I Love You Madonna my QUEEN.”
On October 26 1992, Madonna’s SEX book was banned in Japan due to its controversial photos which violated the country’s censorship laws.
Here is Madonna’s perspective on pornography:
I don’t see how a guy looking at a naked girl in a magazine is degrading to women. Everyone has their sexuality. It’s how you treat people in everyday life that counts, not what turns you on in your fantasy. If all a person ever did was get off on porno movies I would say they are probably dysfunctional sexually, but I don’t think it’s unhealthy to be interested in that or get off on that. I’m not interested in porno movies because everybody is ugly and faking it and it’s just silly. They make me laugh, they don’t turn me on. A movie like In the Realm of the Senses turns me on because it’s real. I’ve been told there are some good Traci Lords movies but I’ve never seen them. I wouldn’t want to watch a snuff movie. I wouldn’t want to watch anyone get really hurt, male or female. But generally I don’t think pornography degrades women. The women who are doing it want to do it. No one is holding a gun to their head. I don’t get that whole thing. I love looking at Playboy magazine because women look great naked.
On October 25 1994, Madonna’s sixth studio album, Bedtime Stories was released by Maverick Records. The album was produced by Madonna with co-producers Nellee Hooper, Dave Hall, Dallas Austin and Babyface.
When the self-orchestrated media onslaught that accompanied the release of her previous album Erotica largely overshadowed the brilliant work it contained, Madonna took a decidedly subdued approach when it came to promoting Bedtime Stories. Interviews conducted for its release were mostly in print with a greater emphasis being placed on music – it seemed as though Madonna had little patience at the time for interviewers who insisted on turning her private life into headlines.
Both a sense of defiance and a hint of impatience with society’s intolerance to her boundary-pushing provocations carried over into the work itself, most notably with album opener, Survival and the sardonically biting Human Nature. But such sentiments were balanced with songs that were perhaps more personal and more poetic than she had offered on previous albums, with the possible exception of Like A Prayer. Feelings of longing, loneliness and loss – along with early glimpses into spiritual rediscovery – are at the emotional heart of the record, with songs like Love Tried To Welcome Me and Sanctuary containing some of her most ambitiously inspired lyrics, expanding on written works by George Herbert, Carson McCullers and Walt Whitman.
Perhaps the album’s most notable triumph is for Madonna as record producer, as she successfully manages to design an overarching flow that seamlessly bridges the styles of her various collaborators and co-producers. Indeed, Bedtime Stories is a body of work that is much more successful as a whole than it is broken down into individual tracks, which may explain why it is frequently overlooked in comparison to her more singles-driven albums of the previous decade. Even the record’s mega-hit, Take A Bow hasn’t maintained the traction in the realm of public consciousness that some of her earlier and later hits have managed to do. But when played from start to finish, Bedtime Stories remains surprisingly relevant through its subtleties and nuances – aptly demonstrating that even for Madonna, sometimes less is more.
“So here’s my question –
Does your criticism have you caught up
In what you cannot see?”