On January 15 1993, Body of Evidence was released across North America. The erotic thriller was produced by Dino De Laurentiis and directed by Uli Edel. The film starred Madonna and Willem Dafoe, with Joe Mantegna, Anne Archer, Julianne Moore and Jürgen Prochnow in supporting roles.
The theatrical release for the film received the rare NC-17 rating (“No Children Under 17 Admitted”).
Sex was a game to her. She got off on the control. She always used to tell me it had to be her way.
When was the last time you watched Body of Evidence? Thoughts?
On December 28 1992, Madonna was named one of the 25 Most Intriguing People In The World For 1992 by People magazine.
Here’s what People had to say about Madonna in 1992:
The Movies! The Album! The Naughty Pictures! Once Again Madonna Was Everywhere, Shouting, “Look at Me—Every Inch of Me!”
Intriguing: suggests an air of mystery. Madonna: does everything in public but floss her teeth.
Intriguing: wrapped in enigma. Madonna: not wrapped in anything.
Intriguing: means doesn’t appear on-camera in romantic encounters with Evian water bottles. Madonna: does.
OK—so what’s so intriguing about somebody who lets you know that her lovers require a five-cent deposit?
For one thing, she made ya look. Consider Sex, the photo book in which she had her picture taken doing everything but blushing. Besides proving that a naked Madonna could arch backward over a pinball machine without mussing her hair, it also pushed the envelope out to the size of a circus tent. And when the crowds came pouring in, there she was at center ring, cracking her whip.
It only served her purposes that Sex earned sniffy reviews like “The Empress Has No Clothes” and that it was banned in places such as Japan and Ireland. Coming on the heels of her summer film hit, A League of Their Own, the fuss over her book helped to launch her new album, Erotica, and primed the movie audience for her next assault on their sensibilities, Body of Evidence. Her success at getting the world to subsidize her sexual preoccupations—to say nothing of her mammoth self-absorption—is what makes her worth the $60 million deal she cut this year with Time Warner (the parent company of PEOPLE). Madonna is not the first star to find the bucks in buck nakedness. But no one before her has capitalized so well on human willingness to have our fears and desires repackaged and sold back to us.
Yet this most public of women still strains to be a mystery. This year she went through more faces than Lon Chaney—one minute in Baby Jane pigtails, a cupcake from hell; the next in sour milkmaid gear, Heidi with a mean streak. Her changing gallery of faces is one reason that she’s a sex symbol who inspires a lot of heavy breathing from intellectuals. One landmark of the 1992 publishing list—The Madonna Connection: Representational Politics, Sub-cultural Identities and Cultural Theory. You didn’t get this sort of thing for Petula Clark.
But does she really throw such a mysterious light on our culture? More likely it’s just the glinting gears of a giant publicity machine. Yet the sheer magnitude of her achievement in that regard is, well, intriguing. And the grinding of those gears is surely too loud to be ignored. “I’m a revolutionary,” she once sighed. “And yes. it’s a burden.”
Sometimes it’s a burden for her, we sigh in return, and sometimes for us.
Madonna was a busy woman in 1992! What did you enjoy most? A League Of Their Own? This Used To Be My Playground? Erotica? Sex? Body Of Evidence?
On October 15 1992, Madonna threw a Sex book pre-release party at New York City’s Industria Super Studio, and signed all the invitations under her alter ego “Dita”.
During the party, Madonna showed up dressed as Little Bo Peep and carried with her a stuffed toy lamb.
Madonna’s publicist Liz Rosenberg showed concern at first worrying “what the parents of America’s impressionable teens will soon be thinking” but later said that it “all depends on your idea of lovemaking, which in Madonna’s case, should give new meaning to the word erotic.”
Both Walden Books and Barnes & Noble prepared corporate statements that their store managers could share with customers who were offended by Sex. Both statements defended the right of bookstores to provide “diversity and choice” to customers and say censorship is not the role of bookstores.
Bookstore owner David Epstein stated that “The feeling of most people who have ordered the book is that Madonna is something special, that this is cutting-edge art, they’re not the kind of people who are buying it because it’s smut and dirty pictures. People are interested in it as art.”