Today in Madonna History: November 11, 2005

On November 11 2005, Madonna gave a sparkling performance of Hung Up & Get Together on French reality television series Star Academy during the European promotional tour for her album Confessions On A Dance Floor.

Today in Madonna History: November 3, 2005

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On November 3 2005, Madonna opened the 2005 MTV Europe Music Awards in Lisbon, Portugal with her first live performance of Hung Up.

Less than three months after suffering several broken bones in a horse riding accident, Madonna’s performance was triumphantly received by fans and the press – not to mention the very enthusiastic audience who attended the show in Lisbon.

Today in Madonna History: October 26, 1985

On October 26 1985, Madonna’s sassily self-written soundtrack slice, Gambler, peaked at #4 in the UK.

You could be taking your chances on this hidden gem once again, Madonna.

We know you want to.

Come on.

Today in Madonna History: October 14, 1993

On October 14 1993, Madonna performed the first of three sold out concerts at New York’s Madison Square Garden during her Girlie Show Tour.

Today in Madonna History: September 14, 2004

On September 14 2004, the final show of Madonna’s Re-Invention Tour took place in Lisbon, Portugal.

The Lisbon concert was recorded and considered for release on DVD but these plans were unfortunately shelved. However, a rough cut leaked on the internet several years later. To date this remains the only complete, professionally shot recording of the tour available to fans.

Today in Madonna History: July 27, 2004


On July 27 2004, Madonna’s management issued a press release confirming that Madonna would be adding a concert in Lisbon to the Re-Invention Tour itinerary:

Lisbon Concert Press Release July 27, 2004 RE-INVENTION WORLD TOUR 2004 LISBON CONCERT CONFIRMED! 13-SEPTEMBER PAVILHAO ATLANTICO Lisbon, Portugal

The wait is finally over, the rumours are confirmed for the first time ever Portuguese fans will get their chance to see Madonna’s Re-Invention World Tour later this summer. The tour which is currently sweeping through North America to rave reviews before launching in Europe on August 14th is confirmed to play Pavilhao Atlantico on 13-September, 2004. By both artistic and commercial standards Madonna’s Re-Invention Tour is a smash hit. The New York Times called Monday’s sold-out debut, “Dense, dizzying exhilarating.” The London Sun said, “Today’s generation of Pop Idol wannabees should listen, learn and take note from a woman who has no intention of handing over her crown for a good few years yet”, and Rolling Stone said: “She’s putting more love and genuine passion into her spectacle than ever.” Madonna is both a multi-Grammy Award winner and a multi MTV Award winner and has sold well over 250 million albums during the span of her extraordinary two-decade career. In addition, she has had more Top Ten Singles than any female artist in history – second only to Elvis Presley.

By popular demand a second concert on September 14th would later be added, becoming the final date of the tour.

Today in Madonna History: July 19, 2004

On July 19 2004, the first of three shows at Toronto’s Air Canada Centre during Madonna’s Re-Invention Tour was reviewed by Angela Pacienza of the Canadian Press:

TORONTO (CP) – The original Material Girl strutted, writhed and wriggled Sunday, showing her fans she still had the goods to compete with performers half her age.

Madonna’s concert, the first of three in Toronto, was an over-the-top theatrical production complete with costume changes, choreographed dance numbers and an ever-changing stage. After an awkward, avant-garde video display where she appeared to turn into a wolf, the 45-year-old singer opened with Vogue, her tribute to New York club life. Dressed in a glittery corset, black short-shorts and knee-high boots, Madonna sashayed from one end of the stage to the next with the help of a moving sidewalk – a conveyer-belt built into the entire front section of the stage. Aptly titled the Re-Invention Tour, the set went through several incarnations, at times appearing as a Renaissance painting, a war field, a circus, a traditional concert stage with a full band in the centre and finally, a dance club. Moving parts included a V-shaped catwalk that dropped down on top of the floor seats, giving Madonna greater access to fans at the back end of the Air Canada Centre.

It’s been 11 years since Madonna’s strutted on a Canadian stage and fans showed they’ve been patiently waiting with thunderous applause throughout the show. “It’s good to be back, Toronto,” she told more than 16,000 fans who paid up to $300 – considerably more than the top-ticket price of $55 for her 1993 stop. “Just because I’ve changed my ways doesn’t mean I don’t still like to have fun.” She briefly mentioned a run-in with Toronto police in 1990, when officers investigated reports of lewd acts during her concert. “I’m a good girl,” she purred.

The Material Girl has re-invented herself dozens of times since she left her Michigan working-class home in the late 1970s. Her most memorable persona was the sex-crazed diva, a harbinger of the current generation of pop music tarts. She offered the crowd some of that sauciness on Sunday with suggestive dance moves – although the show was relatively tame compared to her former self. Instead of sexual provacativeness, she filled the two-hour set with religious iconography. An illustration of Jesus was her backdrop for Mother And Father. She wore a T-shirt with the words Kabbalists Do It Better during Papa Don’t Preach.

Madonna’s calmed down considerably in recent years, with her current role of demure mother, children’s book author and spiritual practitioner. The show seemed structured to show off Madonna’s new maturity, urging people to think about government, religion and world events, rather than push the usual buttons with simulated sex scenes. Her fans didn’t seem to mind and said they continue to support her chameleon career.

Carla Filoso drove from Ottawa for the show. “She’s probably the most influential artist of our time,” gushed the 24-year-old, who spent $300 on her floor seat ticket. “She’s re-invented herself about 100 times.” Natalie Michaud thought the ’80s icon was worth buying a ticket from a U.S. scalper for $700 US. On top of that price, the 25-year-old psychology student flew from Grand Falls, N.B. with her boyfriend for the show. “I grew up with her. I love her,” she gushed from her floor seat.

Madonna didn’t disappoint, working her way through the maze of past hits with confident ease, even finding inventive, modern ways to interpret her ’80s songs. Express Yourself saw her treat a rifle like a baton, twirling it round and round and giving the song a more political slant. Burning Up, a syrupy pop ditty from her first record, became a bold, new wave rock song. Wielding an electric guitar, Madonna belted out her signature song, Material Girl to some of the loudest screams of the night. Other hits included Frozen, Into The Groove and Crazy For You.

Madonna, who found time earlier in the day to stop in at the city’s Kabbalah Centre, proved herself a versatile performer, putting on a Vegas-style show that left the audience panting right until the red-and-white confetti sprayed overtop during the finale, her song Holiday – the singer’s first Top 40 hit back in 1983. With a huge library of songs to choose from, Madonna seemed to have picked one to represent her many image makeovers. Lament, from Evita, showed a bit of the sophisticated lady. Like A Prayer was her first religious foray. Hanky Panky, from the film Dick Tracy, reminded fans of Madonna’s many attempts to conquer acting. Her button-pusher attitude was let loose during American Life, with dancers dressed like soldiers attacking others dressed as religious figures including a nun and a rabbi.

She performs again Monday and Wednesday. The three Toronto shows are her only stops in Canada. Her tour ends in Lisbon in mid-September.

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