On January 26 1983, Madonna performed a track date at the Red Parrot at 617 West 57th St in New York City. Also featured on the bill were Planet Rock and Man Parrish.
While unconfirmed, the setlist likely would have previewed the soon-to-be-released Physical Attraction & Burning Up (which were recorded in November, 1982) along with her then-current club hit, Everybody.
A review of the night’s performances was featured in the February 12 1983 issue of Billboard Magazine (pictured with the show’s flyer above).
It may have been the first but it would be far from the last review in which Madonna’s musical talent would be minimized in retribution for her strong visual presence, among other things. Unlike Elvis or Michael Jackson, female artists are often criticized for flaunting the same qualities that make heros out of their male counterparts; for daring to be more than one-dimensional artists. While Madonna is not the first or the last female artist to break through these barriers – and her mission is indeed still a work in progress – one only needs to flip through the pages of Billboard magazine on both sides of the 1983 cultural divide to witness the scope of her impact on music and popular culture.
On January 21 1984, Madonna earned her very first Canadian chart entry as Holiday entered RPM’s Canadian Top 50 Singles chart at #48.
Madonna would go on to collect a total of 25 #1 singles to date in Canada – the most for any solo artist in Canadian chart history. She has also racked up a staggering 68 Top 40 singles in Canada – 51 of which ascended into the Top 10.
On January 14 1984, Madonna made her North American network television debut, performing Holiday on ABC-TV’s American Bandstand – hosted by Dick Clark.
Dick Clark asked Madonna, “What do you hope will happen, not only in 1984 but for the rest of your professional life? What are your dreams? What’s left?”
Madonna answered simply, “To rule the world.”
On January 13 2010, a press release by powerHouse books announced the book Madonna: Sticky & Sweet, featuring photography by Guy Oseary:
Madonna’s legendary Sticky & Sweet Tour, the most successful tour by a solo artist in history, has been chronicled by her longtime manager Guy Oseary and the resulting book, Madonna: Sticky & Sweet is being published by powerHouse Books (February 2010). The glossy retrospective includes 500 extraordinary photographs taken on and off stage during the course of the 58 show tour which circled the globe in 2008 and was seen by over 2 1/2 million fans. Oseary’s discerning eye along with his unprecedented access to Madonna before, during and after each show gives the viewer a unique insight into the journey of a lifetime. The Sticky & Sweet photo book feature the four segments of the concert experience including the opening “Pimp” section, and Old School salute to early NYC dance roots, onto Romani music influences and escalating in a rave finale. Oseary previously released the critically acclaimed Madonna: Confessions photo book, also published by powerHouse Books which covered her previous tour. Guy Oseary is the CEO of Maverick and Madonna’s manager. He has worked closely with Madonna for almost two decades, and was the only individual permitted to take photographs both on and backstage on the landmark Sticky & Sweet Tour. Oseary’s first book, Madonna: Confessions, was published by powerHouse in 2008.
On December 27 2003, Nothing Fails peaked at #1 on Billboard’s Hot Singles Sales chart.
Unfortunately this chart position owed more to the disappearing physical singles market in the U.S. at the time than it did to the song’s overall popularity. Despite the remixes being relatively well-received (the maxi-single included club mixes of Nobody Knows Me), with no accompanying music video and a complete lack of radio support Nothing Fails failed to crack the Hot 100 singles chart. This marked the first time in Billboard’s history that a single topped the Singles Sales chart in the U.S. without making an appearance on the Hot 100.
In more reassuring chart news, Billboard announced in the same issue that Madonna was being crowned Top Dance Singles Sales Artist for 2003. Madonna had previously achieved this honour in 1985 and 1987, and held the runner-up position in 2000 and 2001.
On December 22 2009, Madonna’s hits collection Celebration was released on vinyl in the U.S. by Warner Bros. Records following a one-week delay from its original street date.
The deluxe vinyl package featured four 120g black vinyl discs pressed at Record Industry (Netherlands) in a 2-pocket Stoughton gatefold jacket with expanded pockets (2 discs in each pocket) and included all of the 36 songs originally available on the 2-CD edition of the album. A vinyl edition for the European market also appeared in record shops on January 8th, 2010.
Although Warner made no indication of either pressing being a limited edition release, the sets disappeared from store shelves once their initial shipments had sold and were promptly deleted from circulation by Warner on both continents without explanation. Sealed copies of the sets now command more than $400 USD in the collectors market.