On May 19 1995, the music video for Human Nature premiered on MTV.
Madonna had initially planned to have friend and collaborator Alek Keshishian direct the video for Human Nature. Keshishian had even been named as the director in ICON Magazine, but for unknown reasons this shoot was cancelled during pre-production. Madonna later called in another recurring collaborator – Jean-Baptiste Mondino – to direct the clip instead.
The video marked Madonna’s first collaboration with Jamie King, who can be spotted as a dancer in the video.
On May 11 1985, Crazy For You hit number-one on the Billboard Hot 100 chart in the U.S. for one week. The track had spent the two previous weeks in the runner-up position behind the all-star single, We Are The World. In Canada, Crazy For You took a few weeks longer but also managed to displace USA For Africa’s charity track to become the county’s number-one single on May 25th.
The song was Madonna’s second chart-topping hit, and her first ballad to be released as a single.
On May 6 1995, the first of a two-day shoot for the music video for Human Nature took place at Raleigh Studios in Hollywood, California.
The video was directed by Jean-Baptiste Mondino, while the work of S&M comic artist Eric Stanton provided inspiration. Human Nature was Madonna’s third collaboration with Mondino following his music videos for Open Your Heart (1986) and Justify My Love (1990).
“Mondino found this book by this illustrator named Stanton who did kinda S&M drawings and stuff, but we didn’t want to go with the straight S&M; we wanted to have it be more about making fun of it.” – Madonna
“All I know is…my main problem is I don’t like videos when somebody’s dancing, that the camera is moving a lot. I’m more like an old-time, classic guy, because I remember most of the video you had shot with the crane, some Steadicam, plus some panning. So you have about five different cameras shooting a performance, and after they edit like crazy. It gives you a lot of freedom, but I feel very frustrated because I like to see somebody dancing. I hate when there’s too much editing. I like the steadiness of the performance because then you can really enjoy the movement of the body. You see the skill. I like to shrink — as much as I can — the stage because I can grab her. If not, everyone is running around and I’m not good with this. So I came up with the boxes [laughs] and I knew that with the boxes I had to do with something quite unexpectable because there’s not too much stage to dance in. So there’s something beautiful about it and they looked like bees or something. And the rest of it was how to create some kind of choreography and some graphic imagery with the S&M outfits, but with humor. So she has a little dog and she has some funny moments where she drops down, there’s some Charlie Chaplin-esque moments in it. Because S&M is a game, you know? It’s dark, it looks dark, but I think people have fun. When you wear rubber like this, you better have fun. If not, you stop using it for sex and you become a diver, you know?” – Jean-Baptiste Mondino