On January 20 1996, Madonna’s You’ll See re-entered the Billboard Hot 100 Top 10 at #10.
The lead single from Madonna’s Something To Remember ballads collection debuted at #8 on December 8, peaked at #6 on December 16, and in the following weeks fell to #9, #11, #12, #11 and then climbed back to #10.
Larry Flick had this to say about You’ll See:
Foster’s flair for musical melodrama inspires Madonna to turn in what is easily her most assured and full-bodied vocal performance to date. Amid a swirl of strings and Spanish guitars, she spews the song’s declaration of romantic independence with a theatrical verve that perfectly matches the stagey, potentially overpowering tone of Foster’s arrangement without flying over the heads of her youthful top 40 following. A stunning effort that could easily become the ‘I Will Survive’ of this generation.
On January 15 1996, Madonna appeared on the cover of People magazine, with the title: Madonna faces down her stalker in court.
Here’s an excerpt from the issue:
At first glance, it looked like any other Madonna-centric media event, with scrambling news crews and ogling fans swarming around her black limousine. But as soon as she entered courtroom 116 in the L.A. Criminal Courts Building on Jan. 3, it became clear that this was no ordinary Madonna performance. Inside, a jury listened intently as the normally flamboyant singer, 37, dressed with subdued elegance in a black, knee-length suit, soberly delivered testimony against a 38-year-old drifter accused of stalking and threatening to kill her. “He was there to take me away; he wanted me to be his wife,” she said in measured tones. “If he couldn’t have me [he told my secretary], he would slit my throat, from ear to ear.”
Madonna’s hour-long testimony may bring to some kind of conclusion an unsettling series of events that began when Robert Dewey Hoskins was first found hanging around the singer’s Hollywood Hills estate. Hoskins showed up at Madonna’s home last April 7, jumping a security wall before being ejected from the 3.5-acre grounds by a private guard. (Madonna was not home at the time.) Returning from a bike ride with her personal trainer the following day, Madonna encountered Hoskins at her gate. “He looked homeless, dirty; his clothes were wrinkled, and he had a crazy look in his eyes,” she testified. His stare, she said, was “creepy…deranged. It was scary.” Hoskins said nothing but left a note that said, “I love you. You will be my wife for keeps.”
The appearances by Hoskins were unsettling enough, Madonna says, to persuade her to sell the estate, once the home of gangster Bugsy Siegel. Seven weeks later, while Madonna was in Florida, where she also owns a home, Hoskins was back, this time carrying a four-inch wooden heart with the oddly misspelled inscription “Love To My Wife Madnna.”
On December 7 1996, You Must Love Me spent its final week on Billboard’s Top 40 Mainstream chart.
The song spent a total of six weeks on the Top 40 Mainstream chart, peaking at #23 during the week of November 23rd.
On November 9 1996, Madonna’s You Must Love Me debuted at #24 on the Adult Contemporary Billboard chart in the USA.
On October 15 1996, Madonna appeared on the cover of the New York Post, with the caption:
It’s a girl! Healthy 6lb. 9oz. BABY
Lourdes was born the previous day – you can read about that here.
On October 14 1996, Madonna gave birth to Lourdes Maria Ciccone Leon (Lola), her daughter with Carlos Leon. Happy Birthday Lourdes!
On June 24 1996, Madonna’s cover of Rose Royce’s Love Don’t Live Here Anymore peaked at #24 on the Canadian Top 100 Singles chart, which was then tabulated by RPM – Canada’s long-running music industry publication that folded in the year 2000.
Love Don’t Live Here Anymore was Madonna’s only fully promoted North American single to not be issued commercially in any physical format in Canada until the release of 4 Minutes in 2008, by which point Warner Music Canada had ceased domestic production of physical singles and maxi-singles altogether (2006’s Jump CD maxi-single was the last). Considering this distinction, the song managed to perform respectably well on the Canadian Singles chart based on airplay alone. In the U.S., where it was available commercially on CD-single, cassette-single and 7″ single, it only manged to climb to #78 on Billboard’s Hot 100, becoming her lowest charting single to date at the time (excluding her first two singles, neither of which charted on the Hot 100).