On March 7 1996, Madonna’s One More Chance was released as the third single in the UK and several other European countries, and the second single in Australia and Japan, from her ballads collection, Something to Remember.
The song received positive response from music critics overall, who praised its musical simplicity and Madonna’s nuanced and emotive vocal delivery. Since Madonna was busy filming the Evita, the song received little promotion and no original music video was produced to accompany the release.
The Spanish version of You’ll See, titled Verás, appeared as the B-side of the single release.
In a January 1996 interview with Spin magazine, Madonna said of the song: “Often in my songwriting, I take things people say to me and turn them around, and put it in the first person. So it’s actually something that was said to me.”
One More Chance was written and produced by Madonna and David Foster. Foster initially did not expect Madonna would collaborate with him, as he believed that his music was not “really hip enough for her.” Madonna and Foster worked on the song during the writing and recording session for Something to Remember, in the third weekend of September 1995. They wrote and recorded three songs for the project, but only You’ll See and One More Chance made the final cut.
Their third track from the sessions, titled I Can’t Forget, was later offered by Madonna’s songwriting publisher to the to the UK electronic/dance group, Tilt, to record. Their version, retitled Come Closer, was released on their 2006 rarities collection, Vaults. Several years after Tilt’s version was issued, Madonna and Foster’s original demo recording of I Can’t Forget surfaced on the internet.
On January 20 1996, Madonna’s You’ll See re-entered the Billboard Hot 100 Top 10 at #10.
The lead single from Madonna’s Something To Remember ballads collection debuted at #8 on December 8, peaked at #6 on December 16, and in the following weeks fell to #9, #11, #12, #11 and then climbed back to #10.
Larry Flick had this to say about You’ll See:
Foster’s flair for musical melodrama inspires Madonna to turn in what is easily her most assured and full-bodied vocal performance to date. Amid a swirl of strings and Spanish guitars, she spews the song’s declaration of romantic independence with a theatrical verve that perfectly matches the stagey, potentially overpowering tone of Foster’s arrangement without flying over the heads of her youthful top 40 following. A stunning effort that could easily become the ‘I Will Survive’ of this generation.
On January 17 1996, Madonna accepted David Bowie’s Rock and Roll Hall of Fame induction on his behalf.
During her speech, Madonna described how as a “normal, dysfunctional, rebellious teenager from the Midwest,” a David Bowie concert in June 1974 at Cobo Arena in Detroit changed her life for good:
“I don’t think that I breathed for two hours. It was the most amazing show that I’d ever seen, not just because the music was great, but because it was great theater. Here’s this beautiful, androgynous man, just being so perverse … as David Byrne so beautifully put it … so unconventional, defying logic and basically blowing my mind. Anyway, I came home a changed woman, as you can see, and my father was not sleeping and he knew exactly where I went, and he grounded me for the rest of the summer. But it was worth every minute that I sat and suffered in my house that summer.”
On January 15 1996, Madonna appeared on the cover of People magazine, with the title: Madonna faces down her stalker in court.
Here’s an excerpt from the issue:
At first glance, it looked like any other Madonna-centric media event, with scrambling news crews and ogling fans swarming around her black limousine. But as soon as she entered courtroom 116 in the L.A. Criminal Courts Building on Jan. 3, it became clear that this was no ordinary Madonna performance. Inside, a jury listened intently as the normally flamboyant singer, 37, dressed with subdued elegance in a black, knee-length suit, soberly delivered testimony against a 38-year-old drifter accused of stalking and threatening to kill her. “He was there to take me away; he wanted me to be his wife,” she said in measured tones. “If he couldn’t have me [he told my secretary], he would slit my throat, from ear to ear.”
Madonna’s hour-long testimony may bring to some kind of conclusion an unsettling series of events that began when Robert Dewey Hoskins was first found hanging around the singer’s Hollywood Hills estate. Hoskins showed up at Madonna’s home last April 7, jumping a security wall before being ejected from the 3.5-acre grounds by a private guard. (Madonna was not home at the time.) Returning from a bike ride with her personal trainer the following day, Madonna encountered Hoskins at her gate. “He looked homeless, dirty; his clothes were wrinkled, and he had a crazy look in his eyes,” she testified. His stare, she said, was “creepy…deranged. It was scary.” Hoskins said nothing but left a note that said, “I love you. You will be my wife for keeps.”
The appearances by Hoskins were unsettling enough, Madonna says, to persuade her to sell the estate, once the home of gangster Bugsy Siegel. Seven weeks later, while Madonna was in Florida, where she also owns a home, Hoskins was back, this time carrying a four-inch wooden heart with the oddly misspelled inscription “Love To My Wife Madnna.”