On May 20 1996, Madonna’s Take A Bow was honored as one of the Most Performed Songs Of 1995 at the 13th annual ASCAP Pop Music Awards at the Beverly Hilton Hotel in Beverly Hills, California.
On May 6 1996, dance remixes of Love Don’t Live Here Anymore by Markus Schulz & C.L. McSpadden were released to clubs by Maverick Records on promotional twelve-inch vinyl & CD in the U.S.
Additional club remixes of the track by Mark Picchiotti were also issued in the U.K. as a twelve-inch white-label promo.
On April 13 1996, Madonna’s future manager, Caresse Norman called gossip columnist, Liz Smith, and confirmed the news that Madonna was pregnant with her first child.
Liz Smith’s article was published in newspapers around the world the next day.
“Surprise, surprise, the stork couldn’t wait. The happy news from Budapest has just arrived — that Madonna is indeed pregnant.”
Madonna’s publicist, Liz Rosenberg, told Liz Smith in a follow-up call:
“Madonna doesn’t want this to be a big thing, though I don’t know how she thinks it won’t be a big deal. But she is deliriously happy, and so is everybody close to her. I hate to resort to a cliche, especially about Madonna, but she is just radiant!”
On March 4 1996, Madonna’s Love Don’t Live Here Anymore music video was shot at the Confitería El Molino in Buenos Aires, Argentina, during her day off from filming Evita.
The music video was directed by Jean-Baptiste Mondino, who worked with Madonna on her videos for Open Your Heart, Justify My Love and Human Nature.
Love Don’t Live Here Anymore was released as the fourth single from the Something to Remember ballads collection.
In her Evita diaries, published by Vanity Fair magazine in 1996, Madonna made reference to the video shoot:
“There are no words to describe the weariness I feel today. I have not slept well in days, and when I do, there is no comfort. My dreams are violent and full of betrayal. Like my life, there’s no escape. I feel the responsibility of this film. I cannot talk about Evita and her life without defending myself … Dear God, what have I gotten myself into? What is happening to me? Today we went to shoot a music video for my next song. But I kept forgetting the lyrics, and felt like crying each and every time I did it. It was so frustrating. It’s my own song!”
On January 20 1996, Madonna’s You’ll See re-entered the Billboard Hot 100 Top 10 at #10.
The lead single from Madonna’s Something To Remember ballads collection debuted at #8 on December 8, peaked at #6 on December 16, and in the following weeks fell to #9, #11, #12, #11 and then climbed back to #10.
Larry Flick had this to say about You’ll See:
Foster’s flair for musical melodrama inspires Madonna to turn in what is easily her most assured and full-bodied vocal performance to date. Amid a swirl of strings and Spanish guitars, she spews the song’s declaration of romantic independence with a theatrical verve that perfectly matches the stagey, potentially overpowering tone of Foster’s arrangement without flying over the heads of her youthful top 40 following. A stunning effort that could easily become the ‘I Will Survive’ of this generation.
On January 15 1996, Madonna appeared on the cover of People magazine, with the title: Madonna faces down her stalker in court.
Here’s an excerpt from the issue:
At first glance, it looked like any other Madonna-centric media event, with scrambling news crews and ogling fans swarming around her black limousine. But as soon as she entered courtroom 116 in the L.A. Criminal Courts Building on Jan. 3, it became clear that this was no ordinary Madonna performance. Inside, a jury listened intently as the normally flamboyant singer, 37, dressed with subdued elegance in a black, knee-length suit, soberly delivered testimony against a 38-year-old drifter accused of stalking and threatening to kill her. “He was there to take me away; he wanted me to be his wife,” she said in measured tones. “If he couldn’t have me [he told my secretary], he would slit my throat, from ear to ear.”
Madonna’s hour-long testimony may bring to some kind of conclusion an unsettling series of events that began when Robert Dewey Hoskins was first found hanging around the singer’s Hollywood Hills estate. Hoskins showed up at Madonna’s home last April 7, jumping a security wall before being ejected from the 3.5-acre grounds by a private guard. (Madonna was not home at the time.) Returning from a bike ride with her personal trainer the following day, Madonna encountered Hoskins at her gate. “He looked homeless, dirty; his clothes were wrinkled, and he had a crazy look in his eyes,” she testified. His stare, she said, was “creepy…deranged. It was scary.” Hoskins said nothing but left a note that said, “I love you. You will be my wife for keeps.”
The appearances by Hoskins were unsettling enough, Madonna says, to persuade her to sell the estate, once the home of gangster Bugsy Siegel. Seven weeks later, while Madonna was in Florida, where she also owns a home, Hoskins was back, this time carrying a four-inch wooden heart with the oddly misspelled inscription “Love To My Wife Madnna.”