Today in Madonna History: July 18, 2004

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On July 18 2004, Madonna played the first of three sold-out dates at Toronto’s Air Canada Centre during her Re-Invention Tour. Playing to a combined total of over 52,000 fans, the shows were the only Canadian stop on the tour and marked her first concerts in Canada in eleven years.

At the second show Madonna proclaimed to those in attendance that they were the best audience of the tour thus far, while the final Toronto date saw Madonna in an uncharacteristically playful mood. Interrupting the show’s normally swift progression between Papa Don’t Preach and Crazy For You, she joked about the infamous 1990 threats of arrest and whipped the audience into a cheering frenzy with her self-described “unprofessional” behaviour.

Today in Madonna History: July 12, 1986

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On July 12 1986, Madonna’s Papa Don’t Preach reached #1 in the UK and stayed there for 3 weeks.

Madonna’s first-ever CD single was for Papa Don’t Preach. The single was produced in the UK for distribution in the USA. The rare gold disc CD single featured 3 audio tracks as well as the official video for Papa Don’t Preach in NTSC format.

The single included:

  • Papa Don’t Preach (7″ Version) (4:27)
  • Papa Don’t Preach (12″ Version) (5:43)
  • Pretender (LP Version) (4:28)
  • Papa Don’t Preach (Video) (5:05)

Today in Madonna History: July 11, 1987

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On July 11 1987, Madonna’s True Blue album was certified 5x platinum (5 million units) in the USA.  The album went on to sell an estimated 19 million units worldwide.

How many copies of True Blue do you own? Cassette? 8-Track? LP? CD? 

Today in Madonna History: June 30, 1986

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On June 30 1986, Madonna’s True Blue album was released by Sire Records. She worked with Stephen Bray and Patrick Leonard on the album while co-writing and co-producing all the songs.

True Blue was an immediate global success, reaching number one in then record-breaking 28 countries across the world, including Australia, Canada, France, Germany, the United Kingdom and the United States. It spent 34 consecutive weeks at the top of the European Top 100 Albums chart, longer than any other album in history. It became the world’s top-selling album of 1986, as well the biggest selling album of the 1980s by a woman and remains one of the best-selling albums of all time with sales of more than 25 million copies worldwide. All five singles released from the album reached the top five on the Billboard Hot 100, with Live to Tell, Papa Don’t Preach, and Open Your Heart peaking at number one.

Today in Madonna History: June 11, 1986

On June 11 1986, Madonna’s Papa Don’t Preach single was released.

The single and its music video, which made its debut a week later, caused controversy due to its focus on the issue of teenage pregnancy. Perhaps if the media had paid a little closer attention to the video, they would have found that it contained a few other points of interest. While Danny Aiello’s inclusion in the video was duly reported, the same can’t be said for Madonna’s breasts, which also made several brief cameo appearances in the clip.

We imagine Madonna must have had a good laugh over the fact that these scenes flew under the radar of MTV, the media, and by all but the most perceptive of fans at the time.

Today in Madonna History: August 9, 1986

On August 9 1986, Madonna’s Papa Don’t Preach reached #1 on the Billboard Hot 100 Single Sales chart.

Pictured above is the promotional countertop stand used at retail to display and sell the 7″ single for Papa Don’t Preach.

Today in Madonna History: July 12, 1986

On July 12 1986, Madonna’s third album, True Blue, debuted at #1 on the UK Albums Chart.

Here’s the AllMusic review of True Blue by Stephen Thomas Erlewine:

True Blue is the album where Madonna truly became Madonna the Superstar — the endlessly ambitious, fearlessly provocative entertainer that knew how to outrage, spark debates, get good reviews — and make good music while she’s at it. To complain that True Blue is calculated is to not get Madonna — that’s a large part of what she does, and she is exceptional at it, but she also makes fine music. What’s brilliant about True Blue is that she does both here, using the music to hook in critics just as she’s baiting a mass audience with such masterstrokes as “Papa Don’t Preach,” where she defiantly states she’s keeping her baby. It’s easy to position anti-abortionism as feminism, but what’s tricky is to transcend your status as a dance-pop diva by consciously recalling classic girl-group pop (“True Blue,” “Jimmy Jimmy”) to snag the critics, while deepening the dance grooves (“Open Your Heart,” “Where’s the Party”), touching on Latin rhythms (“La Isla Bonita”), making a plea for world peace (“Love Makes the World Go Round”), and delivering a tremendous ballad that rewrites the rules of adult contemporary crossover (“Live to Tell”). It’s even harder to have the entire album play as an organic, cohesive work. Certainly, there’s some calculation behind the entire thing, but what matters is the end result, one of the great dance-pop albums, a record that demonstrates Madonna’s true skills as a songwriter, record-maker, provocateur, and entertainer through its wide reach, accomplishment, and sheer sense of fun.

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