Today in Madonna History: July 7, 1984

On July 7 1984, Warner Bros. Records took out a full-page ad in Billboard magazine to congratulate Madonna on the Gold certification of her self-titled debut album.

The ad featured the first look at a new photo shoot Madonna had recently completed with Steven Meisel. This image would later appear on the back cover of her next album, Like A Virgin.

Today in Madonna History: June 13, 1991

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On June 13 1991, Madonna was featured on the cover of Rolling Stone magazine.  The feature included a photo spread shot by Steven Meisel.

Madonna has no equal at getting attention. She often seems to behave like someone who has been under severe restraint and can now say and do whatever she likes without fear of reprisal. She delights in being challenged, in telling more than she had planned, in going further than she had intended. And judging from her new film Truth or Dare, there is no “too far” for Madonna.

Today in Madonna History: May 29, 1992

On May 29 1992, the FBI recovered 44 nude photographs of Madonna from a collection by photographer Steven Meisel that was set to appear in her upcoming book, Sex. The “thief of nudes” was arrested in West Hollywood, California for trying to sell the pictures for $100,000 to an undercover FBI agent.

Today in Madonna History: April 14, 2009

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On April 14 2009, Steven Meisel was featured in Vogue magazine, and the article described him as the man that taught Madonna about re-invention.

In the article, Madonna shared some nice thoughts on Meisel:

Even Madonna agrees that there is, indeed, “a great sense of mystery” about Meisel – so much so that after all these years she feels she still doesn’t really know him very well. “I know that I love him,” she says. “You get sucked into his aura. He knows things.”

She learned this from one of their first collaborations, which was for the cover of Like A Virgin. “Before I worked with Steven,” says Madonna, “I just showed up in the clothes I was wearing, stood in front of the lights, and got my picture taken. With Steven, a team of people descended on me, started to undress me. Someone grabbed my hair, another grabbed my face, another started helping me try on various bits of clothes, and they all seemed to be speaking a language I didn’t understand – the language of Steven Meisel.”

To hear Madonna talk about working with Meisel is like being let in on a long-held secret. She goes on, “Steven had a vision. He had done his research. He had very specific references. I really respected the care that he took with his work, how seriously he approached it, but at the same time he has a great sense of irony. He made me feel like I was part of something important. He treated each photo shoot like it was a small film and insisted that we create a character each time we worked but then would make fun of the archetypes we created. He was the first person to introduce me to the idea of reinvention.”

Today in Madonna History: November 12, 1984

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On November 12 1984, Madonna’s Like A Virgin album was released by Sire Records.  The album was re-released worldwide in 1985, to include the bonus track, Into the Groove.

The original track listing for Madonna’s second album included:

Material Girl
Angel
Like A Virgin
Over & Over
Love Don’t Live Here Anymore
Dress You Up
Shoo-Bee-Doo
Pretender
Stay

The cover sleeve and album insert images were shot by Steven Meisel. The first shot in this post was used for the album cover. The rest of the photos in this post are outtakes from the same photo shoot.

Today in Madonna History: November 8, 1992

On November 8 1992, Madonna’s Sex book hit #1 on the New York Times non-fiction bestseller list.

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Today in Madonna History: November 14, 2008

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On November 14 2008, Steven Meisel shot the Louis Vuitton Spring/Summer 2009 collection photoshoot, featuring Madonna, at Café Figaro in Los Feliz, California.

Madonna transformed into Marc Jacob’s vision of the quintessential Parisienne, striking provocative poses in the season’s sexy short skirts, ethnic-inspired sandals and animal-print bangles.

“I wanted the campaign to be very bold, very sensual and very atmospheric. To carry off all these references and all this sophistication, we needed the ultimate performer – and for me, that is Madonna,” stated Jacobs.

Stylist: Marie-Amélie Sauvé
Makeup: Pat McGrath
Hair: Garren

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