Today in Madonna History: June 17, 2003

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On June 17 2003, the single cover for Madonna’s Hollywood single was revealed. The photo was taken from the photo shoot by Steven Klein for W Magazine.

Hollywood was the second single from the American Life album, released on July 14, 2003.

In April 2003, in an interview with Q Magazine, Madonna described the allure of life in Hollywood:

“I’ve had 20 years of fame and fortune, and I feel that I have a right to an opinion on what it is and what it isn’t. All everyone is obsessed about at the moment is being a celebrity. I’m saying that’s bullshit and who knows better than me? Before it happens you have all kinds of notions about how wonderful celebrity is and how much joy it’s going to bring you. Then you arrive … Look like this you’re gonna be happy. Drive this car you’re gonna be popular. Wear these clothes and people are gonna wanna fuck you. It’s a very powerful illusion and people are caught up in it, including myself. Or I was.”

Today In Madonna History: March 1, 1995

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On March 1 1995, Madonna began to appear in a series of promotional ad campaigns in various North American magazines for Gianni Versace fashions. Photographs by Steven Meisel.

Today in Madonna History: November 12, 1984

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On November 12 1984, Madonna’s Like A Virgin album was released by Sire Records.  The album was re-released worldwide in 1985, to include the bonus track, Into the Groove.

The original track listing for Madonna’s second album included:

Material Girl
Angel
Like A Virgin
Over & Over
Love Don’t Live Here Anymore
Dress You Up
Shoo-Bee-Doo
Pretender
Stay

The cover sleeve and album insert images were shot by Steven Meisel. The first shot in this post was used for the album cover. The rest of the photos in this post are outtakes from the same photo shoot.

Today in Madonna History: November 8, 1992

On November 8 1992, Madonna’s Sex book hit #1 on the New York Times non-fiction bestseller list.

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Today in Madonna History: October 15, 1992

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On October 15 1992, Madonna threw a Sex book pre-release party at New York City’s Industria Super Studio, and signed all the invitations under her alter ego “Dita”.

During the party, Madonna showed up dressed as Little Bo Peep and carried with her a stuffed toy lamb. 

Madonna’s publicist Liz Rosenberg showed concern at first worrying “what the parents of America’s impressionable teens will soon be thinking” but later said that it “all depends on your idea of lovemaking, which in Madonna’s case, should give new meaning to the word erotic.”

Both Walden Books and Barnes & Noble prepared corporate statements that their store managers could share with customers who were offended by Sex. Both statements defended the right of bookstores to provide “diversity and choice” to customers and say censorship is not the role of bookstores.

Bookstore owner David Epstein stated that “The feeling of most people who have ordered the book is that Madonna is something special, that this is cutting-edge art, they’re not the kind of people who are buying it because it’s smut and dirty pictures. People are interested in it as art.”

Today in Madonna History: July 7, 1984

On July 7 1984, Warner Bros. Records took out a full-page ad in Billboard magazine to congratulate Madonna on the Gold certification of her self-titled debut album.

The ad featured the first look at a new photo shoot Madonna had recently completed with Steven Meisel. This image would later appear on the back cover of her next album, Like A Virgin.

Today in Madonna History: April 14, 2009

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On April 14 2009, Steven Meisel was featured in Vogue magazine, and the article described him as the man that taught Madonna about re-invention.

In the article, Madonna shared some nice thoughts on Meisel:

Even Madonna agrees that there is, indeed, “a great sense of mystery” about Meisel – so much so that after all these years she feels she still doesn’t really know him very well. “I know that I love him,” she says. “You get sucked into his aura. He knows things.”

She learned this from one of their first collaborations, which was for the cover of Like A Virgin. “Before I worked with Steven,” says Madonna, “I just showed up in the clothes I was wearing, stood in front of the lights, and got my picture taken. With Steven, a team of people descended on me, started to undress me. Someone grabbed my hair, another grabbed my face, another started helping me try on various bits of clothes, and they all seemed to be speaking a language I didn’t understand – the language of Steven Meisel.”

To hear Madonna talk about working with Meisel is like being let in on a long-held secret. She goes on, “Steven had a vision. He had done his research. He had very specific references. I really respected the care that he took with his work, how seriously he approached it, but at the same time he has a great sense of irony. He made me feel like I was part of something important. He treated each photo shoot like it was a small film and insisted that we create a character each time we worked but then would make fun of the archetypes we created. He was the first person to introduce me to the idea of reinvention.”