On June 22 2006, Madonna played the second of a two-night run at the Bell Centre in Montreal, Quebec. The shows were the only Canadian dates during The Confessions Tour, with Live Nation’s Arthur Fogel citing scheduling conflicts with Toronto’s Air Canada Centre, which they had been attempting to route into the itinerary as well.
The concerts also marked Madonna’s welcomed return to Montreal after a thirteen year absence. She previously played at Olympic Stadium during The Girlie Show Tour in 1993, which followed up her first concerts in La Belle Province during 1987’s Who’s That Girl Tour with two dates at The Forum.
(Live photos from July 22 2006 were shared by fans via Madonnalicious.com – many thanks!)
On May 27 2006, Madonna’s spokesperson announced that there would be no Confessions Tour for Japan or Australia.
“Due to Madonna’s heavy workload as part of her Confessions Tour of America and Europe, plus her wishes to spend as little time away from her family, Madonna has unfortunately decided to cancel the tour to Japan and therefore there will be no tour to Australia. She hopes that her fans will understand her making the personal decision.”
On May 8 2006, Warner Bros. announced that Madonna would be releasing her Jonas Åkerlund-directed documentary I’m Going to Tell You a Secret as a DVD/CD package on June 20.
“It’s sort of a circle around three families: the family of the people I work with, the family that I live with, and the family of man, the world that I live in.”
“It’s about the trials and tribulations of putting a show together, the struggle to balance my life as an entertainer with my life as a mother, and it’s also about the world, my politics, my belief systems, my philosophy, about where I feel my place in the world is.”
On February 28 2006, the maxi-single for Sorry, the second single from Confessions on a Dance Floor, was released.
Sorry was one of the first tracks developed for Confessions on a Dance Floor. The songs were developed with a remixed perspective in mind. Madonna commented:
“Whenever I make records, I often like the remixes better than the original ones. So I thought, screw that. I’m going to start from that perspective”.
On February 18 2006, Shaun Woodford spoke to the BBC about how he was challenged to transform the back of an everyday van into a ’70s nightclub on wheels for Madonna’s Sorry music video.
Shaun said that when his customized car firm in Wales first received the request to pimp out the van with pink neon lights, lilac shag carpet and mirror disco balls, he thought it was a joke.
“We weren’t sure what to think at first! And it was only when we got the go ahead, that we knew it was for Madonna’s video.”
Shaun’s team at AB Styling Ltd were given one week to complete the job.
“Everything we needed had to be ordered in and there was a couple of moments where I thought it was going to be touch and go, but we did manage it.”
Shaun delivered the van on time and spent the week on set.
“It was a brilliant experience and by far the biggest job we’ve ever done – you can’t get bigger than Madonna.”
MTV documented and aired the makeover of the van in an episode of Pimp My Ride.
On November 28 2006, Jump peaked at #20 on the Austrian Ultratop 40 singles chart. The song was the fourth international single from Confessions On A Dance Floor.
The maxi-single featured remixes by Stuart Price (under the pseudonym Jacques Lu Cont), Axwell and Junior Sanchez; an Extended Album Version and Radio Edit (the US vinyl edition also added the “unmixed” Album Version); and a previously unreleased b-side, History, written and produced by Madonna & Stuart Price.
Recorded during the Confessions On A Dance Floor sessions, the released version of History was in actuality an uncredited Stuart Price remix of the otherwise shelved original production. An alternate version of the Price remix streamed on Madonna’s official website for a brief period but has yet to surface in quality above streaming grade. More of the song’s history came to light when an incomplete clip of the final non-remixed version, as well as several complete demo takes (featuring nixed chorus lyric “I thought that we were related” instead of “Defined by our greed and hatred”), leaked online in 2007 and 2008 respectively.
While the remix of History is a sparse and stripped-down slice of electro-house that recalls some of Stuart Price’s earlier solo work as Les Rythmes Digitales, the pulsating urgency of the original production with its heedfully hopeful bridge make it the more definitive rendering of the song.