Today in Madonna History: October 8, 2021

On October 8 2021, Madonna released Madame X: Music from the Theatre Xperience to digital platforms for streaming (audio) and Madame X the live film to Paramount +.

The concept film captures Madonna’s theater show performed in front of sold-out audiences worldwide in 2019 & 2020. Filmed in Lisbon & Paris, Madonna is joined onstage by 50 global performers including her children, & the all-female Orquestra Batukadeiras.

The live streaming track listing includes the following songs:

  1. Intro
  2. God Control
  3. Dark Ballet
  4. Human Nature
  5. Vogue
  6. I Don’t Search I Find
  7. American Life
  8. Batuka
  9. Fado Pechincha (feat. Gaspar Varela)
  10. Killers Who Are Partying
  11. Crazy
  12. Welcome To My Fado Club
  13. Medellin
  14. Extreme Occident
  15. Breathwork
  16. Frozen
  17. Come Alive
  18. Future
  19. Like A Prayer
  20. I Rise

Today in Madonna History: August 4, 2002

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On August 4 2002, Madonna took delivery of a $40,000 Mini Cooper.

Workers at the Cowley car plant in Oxfordshire gave it the personal touch by signing their names on the underside of the chassis. A worker at the Mini Cooper car plant said: “We are all so proud that Madonna is such a big fan of the car. Everyone who worked on it left their signature, either inside or under the bonnet. If anyone doubted this was a classy car before, they can certainly think again now Madonna has bought one.”

A custom Mini Cooper later appeared in the American Life music video, and promotional mini versions (no pun intended) were distributed when the American Life album was released.

Today in Madonna History: April 26, 2003

On April 26 2003, Madonna’s American Life single spent the first of two weeks at #1 on the Soundscan Canadian Singles chart.

American Life was the last physical Madonna two-track single issued by Warner Music Canada, while production of CD maxi-singles would continue domestically until the 2006 release of Jump.

Today in Madonna History: March 12, 2003

On March 12 2003, Warner Bros. issued a press release for Madonna’s American Life album:

A new Madonna album, American Life, has been set for a worldwide release on April 22nd.

The enduring icon’s first new collection of original material since 2000’s multi-platinum smash Music, American Life is being hailed as Madonna’s most accomplished, original and intensely personal album to date; a resonant and revealing emotional journey that marks a new highpoint in a career that has for all time redefined the expressive potential of contemporary music.

Recorded over a full year in London and Los Angeles, American Life, the artist’s tenth studio album, features eleven new Madonna compositions, including the title track and debut single, which ships to radio March 25th.

“All of these songs reflect my current state of mind. I feel like I have just woken up out of a dream. They range from dismay and anger to joy and certainty. Hopefully, I have taken the personal and made it universal,” stated Madonna regarding her new album which she wrote and produced with Mirwais Ahmadzai with whom she also collaborated on her previous release Music.

The American Life CD includes the title track, as well as the following songs: Hollywood, I’m So Stupid, Love Profusion, Nobody Knows Me, Nothing Fails, Intervention, X-Static Process, Mother & Father, Easy Ride, and Die Another Day, the hit theme song from the James Bond film of the same name.

The American Life single is also the subject of a brilliant new video from the pioneering multi-media visionary, an artist who single handedly invented the short music film medium. In a stunning collaboration with director Jonas Akerlund, American Life expresses a panoramic view of our culture and looming war through the view of a female superhero portrayed by Madonna set against a backdrop of current cultural obsessions. It’s a penetrating examination of our national psyche. The video is scheduled to air the first week in April.

Remixes of the American Life single by, among others, mega-hot hip hop diva Missy Elliott, Peter Rauhofer, Felix da Housecat and Maverick Records artist Paul Oakenfold will be available in various configurations over the next several months.

An extensive schedule of appearances, performances and special events has been set in conjunction with the release of American Life including an appearance on an episode of the hit NBC-TV comedy Will And Grace.

One of the most original and innovative artists of the modern era, Madonna has sold hundreds of millions of albums, topped charts across two decades, created an enormously influential body of work in video and film and stood at the forefront of socially conscious artists worldwide. With American Life, Madonna has once again reached deeply into her own life as the source and substance of her extraordinary artistry.

Today in Madonna History: April 8, 2003

On April 8 2003, American Life was released digitally as the lead single from Madonna’s ninth studio album of the same name.

American Life was written and produced by Madonna and Mirwais Ahmadzaï, and was released by Maverick Records.

 

Today in Madonna History: March 12, 2003

On March 12 2003, Warner Bros. issued a press release for Madonna’s American Life album:

A new Madonna album, American Life, has been set for a worldwide release on April 22nd.

The enduring icon’s first new collection of original material since 2000’s multi-platinum smash Music, American Life is being hailed as Madonna’s most accomplished, original and intensely personal album to date; a resonant and revealing emotional journey that marks a new highpoint in a career that has for all time redefined the expressive potential of contemporary music.

Recorded over a full year in London and Los Angeles, American Life, the artist’s tenth studio album, features eleven new Madonna compositions, including the title track and debut single, which ships to radio March 25th.

“All of these songs reflect my current state of mind. I feel like I have just woken up out of a dream. They range from dismay and anger to joy and certainty. Hopefully, I have taken the personal and made it universal,” stated Madonna regarding her new album which she wrote and produced with Mirwais Ahmadzai with whom she also collaborated on her previous release Music.

The American Life CD includes the title track, as well as the following songs: Hollywood, I’m So Stupid, Love Profusion, Nobody Knows Me, Nothing Fails, Intervention, X-Static Process, Mother & Father, Easy Ride, and Die Another Day, the hit theme song from the James Bond film of the same name.

The American Life single is also the subject of a brilliant new video from the pioneering multi-media visionary, an artist who single handedly invented the short music film medium. In a stunning collaboration with director Jonas Akerlund, American Life expresses a panoramic view of our culture and looming war through the view of a female superhero portrayed by Madonna set against a backdrop of current cultural obsessions. It’s a penetrating examination of our national psyche. The video is scheduled to air the first week in April.

Remixes of the American Life single by, among others, mega-hot hip hop diva Missy Elliott, Peter Rauhofer, Felix da Housecat and Maverick Records artist Paul Oakenfold will be available in various configurations over the next several months.

An extensive schedule of appearances, performances and special events has been set in conjunction with the release of American Life including an appearance on an episode of the hit NBC-TV comedy Will And Grace.

One of the most original and innovative artists of the modern era, Madonna has sold hundreds of millions of albums, topped charts across two decades, created an enormously influential body of work in video and film and stood at the forefront of socially conscious artists worldwide. With American Life, Madonna has once again reached deeply into her own life as the source and substance of her extraordinary artistry.

Today in Madonna History: January 30, 2020

On January 30 2020, glowing reviews of Madonna’s first Madame X show in London were published:

Music critic Neil McCormick (The Telegraph) had this to say: Anarchic and experimental – her best show ever? 5 STARS (out of 5)

I’m not sure who was having more fun at the opening of Madonna’s London residency, the audience or the star. She sang, she danced, she joked and she beamed with almost childlike glee at the crowd’s adoring response.

“How happy I am to have made it this far,” she declared, calling London “my second home”.

Madonna first played the city in 1983 to 1,500 early adopters at the Camden Palace. Her next London gig was Wembley Stadium. She was clearly delighted to be back in a venue where she could not just reach out and touch the audience, she could descend from the stage and sit in their laps. “It’s so intimate. It’s gorgeous and a thrill for me to be able to see all your faces.”

David Smyth of the Evening Standard gave the show 4 STARS (out of 5): Madame X is tireless, imaginative and powerfully intimate.

Such drama before Madonna could even take to the stage for her first theatre tour since 1985! Would she arrive drastically late? Would she cancel at the last minute? Tenterhooks all round.

Monday was supposed to be the first of a planned 15 nights at the Palladium, cancelled on doctor’s orders. It was the 10th dropped concert of the Madame X Tour, which began in New York in September and gathered complaints for its late start times.

But tonight at 8.45pm, there she was, dressed as a bloodstained, eyepatch-wearing revolutionary soldier. She was also a spy, a protest marcher and a Portuguese fado singer in the course of a tireless, imaginative show that was far from shrunken arena pop. Thanks especially to an extraordinary troupe of dancers, it was a spectacle that felt more powerful up close.

Like Bruce Springsteen, who showed a different side of himself in his recent Broadway run, and Kate Bush, whose live comeback was more theatre than concert, the 61-year-old has unearthed something new late in her career. The Madame X album may have plummeted out of the charts in an instant, but here its songs dominated and found their purpose.

Batuka, tuneless on record, was euphoric when performed with a mass of smiling, rump-shaking Batuque drummers from Cape Verde. I Rise was far more powerful when backed by footage of anti-gun protests and gay pride marches.

Alexis Petridis of The Guardian, also gave the show 4 STARS (out of 5) and noted: London residency short on hits but big on British banter.

She sings the bare minimum of big hits – Vogue, Like a Prayer, Human Nature – with Express Yourself and La Isla Bonita reduced to interstitial roles (the former performed as a sweet, but brief a cappella duet with her daughter Mercy), and American Life performed in full.

Still, it occasionally serves to remind you that some of Madame X is better than its relatively muted commercial response might suggest – Medellín sounds like the hit single it wasn’t, as does the gorgeous album track Crazy. This is presumably part of the point – the other part being a certain screw-you intransigence designed to underline that we are in the presence of an artiste, not a pop star.

And the BBC had a few fun notes to add in their review:

The audience were required to store mobile phones in sealed pouches as “an intervention for us all”. However, Madonna admitted that even she was getting anxious without a phone nearby.

“I’m having little panic attacks,” she joked. “I’m like, ‘Why is no-one taking my picture?'”

But the gambit worked: Freed from distractions, the audience gave the concert their undiluted attention; while Madonna seemed to relax and have fun without a phalanx of tiny cameras recording her every move.

At one point, she slipped into a British accent and recalled how she’d been ridiculed for developing similarly plummy vowels during her marriage to Guy Ritchie.

“I didn’t know what anyone was talking about until I heard old interviews of myself,” she said. “And then I was horrified and flabbergasted. Why did you let me do that to myself? I’m from Michigan!”

“It’s all Guy Ritchie’s fault,” she decided. “He made me to it.”

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