Today in Madonna History: April 9, 2012

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On April 9 2012, Avicii released the Ultra Music Fest Remix of Girl Gone Wild.  The remix kept all of Madonna’s original vocals, but the Swedish hitmaker lent his signature electro sounds to the back beat of the UMF Mix version. While Madonna’s album version of Girl Gone Wild was danceable as is, the revamped Avicii version made the song into an all-out party, with intense synth and Eurodance beats added to the MDNA track.

Today in Madonna History: March 28, 2012

On March 28 2012, Melissa Maerz reviewed Madonna’s MDNA album for Entertainment Weekly and gave it a B-.  Here’s what Melissa had to say about the album:

“Girls, they just wanna have some fun!” From the moment Madonna utters those words on MDNA, it’s clear that she’s trying really freaking hard to have a good time. With dance-music vets William Orbit, Martin Solveig, and Benny Benassi helming her return to the Euro-club stylings of 2005’s Confessions on a Dance Floor, Madge spends nearly half the album insisting that this is the Best Party Ever, from the pom-pom-shaking ”Give Me All Your Luvin”’ to the Mardi-Gras-beads-tossing ”Girl Gone Wild” and stereo-blasting ”Turn Up the Radio.” The album title even suggests that Ecstasy is part of Madge’s DNA.

But while there are a few genuine moments of double-rainbow bliss here (check the ”whoo-ooh!” chorus of ”I’m a Sinner”), there’s also real darkness lurking under the air-popped beats. If Madonna’s sending us a message, it’s this: I spent all year perfecting my cartwheel for the Super Bowl, and now I’m gonna have fun, even if it kills me.

Maybe it’s just that MDNA‘s so hell-bent on showing how much energy the 53-year-old puts into her job. Many songs recap her gold-star résumé referencing her past hits lyrically or musically. ”Girl Gone Wild” shares its sassy legwarmer-disco vibe with 2005’s ”Hung Up,” while ”I’m a Sinner” reunites her with Orbit for a very cool guitar-boosted rave-up that echoes 1998’s ”Ray of Light.”

But all those reminders of her work ethic can feel exhausting. On the ridiculous electro-rap ”I Don’t Give A,” she runs through her insane schedule as a celebrity supermom. Before finishing her power workout, hiring a babysitter, ”tweeting on the elevator,” and riding a helicopter to her divorce lawyers’ office, she has an epiphany: ”Wake up, ex-wife/This is your life.”

Are you listening, Guy Ritchie? Because Madonna’s not done yelling at you. After revealing that she ”didn’t have a prenup,” she gets a decent gold-digger joke into the ABBA-remix-esque strains of ”Love Spent”: ”Frankly, if my name was Benjamin,” she deadpans, ”we wouldn’t be in this mess we’re in.” Less charming is the industrial thumper ”Gang Bang,” where Madonna holds a gun to her lover’s head, demanding, ”Drive, bitch!” True, she also recorded a mea culpa — on ”I F—ed Up” she says ”I’m sorry” in French — but it’s telling that she cut it from the album. Her apology’s just as unconvincing as her Gallic accent.

So it’s surprising that Madonna is at her best on the love songs. The W.E. ballad ”Masterpiece” (which won her a Golden Globe in January) begins with Spanish guitar and a finger-snap rhythm — a refreshing break from the relentless bass throbbing. When she’s singing about a guy who’s as pretty as the Mona Lisa, her voice is lovely. And the synth stomper ”I’m Addicted,” a warm ode to a crush, offers a good excuse to join in when she says, ”I need to dance.” Elsewhere, Nicki Minaj even shows some L-U-V for Lady M, proclaiming, ”There’s only one queen, and that’s Madonna, bitch!” Judging by MDNA, she may be overestimating her idol. But there’s just enough dance-floor bonhomie here to get that catchphrase bedazzled on a few dozen leotards. B-

Best Tracks:
Spiritual electro? Sacrilicious! I’m a Sinner
A flamenco-style ballad Masterpiece

Today in Madonna History: February 4, 2018

   

On February 4 2018, Vulture.com reviewed every Super Bowl Halftime Show since 1993, and ranked them from worst to best. Madonna’s 2012 Super Bowl Halftime performance ranked #2, behind Prince’s 2007 performance.

Here’s what Brian Moylan (Vulture.com) had to say about Madonna’s Halftime Show:

A year after the halftime show embraced its pop sensibilities with the Black-Eyed Peas, Madonna arrived as a Greek goddess on a giant litter carried by a legion of Spartan soldiers, showing all the kids exactly how it’s done. There was so much on the LED-lit stage at any given time: From the swirling dancers and the gospel choir to the slack-line performer, it was almost too much. Madonna offered new arrangements of her old songs, like a drum-corps version of “Open Your Heart” sung with Cee Lo Green and an LMFAO mashup of “Music” with “Party Rock Anthem.” While she loses points for devoting significant time to the lackluster single “Give Me All Your Luvin,” at least that featured Nicki Minaj and a bird-flipping MIA. Madonna successfully moved through several modes in rapid succession, collaborated with other big artists, and made it all look effortless, as if being at the swirling center of 200 performers is what she does every Tuesday. Maybe because it is.

Read the entire list here.

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