On September 12 2011, Madonna released a video in response to the controversy surrounding her dislike for hydrangeas.
On September 1, Madonna attended a press conference for her directorial debut W.E. at the 2011 Venice Film Festival. Just prior to the beginning of the conference, Madonna was handed a hydrangea by a fan. Although she accepted the flowers with a smile and told the fan “thank you,” she immediately turned to her costar, and with a hot mic, said, “I absolutely loathe hydrangeas. He obviously doesn’t know that.” Madonna’s remark quickly became a subject of controversy in celebrity news, leading to much online gossips and commentaries criticizing her fuss over flowers.
On June 13 2011, The Weinstein Company announced that it had acquired U.S. distribution rights to Madonna’s directorial debut of a feature film, W.E.
Madonna had this to say:
“W.E. is about the nature of true love, and the sacrifices and compromises that are often made. I’ve wanted to tell this story for a very long time, and bringing it to life has been a great adventure for me. I’m looking forward to working with Harvey and The Weinstein Company on this film.”
On September 13 2011, Madonna appeared on the cover of the National Post (Canadian newspaper).
Madonna was photographed wearing a Tom Ford dress on the red carpet of the Toronto Film Festival to promote her second movie as a director — W.E. — about a woman (played by Abbie Cornish) who obsesses about divorcée Wallis Simpson, for whom King Edward gave up his throne.
“Girls, they just wanna have some fun!” From the moment Madonna utters those words on MDNA, it’s clear that she’s trying really freaking hard to have a good time. With dance-music vets William Orbit, Martin Solveig, and Benny Benassi helming her return to the Euro-club stylings of 2005’s Confessions on a Dance Floor, Madge spends nearly half the album insisting that this is the Best Party Ever, from the pom-pom-shaking ”Give Me All Your Luvin”’ to the Mardi-Gras-beads-tossing ”Girl Gone Wild” and stereo-blasting ”Turn Up the Radio.” The album title even suggests that Ecstasy is part of Madge’s DNA.
But while there are a few genuine moments of double-rainbow bliss here (check the ”whoo-ooh!” chorus of ”I’m a Sinner”), there’s also real darkness lurking under the air-popped beats. If Madonna’s sending us a message, it’s this: I spent all year perfecting my cartwheel for the Super Bowl, and now I’m gonna have fun, even if it kills me.
Maybe it’s just that MDNA‘s so hell-bent on showing how much energy the 53-year-old puts into her job. Many songs recap her gold-star résumé referencing her past hits lyrically or musically. ”Girl Gone Wild” shares its sassy legwarmer-disco vibe with 2005’s ”Hung Up,” while ”I’m a Sinner” reunites her with Orbit for a very cool guitar-boosted rave-up that echoes 1998’s ”Ray of Light.”
But all those reminders of her work ethic can feel exhausting. On the ridiculous electro-rap ”I Don’t Give A,” she runs through her insane schedule as a celebrity supermom. Before finishing her power workout, hiring a babysitter, ”tweeting on the elevator,” and riding a helicopter to her divorce lawyers’ office, she has an epiphany: ”Wake up, ex-wife/This is your life.”
Are you listening, Guy Ritchie? Because Madonna’s not done yelling at you. After revealing that she ”didn’t have a prenup,” she gets a decent gold-digger joke into the ABBA-remix-esque strains of ”Love Spent”: ”Frankly, if my name was Benjamin,” she deadpans, ”we wouldn’t be in this mess we’re in.” Less charming is the industrial thumper ”Gang Bang,” where Madonna holds a gun to her lover’s head, demanding, ”Drive, bitch!” True, she also recorded a mea culpa — on ”I F—ed Up” she says ”I’m sorry” in French — but it’s telling that she cut it from the album. Her apology’s just as unconvincing as her Gallic accent.
So it’s surprising that Madonna is at her best on the love songs. The W.E. ballad ”Masterpiece” (which won her a Golden Globe in January) begins with Spanish guitar and a finger-snap rhythm — a refreshing break from the relentless bass throbbing. When she’s singing about a guy who’s as pretty as the Mona Lisa, her voice is lovely. And the synth stomper ”I’m Addicted,” a warm ode to a crush, offers a good excuse to join in when she says, ”I need to dance.” Elsewhere, Nicki Minaj even shows some L-U-V for Lady M, proclaiming, ”There’s only one queen, and that’s Madonna, bitch!” Judging by MDNA, she may be overestimating her idol. But there’s just enough dance-floor bonhomie here to get that catchphrase bedazzled on a few dozen leotards. B-
Spiritual electro? Sacrilicious! I’m a Sinner
A flamenco-style ballad Masterpiece