On September 30 1999, Madonna’s Blond Ambition Tour was named The Greatest Concert Of The 1990s by Rolling Stone magazine.
On September 29 2009, Madonna and Warner Bros. released Celebration: The Video Collection. The greatest videos DVD collection accompanied the Celebration greatest hits collection.
Celebration: The Video Collection continued on from Madonna’s other video compilations The Immaculate Collection and The Video Collection 93:99.
Celebration: The Video Collection debuted at the top of the Billboard Top Music Videos chart. It was certified platinum by the Recording Industry Association of America (RIAA) for shipment of 100,000 copies across United States.
The cover for Celebration: The Video Collection was created by street pop artist Mr. Brainwash who is best known for “throwing modern cultural icons into a blender and turning it up to eleven”.
The DVD collection was released in two different versions, both are double disc releases:
- Keep case — DVD size packaging
- DVD Digipak — CD size packaging
This video collection received mixed reviews from critics and fans when it was released. Did you like this release or would you have made some changes to it?
On September 28 1998, Hans Christian Anderson’s The Emperor’s New Clothes was released as a book with audio CD by the Starbright Foundation, to benefit seriously ill children.
Each snippet of the story is performed on an audio CD by one of 23 celebrities, including: Jay Leno, Liam Neeson, Angela Lansbury, Madonna, Carrie Fisher, Jeff Goldblum, Dan Ackroyd, Robin Williams, Joan Rivers, Steven Spielberg, General Norman Schwarzkopf, John Lithgow, and others. Contributing illustrators include Maurice Sendak, Mark Teague, Chris Van Allsburg, Berkeley Breathed, Steven Kellogg, Tomie de Paola, Graeme Base and others.
On the CD Madonna tells the story from the perspective of the Emperor’s Wife (illustrated as Marie Antoinette by Daniel Adel).
On September 27 1994, Secret was released as the lead single from Bedtime Stories. Initially credited to Madonna & Dallas Austin upon its release, Shep Pettibone was later given a co-writing credit due to his involvement in the creation of an early demo version of the track entitled Something Coming Over Me. The demo – which has been described by the few who have heard it as having a club anthem vibe without the R&B overtones of the Austin version – was submitted by Pettibone to the Library Of Congress for copyright registration but has yet to leak. The released version was produced by Madonna & Dallas Austin, and is the only song on the album to feature Austin’s untouched production work. Austin’s other contributions to the album were either reworked with new production (Survival) or remixed (Sanctuary) by Nellee Hooper or Daniel Abraham (Don’t Stop).
To promote the release of Secret, Madonna made her virgin attempt at reaching out to fans and potential listeners via the burgeoning world wide web with a playful audio teaser:
“Hello all you cyberheads! Welcome to the 90’s version of intimacy…you can hear me, you can even see me, but you can’t touch me! Do you recognize my voice? It’s Madonna. Often imitated but never duplicated. Or should I say – often irritated? If you feel like it, you can download the sound file of my new single Secret from my new album Bedtime Stories which comes out next month. I just shot the video in New York and will be premiering an exclusive sample of it online, so check back soon. In the meantime, why don’t you post me a message and let me know what you think of my new song. And by the way, don’t believe any of those online imposters pretending to be me…ain’t nothing like the real thing! Peace out.”
While the North American single used only the instrumental version of Secret on its flip-side, many other markets, including European territories, were treated to an unreleased outtake from the Bedtime Stories sessions. Perhaps fearing that the distinctly American R&B influence of Secret may have had limited appeal in Europe, Warner made the strategic decision to include an added incentive for European fans to pick up the single – undoubtedly spurring an increase in the number of copies exported to North America in the process. Although non-album b-sides are a relatively rare occurrence in Madonna’s catalogue given the large number of singles she has released through the years, Let Down Your Guard (written and produced by Madonna & Dallas Austin) is particularly peculiar due to its labeling as a “Rough Mix Edit.” This disclaimer-like appendage seemingly suggests that either Madonna or her record label deemed it necessary to explicitly caution listeners that the song was not indicative of the more polished production work that would be featured on the Bedtime Stories album proper. Indeed, the idiosyncratic nuances of Austin’s production (with its tip-of-the-hat to early Prince material) is largely what makes Let Down Your Guard such an unguarded and enjoyable obscurity – rendering its disclaimer redundant.
On September 26 2009, Celebration became Madonna’s 40th number-one song on the Billboard Hot Dance Club Songs chart in the US.
The remixes by Benny Benassi in particular were so well received that Madonna chose to use his version for the song’s music video instead of the Oakenfold produced album version. During her 2012 MDNA Tour, Benassi’s remix of Celebration was featured again when it was used for the show’s closing number.
Following in the tradition of Shep Pettibone and William Orbit, Benassi was promoted from remixer to co-songwriter/producer status when Madonna agreed to collaborate with him on several tracks for her MDNA album, including the set’s second single Girl Gone Wild.
On September 25 1993, Madonna’s The Girlie Show tour opened with 2 sold-out concerts at Wembley Stadium in London, England. Over 144,000 fans attended the two shows in London.
The Girlie Show was launched in support of Madonna’s 1992 album, Erotica. The show had the central visual theme of a “sex circus”. Described as “a mixture of a rock concert, a fashion show, a carnival performance, a cabaret act and a burlesque show”, the show had a more complex stage than those from Madonna’s previous tours: it had a runway that led from the centre of the main stage to a minor stage, a revolving elevated platform in the middle of the main stage, balconies in the rear of the stage, and a giant illuminated Girlie Show sign above stage, among other features. The tour was directed by Madonna’s brother, Christopher Ciccone; costumes for the tour were designed by Italian fashion house Dolce & Gabbana.
Did you see The Girlie Show live in person?
This is a Madonna blog so it’s generally understood that some content related to the subject is not safe for work. The following photos are definitely NSFW. And as we enter October .. the wonderful month filled with Erotica related releases and events, you’ll only see more of it. Enjoy!
On September 24 1992, Madonna exposed her breasts in front of 6,000 people at a Jean-Paul Gaultier fashion show benefit at the Shrine Auditorium in Los Angeles, California. The show raised $750,000 for the American Foundation For AIDS Research (AMFAR).