Today in Madonna History: May 3, 1991

On May 3 1991, Madonna appeared on the cover of The New York Post with the headline, “What A Tramp!” The article focused on Madonna’s Truth Or Dare documentary. In the article, Ray Kerrison called Madonna, “vulgar” and the “degenerate queen of sleaze.”

Jay’s Note: I bet Ray Kerrison had no idea that this particular cover of The New York Post would become one of the most sought after and iconic covers of all-time. You could write just about anything alongside this image from the Justify My Love single cover and it would still be beautiful. 

Today in Madonna History: April 17, 2015

On April 17 2015, Madonna tweeted about her long-lost friends, Andy Warhol and Keith Haring:

Andy and Keith had my back way back when! Miss being surrounded by artists that stuck together and defended one another! ❤#rebelhearts

Madonna spoke at length about Keith — here’s what she had to say about how they met and their journey together:

Keith’s work started in the street, and the first people who were interested in his art were the people who were interested in me. That is, the black and Hispanic community – I’d say people from lower income and background. His art appealed to the same people who liked my music. We were two odd birds in the same environment, and we were drawn to the same world – and inspired by it.

I watched Keith come up from that street base, which is where I came up from, and he managed to take something from what I call Street Art, which was an underground counter culture, and raise it to a Pop culture for mass consumption. And I did that too. The point is, we have an awful lot in common.

Another thing we have in common – and this happened quite early – was the envy and hostility coming from a lot of people who wanted us to stay small. Because we both became very commercial and started making a lot of money, people eliminated us from the realm of being artists. They said, “OK, if you’re going to be a mass-consumption commodity and a lot of people are going to buy your work – or buy into what you are – then you’re no good.” I know people thought that about Keith, and they obviously felt that about me too.

So Keith and I are sort of two sides of the same coin. And we were very supportive of each other in those early days. I remember Keith coming to watch my first shows. That was down at the Fun House, where “Jellybean,” with whom I was involved, was the disc jockey. I’d sing and dance and I’d choreograph these scenarios – and we had taped music and it was great, because this was a Hispanic club-and the atmosphere was just charged!

I don’t know what drew us to these exotic clubs – like the Fun House or Paradise Garage. Obviously, it was the sexuality and the animal-like magnetism of those people getting up and dancing with such abandon! They were all so beautiful! I’ve always been drawn to Hispanic culture – and so has Keith. It’s another thing we have in common.

So these were the people who bought my records in the first place – and they’re a great audience to perform for. Keith keyed into that too. He’d give these great parties, and I’d go to them and I’d give parties and he’d come to them. And we had such fun!

Another thing we have in common… we have the same taste in men! I remember a funny story about people saying that I stole one of Keith’s friends. What happened was that I had a New Year’s Eve party, and Keith arrived with this incredibly gorgeous guy. I remember Keith saying, “He’s yours, Madonna. He’s your New Year’s Eve present!” I said, “Oh, thank you!” And there was this really stunning guy – a great dancer – completely happy and a great positive spirit. And so he became my friend, too.

Anyway, I’ve always responded to Keith’s art. From the very beginning, there was lot of innocence and a joy that was coupled with a brutal awareness of the world. But it was all presented in a child-like way. The fact is, there’s a lot of irony in Keith’s work, just as there’s a lot of irony in my work. And that’s what attracts me to his stuff. I mean, you have these bold colors and those childlike figures and a lot of babies, but if you really look at those works closely, they’re really very powerful and really scary. And so often, his art deals with sexuality – and it’s a way to point up people’s sexual prejudices, their sexual phobias. In that way, Keith’s art is also very political.

What stays with me is that very early on, when Keith and I were just beginning to soar, our contemporaries and peers showed all this hostility. Well, the revenge was that, yes, there’s this small, elite group of artists who think we’re selling out. Meanwhile, the rest of the world is digging us! Of course, it’s what they want too! It’s so transparent! They’re just filled with jealousy and envy. And it certainly didn’t stop us, because Keith didn’t want to do his work just for the people of New York City – he wanted to do it for everybody, everywhere. I mean, an artist wants world recognition! He wants to make an impression on the world. He doesn’t just want a small, sophisticated, elitist group of people appreciating his work. The point of it all is that everybody is out there reaching for the stars, but only some of us get there!

When I think of Keith, I don’t feel alone. I don’t feel alone in my endeavors. I don’t feel alone in my celebration of what I’ve achieved. I don’t feel alone in the odds I’ve been up against. I feel so akin to Keith in so many ways! I really can’t compare myself to many people… and I don’t feel that many people can relate to where I’ve come from and to where I’ve landed. So when I think of Keith and his life and what he’s achieved… well, I feel that I’m not alone.

Today in Madonna History: March 24, 2012

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On March 24th 2012, The New York Post’s Page Six reported that Madonna’s video for Girl Gone Wild had been deemed too wild for general viewing on YouTube. It would be restricted to registered users over the age of eighteen in its uncensored form:

“Madonna’s steamy new video for Girl Gone Wild has been banned from open view on YouTube for being too raunchy, with scenes including nudity and a close-up of a man’s PVC-clad crotch. YouTube chiefs have restricted the video for those 18 years or above, and sources tell us they’ve told the superstar’s management that if they want it to be available for viewing by all, they must edit out shots of bare bottoms, a man rubbing his crotch and an implied masturbation scene where a man gyrates before a mirror. Madonna’s team was working yesterday on an edited version of the video for YouTube because, for the first time, it’s based its marketing strategy for her new album, MDNA, on social media, including a live Facebook interview with Jimmy Fallon today. A source told us, ‘YouTube has decided the video is too raunchy and should only be viewed by those 18 or over, and actually, the video is hard to find on the site. YouTube has sent Madonna’s team a list of shots that should be cut to make it appropriate for everyone.’ Fashion photographers Mert Alas and Marcus Piggott directed Girl Gone Wild, using much of the singer’s trademark erotic imagery, including topless men dancing in black tights (mantyhose) and platform heels. YouTube also took exception to an S&M-inspired scene of a silhouette in chains. The video was deemed ‘inappropriate for some users’ by YouTube, and viewers must verify they’re 18 or older and log in to watch it. Madonna’s rep, Liz Rosenberg, told us, ‘Some things never change. This is a throwback to [1990] when MTV refused to show Justify My Love.'”

A re-edited version of the Girl Gone Wild video was provided to YouTube several days later and was approved for general viewing.

Today In Madonna History: February 18, 2001

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On February 18 2001, Madonna wrote a letter to the Los Angeles Times newspaper in defence of controversial rap artist Eminem over the public and media criticism of his offensive song lyrics and Grammy Award nominations:

“What is the big deal about Eminem? Since when is offensive language a reason for being unpopular? I find the language of George W. much more offensive. I find the hypocritical nature of most popular figures in our culture much more offensive. I like the fact that Eminem is brash and angry and politically incorrect. At least he has an opinion. He’s stirring things up, he’s provoking a discussion, he’s making people’s blood boil. He’s reflecting what’s going on in society right now. That is what art is supposed to do. And after all he’s just a boy. Thank God he’s rebellious and not well-groomed. He gets my vote. Yours truly, Mrs. Ritchie.”

Today in Madonna History: February 8, 2015

On February 8 2015, Madonna strutted her stuff and bared her amazing ass on the red carpet at the Grammys before an incredible live performance of Living For Love, to promote her forthcoming album, Rebel Heart.

I love the shot of Madonna and Liz Rosenberg having a good laugh! – Jay

Today in Madonna History: January 22, 2017

On January 22 2017, Madonna released this statement in response to her controversial statements made during her speech at the Women’s March on Washington:

“Yesterday’s Rally was an amazing and beautiful experience. I came and performed Express Yourself and thats exactly what i did.

However I want to clarify some very important things. I am not a violent person, I do not promote violence and it’s important people hear and understand my speech in it’s entirety rather than one phrase taken wildly out of context.

My speech began with ” I want to start a revolution of love.” ♥️  I then go on to take this opportunity to encourage women and all marginalized people to not fall into despair but rather to come together and use it as a starting point for unity and to create positive change in the world.

I spoke in metaphor and I shared two ways of looking at things — one was to be hopeful, and one was to feel anger and outrage, which I have personally felt. However, I know that acting out of anger doesn’t solve anything. And the only way to change things for the better is to do it with love.

It was truly an honor to be part of an audience chanting we choose love.”

Madonna

Today in Madonna History: December 5, 1992

On December 5 1992, Madonna’s Deeper and Deeper single was the week’s Hot Shot Debut entry on the Billboard Hot 100 in the U.S., bowing in at #38.

Pop radio had taken an immediate liking to Deeper and Deeper upon the album’s release, with some stations choosing to spin it in favor of the album’s darker lead single, well ahead of its official promotional launch. The support wasn’t unanimous, however, as Madonna was facing a severe public backlash following the release of her Sex book and the forthcoming release of the film Body Of Evidence.

The fact that Deeper and Deeper managed to climb to #7 on the Hot 100 amidst a tidal wave of contempt is a true testament to song’s irresistible appeal.

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