On December 26 1987, RPM magazine – Canada’s definitive music industry publication at the time – issued its year-end singles tally. All four of Madonna’s eligible Canadian singles charting in 1987 made the list:
- Who’s That Girl – #12
- La Isla Bonita – #22
- Causing A Commotion – #42
- Open Your Heart – #68
On August 22 1987, Madonna’s Who’s That Girl hit #1 on the USA Billboard Hot 100 Single Sales chart after being on the chart for 6 weeks.
On August 15 1987, Madonna opened the European leg of the Who’s That Girl World Tour 1987 at Roundhay Park in Leeds, England. Madonna performed for 73,000 fans during the show.
The title Who’s That Girl Tour came to Madonna during rehearsals when she looked at a gigantic image of herself, projected on a screen on the stage. She commented,
“Oh god, what have I done? What have I created? Is that me, or is this me, this small person standing down here on the stage? That’s why I call the tour ‘Who’s That Girl?’; because I play a lot of characters, and every time I do a video or a song, people go, ‘Oh, that’s what she’s like.’ And I’m not like any of them. I’m all of them. I’m none of them. You know what I mean.?”
On March 16 1995, Madonna’s The Immaculate Collection was certified 6x platinum (6 million units) in the USA.
Review by Stephen Thomas Erlewine (allmusic.com):
On the surface, the single-disc hits compilation The Immaculate Collection appears to be a definitive retrospective of Madonna’s heyday in the ’80s. After all, it features 17 of Madonna’s greatest hits, from Holiday and Like a Virgin to Like a Prayer and Vogue. However, looks can be deceiving. It’s true that The Immaculate Collection contains the bulk of Madonna’s hits, but there are several big hits that aren’t present, including Angel, Dress You Up, True Blue, Who’s That Girl and Causing a Commotion. The songs that are included are frequently altered. Everything on the collection is remastered in Q-sound, which gives an exaggerated sense of stereo separation that often distorts the original intent of the recordings. Furthermore, several songs are faster than their original versions and some are faded out earlier than either their single or album versions, while others are segued together. In other words, while all the hits are present, they’re simply not in their correct versions. Nevertheless, The Immaculate Collection remains a necessary purchase, because it captures everything Madonna is about and it proves that she was one of the finest singles artists of the ’80s. Until the original single versions are compiled on another album, The Immaculate Collection is the closest thing to a definitive retrospective.