Today in Madonna History: May 13, 1983

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On May 13 1983, Madonna performed Physical Attraction during a track date at the FunHouse in New York City.

Located at 526 West 26th St, the FunHouse (1979-1985) was a breeding ground for the new electronic sounds of the street and helped to make its resident disc jockey, Jellybean Benitez, one of dance music’s first superstar DJ’s.

Of course, Jellybean’s close association with Madonna certainly didn’t hinder his growing popularity either. His first working collaboration with Madonna was to remix Physical Attraction, the b-side to her sophomore single on Sire Records, Burning Up/Physical Attraction, which may explain why it was chosen over the more frequently performed lead track for her performance at the FunHouse. The same remix of Physical Attraction was later used on her debut album, together with new remixes Jellybean provided for Burning Up and Lucky Star alongside his first full production for Holiday.

Today in Madonna History: November 17, 1987

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On November 17 1987, Madonna’s first remix collection, You Can Dance, was released by Sire Records.

The LP version included the following tracks:

Spotlight
Holiday
Everybody
Physical Attraction
Over and Over
Into the Groove
Where’s the Party

The CD release included the following bonus tracks:

Holiday (Dub Version)
Into the Groove (Dub Version)
Where’s the Party (Dub Version)

The cassette release included this track listing:

Spotlight
Holiday
Everybody
Physical Attraction
Spotlight (Dub Version)
Holiday (Dub Version)
Over and Over
Into the Groove
Where’s the Party
Over and Over (Dub Version)
Into the Groove (Dub Version)

Patrick Leonard had this to say about working on You Can Dance:

“Remixing is a form of secondary creativity. Dance music elevates the DJ and the mixer to being almost on a level with the musician. In my opinion this is false. Manipulation of pre-recorded sound sources may be creative in a secondary sense, and may be valid in its own field, but it is pseudo musicianship. That’s why we tried to have a fresh approach to the songs for You Can Dance, as if we were developing and composing them for the first time.”

Today in Madonna History: November 16, 1989

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On November 16 1989, Madonna’s eponymous album was ranked #50 in Rolling Stone magazine’s list of The 100 Greatest Albums Of The 1980s.

Here’s what Rolling Stone had to say of Madonna’s debut album:

Five years after arriving in New York City from her hometown of Pontiac, Michigan, Madonna Louise Ciccone had little to show for a lot of work. By 1982, she had managed to get only a few gigs singing with drummer Stephen Bray’s band, the Breakfast Club, at clubs like CBGB and Max’s Kansas City, and the future looked far from bright.

“I had just gotten kicked out of my apartment,” Madonna says, “so the band let me live in their rehearsal space at the Music Building, on Eighth Avenue. Stephen had keys to all the rehearsal rooms, so when I decided to make my own demos, we’d go into other people’s studios at night and use their four-track machines.”

Armed with a tape, Madonna began making the rounds of New York’s dance clubs. “I had heard that a lot of A&R people hung out at the clubs,” she says, “and I thought trying to go see them at their offices would be a waste of time.” It proved a good strategy: Through Mark Kamins, the DJ at Danceteria, the tape found its way to Sire Records, and Madonna was signed by label president Seymour Stein. “Seymour was in the hospital at the time,” she says. “I got signed while he was lying in bed in his boxer shorts.”

The contract with Sire guaranteed just one single, but it had options for recording albums as well. With Kamins producing, Madonna cut the moody disco track Everybody as her debut single. But when Sire picked up its option to record an album, she decided to try a different producer. “I wanted someone who’d worked with a lot of female singers,” she says.

Reggie Lucas, the Grammy-winning songwriter who had produced Stephanie Mills and Roberta Flack, was selected. After recording the album’s second single, the Lucas-penned Physical Attraction, he and Madonna cut the rest of the album, with the exception of Holiday, which was produced by Jellybean Benitez.

“Things were very informal and casual,” Lucas says of the sessions. “It was my first pop project, and she was just a new artist. I had no idea it would be the biggest thing since sliced bread.”

Indeed, initial response to Madonna gave no indication of the mania to follow. It took a year and a half for the album to go gold. But its assured style and sound, as well as Madonna’s savvy approach to videos, helped the singer make the leap from dance diva to pop phenom, and it pointed the direction for a host of female vocalists from Janet Jackson to Debbie Gibson.

“It influenced a lot of people,” says Madonna, who cites Chrissie Hynde and Debbie Harry as her own musical heroes. “I think it stands up well. It just took a long time for people to pay attention to me —and I thank God they did!”

Today in Madonna History: June 4, 1983

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On June 4 1983, Burning Up/Physical Attraction spent its third and final week at its peak position of number-three on Billboard’s Hot Dance Music/Club Play chart in the U.S.

Available only on 12″ single in the U.S., the release charted as a double A-side single. Its run on the Dance/Club chart spanned a total of sixteen weeks, seven of which were spent in the top-five. In a rather strange marketing twist, a music video was produced for Burning Up while only Physical Attraction was promoted to radio – with an edited version of the latter being featured on both sides of the rare 7″ promo.

To further confuse matters, the version of Burning Up that was featured on the 12″ was in actuality not a remix, but rather the original Reggie Lucas production of the song. Instead, the two distinct versions of the song that later turned up at separate times on her debut album were in fact remixes by John “Jellybean” Benitez. Physical Attraction was also remixed by Benitez, although his version appears on both the single and the album.

Today in Madonna History: March 9, 1983

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On March 9 1983, Sire/Warner released Madonna’s second single, Burning Up/Physical Attraction, in North America.

Unlike her first single, Burning Up/Physical Attraction was available only as a 12-inch single domestically, while many international markets later released it on 7-inch as well. A promotional 7-inch was issued to promote the release to radio in the U.S., however it oddly featured the b-side, Physical Attraction, on both sides.

The artwork for the single was created by Madonna’s close friend and roommate at the time, the late Martin Burgoyne.

Burning Up was written by Madonna and produced by Reggie Lucas. The song had previously appeared on the four-track demo tape that landed Madonna her recording contract with Sire Records.