Today in Madonna History: September 22, 1998

tpog sleeve 550

On September 22 1998, The Power of Good-Bye was released as the third North American single from the Ray Of Light album. It was the fourth single in international markets that opted to release Drowned World/Substitute For Love as the album’s third single.

In the UK, the release was promoted as a double A-side single with Little Star.

The Power Of Good-Bye was written by Madonna & Rick Nowels and was produced by Madonna, William Orbit & Patrick Leonard. An earlier demo version of the track, believed to have been produced by Madonna & Leonard prior to Orbit’s involvement in the project, leaked in 2002.

Today in Madonna History: June 30, 1997

On June 30 1997, Madonna began recording sessions for what would become her Ray Of Light album at Larrabee North Recording Studios, Universal City, Los Angeles.

Madonna had already spent several months writing songs and producing demos with Patrick Leonard, Rick Nowels and Babyface (although none of the Babyface material would make the final cut) by the time she entered the studio with co-producers William Orbit and Marius De Vries. Leonard would return to the project to assist with arrangements, earning him a co-producer’s credit on four of the album’s tracks. Madonna would add lyrics and melody to at least a half-dozen previously composed Orbit demos during these sessions as well, with six of their songs making the final cut.

One song that came very close to being included on the album, Has To Be, was dropped due to Madonna’s desire to limit the number of songs on the album to lucky number thirteen. In a final toss-up between Has To Be and To Have And Not To Hold, the former was nixed in favor of the latter. Has To Be would fortunately make it to the ears of fans, however, due to its inclusion as a bonus track on the Japanese edition of the Ray Of Light album, and as the international b-side to the Ray Of Light single.

Has To Be was born as a collaboration between Madonna and Patrick Leonard. Recently surfaced demos from their writing session include two early versions of the song – the first is a piano-based arrangement in a similar style to the previous Madonna/Leonard collaboration, Something To Remember, while the second demo is an experimental synth-based reworking.

After entering the studio with William Orbit, Madonna adapted Has To Be to one of Orbit’s previously composed electronic soundscapes. Although the original Orbit instrumental piece with celestial voices has never been commercially released, it had previously aired on Orbit’s weekly radio series, Stereo Odyssey, on California’s KCRW prior to his involvement with Madonna. A sound file of the original instrumental that has circulated among fans is a recording from one of these broadcasts.

Although the released version of Has To Be is substantially different from the early Leonard demos, enough elements from its original melody lines (which were based on Leonard’s piano phrases) were carried over to warrant a three-way publishing split between Madonna/Orbit/Leonard for its official release.

Despite its relative obscurity, in fan circles Has To Be often ranks among her most beloved ballads.

Today in Madonna History: May 18, 2005

On May 18 2005, Madonna issued a statement in support of fellow pop singer Kylie Minogue, wishing her a quick recovery from her battle with breast cancer:

“I was saddened to learn about Kylie Minogue’s breast cancer diagnosis. I’m so grateful that they found it early. (Yet another reminder for all women to have annual mammograms.) Aside from being tremendously talented, Kylie’s a fighter and I know this is a battle she will win. Let’s all pray for her speedy recovery and send all of our best wishes her way. With love and light to you Kylie…Madonna.”

Following her surgery and recovery, Kylie’s 2006 return to the stage was captured in the behind-the-scenes documentary, White Diamond. The film included Kylie’s version of an unreleased Madonna/Rick Nowels collaboration from the Ray Of Light sessions, titled Alone Again. Kylie had recorded the track as a potential b-side to her 2002 single, Come Into My World, but for unknown reasons it remained shelved until its use in the documentary several years later. Madonna received special thanks from Kylie in the film’s closing credits.

Today in Madonna History: November 28, 1998

On November 28 1998, Madonna’s The Power Of Good-Bye hit #11 on the Billboard Hot 100 Singles Chart in the USA. The hit single from Ray Of Light was written by Madonna and Rick Nowels; produced by Madonna, William Orbit and Patrick Leonard.

Rick Nowels had this to say about his experience writing the song with Madonna:

It was a career-changing experience for me. Before that I had always done my co-writing with friends. But working with Madonna. It was the first time I had ever written one-on-one with a great artist/writer. After that I changed gears a little, and now I mostly collaborate directly with artists.

Today in Madonna History: June 30, 1997

On June 30 1997, Madonna began recording sessions for what would become her Ray Of Light album at Larrabee North Recording Studios, Universal City, Los Angeles.

Madonna had already spent several months writing songs and producing demos with Patrick Leonard, Rick Nowels and Babyface (although none of the Babyface material would make the final cut) by the time she entered the studio with co-producers William Orbit and Marius De Vries. Leonard would return to the project to assist with arrangements, earning him a co-producer’s credit on four of the album’s tracks. Madonna would add lyrics and melody to at least a half-dozen previously composed Orbit demos during these sessions as well, with six of their songs making the final track list.

Today in Madonna History: June 11, 2015

On June 11 2015, a Rick Nowels interview was featured at songwriteruniverse.com in which he spoke about how he came to collaborate with Madonna for the Ray Of Light sessions:

“I always wanted to work with Madonna. I loved her voice, her songwriting, and the great records she made with Pat Leonard, Stephen Bray and Nile Rodgers. In 1997 I was in New York for the Grammys. I was up for Album of the Year (as one of the producers) for Celine Dion’s Falling Into You. I was in Barney’s (store) getting a tie for the Grammys and I saw Madonna there. I introduced myself, and I told her that she didn’t get the credit she deserved as a songwriter. Which is true, but it’s also an awkward thing to tell a huge superstar! She was very cool and gracious. I ended up getting a meeting with her in L.A. a few weeks later. We wrote nine songs together — three made the Ray of Light album: The Power of Good-bye, Little Star and To Have and Not To Hold. The Power of Good-bye was a number one song in U.K. and Europe. It was a career-changing experience for me. Before that I had always done my co-writing with friends. But working with Madonna…it was the first time I had ever written one-on-one with a great artist/writer. After that I changed gears a little, and now I mostly collaborate directly with artists.”

Today in Madonna History: May 18, 2005

On May 18 2005, Madonna issued a statement in support of fellow pop singer Kylie Minogue, wishing her a quick recovery from her battle with breast cancer:

“I was saddened to learn about Kylie Minogue’s breast cancer diagnosis. I’m so grateful that they found it early. (Yet another reminder for all women to have annual mammograms.) Aside from being tremendously talented, Kylie’s a fighter and I know this is a battle she will win. Let’s all pray for her speedy recovery and send all of our best wishes her way. With love and light to you Kylie…Madonna.”

Following her surgery and recovery, Kylie’s 2006 return to the stage was captured in the behind-the-scenes documentary, White Diamond. The film included Kylie’s version of an unreleased Madonna/Rick Nowels collaboration from the Ray Of Light sessions, titled Alone Again. Kylie had recorded the track as a potential b-side to her 2002 single, Come Into My World, but for unknown reasons it remained shelved until its use in the documentary several years later. Madonna received special thanks from Kylie in the film’s closing credits.

%d bloggers like this: