Today in Madonna History: January 10, 1985

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On January 10 1985, Madonna’s Like A Virgin single was certified gold for shipment of 1 million units.

Prior to January 1 1989, the certification thresholds were Gold (1,000,000 units), and Platinum (2,000,000 units) in the USA (Recording Industry Association of America).

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Today in Madonna History: December 22, 1985

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On December 22 1985, John “Jellybean” Benitez’ Sidewalk Talk (featuring Madonna) debuted at #48 on the Billboard Hot Dance/Disco chart (not to be confused with the Hot Dance Music/Maxi-Single Sales chart). The hit dance single peaked at #1 on the Dance/Disco chart on February 2 1986.

Sidewalk Talk was written by Madonna, arranged by Jellybean and Stephen Bray and mixed by Jellybean.

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Today in Madonna History: December 21, 1985

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On December 21 1985, Madonna was awarded seven Billboard Music Awards, reflecting her significant impact on the Billboard charts in the preceding year:

  • Top Pop Artist
  • Top Pop Album Artist – Female
  • Top Pop Singles Artist
  • Top Pop Singles Artist – Female
  • Top Dance Club Play Artist
  • Top Dance Sales Artist
  • Top Music Video (Madonna – The Videos)

Today in Madonna History: August 13, 1985

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On August 13 1985, Madonna and Sean Penn got their marriage license.

Today in Madonna History: July 23, 1985

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On July 23 1985, Into The Groove was released as a single in the UK.

Not wanting to draw more attention away from the Like A Virgin album following the release of the soundtrack hit Crazy For You, Sire/Warner notoriously relegated Into The Groove to the b-side of the Angel 12″ single in North America & Australia, although they eventually ceded to issuing it as an A-side in most other international territories.

Into The Groove was written & produced by Madonna & Stephen Bray and was their first released co-production to not be reworked by an outside producer (the pair had already been producing their own demos for years). The original demo version was used over the closing credits of Desperately Seeking Susan (seemingly dubbed from an actual cassette copy of the demo–granted, DAT’s were still a few years away), and although the commercially released mix featured a slightly beefed-up and more polished-sounding musical backing track, it kept Madonna’s original demo vocals intact.

In the UK, and throughout most of Europe, the single was backed by the Madonna-penned ballad Shoo-Bee-Doo, while the original album version of Everybody (another song credited to her alone) rounded out the 12″ single…it would be fair to assume that Madonna likely earned some of the biggest single-generated songwriting royalty cheques of her career thus far with this release. It’s interesting to note that despite being one of Madonna’s most enduring dance floor classics, no remixes were produced for Into The Groove at the time of its release. It wasn’t until 1987’s You Can Dance remix compilation that the song finally received an official extended remix treatment.

Today in Madonna History: July 16, 1985

 On July 16 1985, Madonna’s hit single, Crazy For You, was certified gold by the Recording Industry Association of America (RIAA) for shipment of one million copies of the single in United States—the requirement for a gold single prior to 1989.

According to the book Risky Business: Rock In Film, the single has sold two million copies in the U.S., making it one of her biggest selling physical singles, behind Vogue and Like A Prayer. The lack of any further certification to verify this figure is plausible considering Crazy For You was released through Geffen Records; because Madonna was not a Geffen recording artist they would have had little incentive to invest in additional certifications once the initial promotional push for the soundtrack had ended.

Today in Madonna History: July 13, 1985

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On July 13 1985, Madonna performed at the Live Aid benefit concert at JFK Stadium, Philadelphia, PA.

Madonna’s set included Into The Groove, Holiday, and a brand new song that she had written with Patrick Leonard during The Virgin Tour, Love Makes The World Go Round. The latter song marked the first known songwriting collaboration in a partnership with Leonard that would prove to be long lasting and especially fruitful. The track would resurface, among other songs co-produced by the pair, on Madonna’s True Blue album a year later.

Madonna also joined the Thompson Twins on stage for a cover The Beatles’ Revolution.

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