On September 2 1985, Madonna and Sean Penn are featured on the cover of People Magazine with the headline: Madonna Weds Sean.
Here’s a snippet of the article inside People:
The World Watches (From Afar) as the Pop Princess Takes Reclusive Film Star Sean Penn on a Walk to the Altar. From above the bluffs of Point Dume, Malibu, a half-dozen choppers filled with photographers sent down a windy backwash and a constant din. Below, at the huge wooden gates fronting real-estate developer Dan Unger’s $6.5 million home, blue-blazered guards oversaw an I.D. check of all who entered, while inside others prepared for the evening ahead by arming themselves with infrared binoculars to scan the perimeter for intruders. One interloper—an Italian photographer in camouflage gear and blackened face who had been hiding in the shrubbery since 1:30 in the morning—was ejected and his pictures of the blessed event were destroyed.
On August 25 1985, Madonna appeared on the cover of Big Comics For Men (Japan).
On August 10 1985, Into The Groove spent the first of four weeks in the #1 position on the UK Singles Chart. It was Madonna’s first chart-topping single in the UK, where she has collected a total of thirteen #1 hits to date.
As an added validation, Into the Groove was Madonna’s first self-produced release (co-produced with Stephen Bray). While artists co-producing their own work is common today, it was relatively unusual at the time, particularly for female artists. The immense success of the single undoubtedly helped convince the powers at Sire/Warner to grant Madonna the artistic freedom to co-produce her next album, True Blue, together with her collaborators Stephen Bray and Patrick Leonard.
On August 2 1985, Madonna lost a court battle against director Stephen Jon Lewicki over the video release of A Certain Sacrifice. The low-budget indie film starring Jeremy Pattnosh and Madonna was shot sporadically over a two-year period in New York City between 1979 and 1981. The film also featured Madonna’s former Breakfast Club bandmate Angie Smit in a minor role.
Madonna was said to have been unhappy with the inclusion of several topless scenes in the film, although it has also been reported that despite instigating the court case, her lawyers did not present much of an argument during the proceedings, leading some to speculate that she had no serious interest in blocking the release of the film. After a limited number of screenings in New York in October 1985, the film was quickly issued on home video and laserdisc in order to capitalize on Madonna’s fame. In more recent years, the film has been reissued on DVD.
Lewicki was not the only person attached to the film who was attempting to hitch a ride on Madonna’s wave of success in the mid 1980’s. While it is unclear whether he was involved as an extra or behind the scenes, top Madonna mooch Otto Von Wernherr is also thanked in the film’s credits. It does not appear that any of his music was used in the film, which for once is actually unfortunate because Von Wernherr’s songs would have sounded right at home alongside the truly bizarre musical selections, including several by Pattnosh, that are showcased throughout A Certain Sacrifice. Perhaps it was Lewicki’s fringe fetish that ruled out the possibility of using any of Madonna’s pre-Warner tunes in the film?