Today in Madonna History: May 9, 1985

On May 9 1985, Madonna and Rosanna Arquette appeared on the cover of Rolling Stone magazine, promoting their film, Desperately Seeking Susan, with photos by Herb Ritts.

Here’s a snippet from the interview featured in the magazine:

Rosanna has expressed resentment over the insertion into the movie of a Madonna song backing a quickly rewritten scene in which the Susan character gyrates around a New York club. A video clip using the unreleased tune, “Into the Groove,” spotlights Madonna. “It does take things out of context a bit,” says Madonna, “kinda calls attention to another facet, but…” What that “but” means is, it sells tickets, chumps. Still, it’s become an issue…

“Yeah, really?” says Madonna. “Who’s it become an issue with – besides Rosanna?” Her laugh is quick and not unkind. Insiders say the song found its way into the film on its own virtues. “Susan Seidelman was not out to make a pandering rock & roll movie,” says executive producer Michael Peyser, 31, who worked on Susan after serving as associate producer on Woody Allen’s film The Purple Rose of Cairo. One of the music coordinators, Danny Goldberg, had no time to compile a soundtrack LP when the film’s release date was pushed up, but in talks with MTV execs, he paved the way for “Into the Groove” to air, even though the song might never show up on vinyl.

Madonna is not naive about the studio’s gambit: “I have a big audience of kids for my music, and you know how they use soundtracks to push movies – I think they’re using me in the same way, and it’s really a drag, because I’m trying to establish myself as an actress, not as a singer making movies. But I’ll be happy if it becomes a commercial success, simply because it’s a different kind of movie than most of what’s out now. There are a few formulas people have been using the past five years, with Flashdance and Breakin’ and all that stuff; this movie is like a return to those simple, straightforward caper comedies Claudette Colbert and Carole Lombard made in the Thirties. They give you a taste of real life, some poignance, and leave you feeling up at the end – none of that adolescent-fantasy bullshit.”

Today in Madonna History: April 18, 1985

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On April 18 1985, Desperately Seeking Susan hit number-five at the U.S. box office, bringing its total U.S. gross to $8,488,528 to date at the time (it would eventually earn over $27,000,000 at the box office). The film had screened in 760 theaters across the country for the week ending April 18th.

Today in Madonna History: April 6, 1985

On April 6 1985, Material Girl peaked at #4 on the Canadian Top 100 Singles chart by RPM magazine.

Today In Madonna History: March 29, 1985

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On  March 29 1985, Madonna’s Into The Groove video (from Desperately Seeking Susan) premiered on MTV.

Lyrics:

And you can dance
For inspiration
Come on
I’m waiting

Chorus:

Get into the groove
Boy you’ve got to prove
Your love to me, yeah
Get up on your feet, yeah
Step to the beat
Boy what will it be

Music can be such a revelation
Dancing around you feel the sweet sensation
We might be lovers if the rhythm’s right
I hope this feeling never ends tonight

Bridge:

Only when I’m dancing can I feel this free
At night I lock the doors, where no one else can see
I’m tired of dancing here all by myself
Tonight I wanna dance with someone else

(chorus)

Gonna get to know you in a special way
This doesn’t happen to me every day
Don’t try to hide it love wears no disguise
I see the fire burning in your eyes

(bridge)
(chorus)

Intermediate:

Live out your fantasy here with me
Just let the music set you free
Touch my body, and move in time
Now I now you’re mine

You’ve got to

(chorus lyrics)
(bridge)
(intermediate)

Now I know you’re mine, now I know you’re mine
Now I know you’re mine, now I know you’re mine
You’ve got to

(chorus)
(chorus lyrics)
(repeat and fade)

Today In Madonna History: March 2, 1985

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On March 2 1985, Madonna’s first single from the Vision Quest soundtrack, Crazy For You, was released.

Crazy For You later appeared on Madonna’s greatest hits collection, The Immaculate Collection. It was also included on her greatest ballads collection, Something To Remember and later on her career spanning hit collection, Celebration.

Lyrics: 

Swaying room as the music starts
Strangers making the most of the dark
Two by two their bodies become one

I see you through the smokey air
Can’t you feel the weight of my stare
You’re so close but still a world away
What I’m dying to say, is that

I’m crazy for you
Touch me once and you’ll know it’s true
I never wanted anyone like this
It’s all brand new, you’ll feel it in my kiss
I’m crazy for you, crazy for you

Trying hard to control my heart
I walk over to where you are
Eye to eye we need no words at all

Slowly now we begin to move
Every breath I’m deeper into you
Soon we two are standing still in time
If you read my mind, you’ll see

It’s all brand new, I’m crazy for you
And you know it’s true
I’m crazy, crazy for you

Today in Madonna History: February 5, 1985

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On February 5 1985, Madonna’s Like A Virgin was certified 3x platinum (for sales of 3 million units) in the USA.

Today in Madonna History: January 10, 1985

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On January 10 1985, Madonna began filming the Material Girl music video in Los Angeles, California.  The video was directed by Mary Lambert. Madonna met Sean Penn on the set.

In a 1987 interview with New York Daily News, Madonna talked about the concept for the video:

“My favorite scene in all of Marilyn Monroe’s movies is when she does that dance sequence for ‘Diamonds Are a Girl’s Best Friend’. And when it came time to do the video for the song Material Girl, I said, I can just redo that whole scene and it will be perfect. Marilyn was made into something not human in a way, and I can relate to that. Her sexuality was something everyone was obsessed with and that I can relate to. And there were certain things about her vulnerability that I’m curious about and attracted to.”

Reflecting on the song, Madonna told author J. Randy Taraborrelli:

“I can’t completely disdain the song and the video, because they certainly were important to my career. But talk about the media hanging on a phrase and misinterpreting the damn thing as well. I didn’t write that song, you know, and the video was about how the girl rejected diamonds and money. But God forbid irony should be understood. So when I’m ninety, I’ll still be the Material Girl. I guess it’s not so bad. Lana Turner was the Sweater Girl until the day she died.”

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