Today in Madonna History: January 16, 2001

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On January 16 2001, Don’t Tell Me was released commercially in North America as the second single from Music.

Written by Madonna, Mirwais & Joe Henry, the song was Madonna’s first collaboration with her brother-in-law, whom she had known since high school. Henry sent a demo (then titled Stop) to Madonna after his wife, Melanie, insisted that her sister would love the song. Madonna & Mirwais drastically altered the music and melody and renamed the song Don’t Tell Me. Henry released his version on his eighth studio album, Scar, in May 2001.

The maxi-single featured remixes by Thunderpuss, Timo Mass, Victor Calderone, Richard “Humpty” Vission and Tracy Young. Don’t Tell Me was the last Madonna release to be issued on cassette single in the U.S. and was also available on 2-track CD single, CD Maxi-Single (enhanced with the music video) and as a double 12″ vinyl set. In Canada, it was released only on CD maxi-single.

Today in Madonna History: November 17, 1984

On November 17 1984, the title-track and lead single from Madonna’s Like A Virgin album entered the Billboard Hot 100 at #48 – the week’s highest debut – hot on the heels of its commercial release as a 7-inch single in the preceding sales week. A commercial 12-inch single was also issued in North America during the chart week ending November 17th, with Like A Virgin pouncing onto the Hot Dance/Disco Sales chart at #26 in the November 24th issue of Billboard.

Created by the successful pop songwriting team of Tom Kelly & Billy Steinberg and produced by Nile Rodgers, the demo of Like A Virgin – sung by Kelly – was initially introduced to Madonna by Warner Bros. Records’ A&R rep Michael Ostin (son of then-CEO of Warner, Mo Ostin).

In a 2009 interview for Rolling Stone magazine, Madonna recalled her impressions upon first listening to the demos of Like A Virgin and its follow-up single, Material Girl:

“I liked them both because they were ironic and provocative at the same time but also unlike me. I am not a materialistic person, and I certainly wasn’t a virgin, and, by the way, how can you be like a virgin? I liked the play on words; I thought they were clever. They’re so geeky, they’re cool. I never realized they would become my signature songs, especially the second one.”

As audio engineer Jason Corsaro noted in a 2007 interview with Sound On Sound magazine, although she officially ceded production credit to Rodgers, Madonna was actively engaged in all aspects of the recording sessions for the album and title-track:

“Nile was there most of the time, but she was there all of the time. She never left.”

Like A Virgin made a high-profile debut via live performance during the first annual MTV Video Music Awards on September 14th, 1984.

With previous single Lucky Star still ascending the North American charts, however, the official release of Like A Virgin was held back by Warner Bros. Records in a bid to allow the former (along with its parent album) to reach its full chart potential. This strategy proved successful, with Madonna earning her first U.S. Top-5 single with Lucky Star in the October 20th issue of Billboard, while Like A Virgin would reach #1 in the December 22nd issue.

Today in Madonna History: October 7, 2009

On October 7 2009, Madonna’s Celebration single was released as a 6-track CD maxi-single by Warner Brothers in the USA.

This edition, along with the US 12″ vinyl pressing that followed, featured unique artwork created by Mr Brainwash which is based on a Wayne Maser photo from 1992. This varied from the party-shot collage used for the single internationally.

Tracklisting:

1 – Oakenfold Remix
2 – Benny Benassi Remix
3 – Oakenfold Remix Dub
4 – Benny Benassi Remix Edit
5 – Benny Benassi Dub
6 – Johnny Vicious Club Remix

Today in Madonna History: August 7, 2012

 

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On August 7 2012, Turn up the Radio was released in North America.

Written by Madonna, Martin Solveig, Michael Tordjman and Jade Williams, and produced by Madonna and Solveig, the song was released as the third and final international single from the MDNA album.

Today in Madonna History: April 13, 1995

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On April 13 1995, Bedtime Story was released as a single in North America by Maverick/Sire as the third single from the album Bedtime Stories. The song was written by Björk, Nellee Hooper & Marius DeVries and was produced by Madonna & Nellee Hooper.

Bedtime Story was released in Europe in February but the release was delayed for several months in North America due to the prolonged chart reign of her previous single, Take A Bow.

The commercial maxi-single featured remixes by Junior Vasquez and Orbital. Additional promo-only remixes by Mark Picchiotti & Teri Bristol were also later serviced to clubs.

An official remix video was released to promote the Bedtime Story maxi-single. It was edited by Ed Steinberg – the director of Madonna’s very first music video for Everybody in 1982 – and was set to Junior’s Single Mix.

Today in Madonna History: February 15, 1984

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On February 15 1984, Madonna’s Borderline single was released in North America. Borderline was the fourth North American single to be released from her self-titled debut album, while in most other markets Lucky Star was released ahead of Borderline. It was written and composed by producer Reggie Lucas, and remixed by Madonna’s then-boyfriend John “Jellybean” Benitez.

In an interview recalling the launch of Madonna’s recording career, Sire Records head Seymour Stein stated, “I dared to believe this was going to be huge beyond belief, the biggest thing I’d ever had, after I heard Borderline. The passion that she put into that song, I thought, there’s no stopping this girl.”

In the United States, Borderline became Madonna’s first top-ten hit when it reached #10 on the Billboard Hot 100 on June 16, 1984. In Canada, it peaked at #25 on September 15, 1984.

Today in Madonna History: February 13, 1995

Bedtime Story UK 12inch 550

On February 13 1995, Bedtime Story was released in Europe by Maverick Records as the third single from the album Bedtime Stories. In North America, the single was delayed until April due to the sleeper success of Take A Bow, which continued its slow-but-steady climb to the top of the Hot 100.

Bedtime Story was written by Björk, Marius De Vries & Nellee Hooper and was produced by Hooper & Madonna. Björk’s original demo, titled Let’s Get Unconscious, was reworked by Hooper & DeVries and renamed Bedtime Story for its submission to Madonna. Björk later revisited elements of the song’s lyrics in Sweet Intuition–a b-side from her 1995 single, Army Of Me.

In a 2001 interview for NYLON magazine, writer James Servin asked Björk whether it was true that she had written the lyrics to Bedtime Story for Madonna because she liked the idea of her expressing a viewpoint that was paradoxical to her controlled public image:

“I think at the time, yes. But that’s like six years ago, when everything about [Madonna] seemed very controlled. I think she’s a very intuitive person, and definitely her survival instincts are incredible. They’re like, outrageous. At the time, the words I thought she should say were, ‘I’m not using words anymore, let’s get unconscious honey. Fuck logic. Just be intuitive. Be more free. Go with the flow.’ Right now, she seems pretty much to be going with the flow.”

This prompts me to ask Björk if she thinks she might have put those mellowing-out thoughts into Madonna’s head. “Well, I wouldn’t credit myself for that,” she says. “Not at all. That’s a question for you to ask her.”

I sent a fax to Madonna via her publicist Liz Rosenberg, with the question: “Did singing the lyrics Björk wrote for Bedtime Story lead you in the direction of going more with the flow?” A day or two later, I receive this e-mail from Liz Rosenberg: “I wish I could get an answer from Madonna for you. She’s deep into rehearsals for her tour, and I can’t get any info from her for a while. I can tell you that Madonna certainly thinks Björk is inspiring and a brilliant artist. Madonna is a huge fan of her music. I’ve never thought Madonna was a ‘go with the flow’ person before or after recording Bedtime Story. She goes with a flow – but it’s a flow of her own creation, if you know what I mean.”

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