On July 23 1985, Into The Groove was released as a single in the UK.
Not wanting to draw more attention away from the Like A Virgin album following the release of the soundtrack hit Crazy For You, Sire/Warner notoriously relegated Into The Groove to the b-side of the Angel 12″ single in North America & Australia, although they eventually ceded to issuing it as an A-side in most other international territories.
Into The Groove was written & produced by Madonna & Stephen Bray and was their first released co-production to not be reworked by an outside producer (the pair had already been producing their own demos for years). The original demo version was used over the closing credits of Desperately Seeking Susan (seemingly dubbed from an actual cassette copy of the demo–granted, DAT’s were still a few years away), and although the commercially released mix featured a slightly beefed-up and more polished-sounding musical backing track, it kept Madonna’s original demo vocals intact.
In the UK, and throughout most of Europe, the single was backed by the Madonna-penned ballad Shoo-Bee-Doo, while the original album version of Everybody (another song credited to her alone) rounded out the 12″ single…it would be fair to assume that Madonna likely earned some of the biggest single-generated songwriting royalty cheques of her career thus far with this release. It’s interesting to note that despite being one of Madonna’s most enduring dance floor classics, no remixes were produced for Into The Groove at the time of its release. It wasn’t until 1987’s You Can Dance remix compilation that the song finally received an official extended remix treatment.
On February 15 1985, the Vision Quest original motion picture soundtrack was released on Geffen Records. To promote the release, music videos for Crazy For You and Gambler premiered on MTV on the same day.
Despite Gambler only being released as a single in markets outside North America, its video received moderate rotation from MTV nonetheless – possibly due to the fact that there were no competing videos produced for the final two singles from Like A Virgin.
Gambler was Madonna’s last entirely self-written single until the 2007 release of the charity single, Hey You. Other singles for which she received sole writing credit include Everybody (which was in fact a Stephen Bray co-write–however a publishing arrangement granted him sole credit for another of their collaborations, Ain’t No Big Deal, in trade), Burning Up, Lucky Star and Sidewalk Talk. Album tracks Think Of Me, I Know It and Shoo-Bee-Doo were also entirely self-written.
A third Madonna song that was recorded for the Vision Quest soundtrack, Warning Signs, was eventually dropped from the project. A cassette copy of the song, which is also credited to Madonna alone, was submitted to the Library of Congress for copyright registration in February of 1984, at the same time as Gambler.
With Stephen Bray having confirmed his involvement in the song’s production (which he described as “a cool synth track”), it appears that its production credits would mirror those of Gambler, which was produced by Jellybean Benitez and arranged by Bray. Given that early press for Vision Quest (including an on-set interview with Madonna herself) mentioned the inclusion of three new songs, footage of Madonna performing Warning Signs was likely filmed but ended up on the cutting room floor. Surprisingly, this additional footage has never resurfaced and the song has never leaked.
On September 26 1988, Madonna began recording the Like A Prayer album in Los Angeles, California with collaborators Patrick Leonard and Stephen Bray.
Madonna had begun writing for the album during down time of her Broadway run in David Mamet’s Speed-The-Plow, for which she gave her final performance in late August. With her marriage to Sean Penn on the rocks, Madonna found herself at a personal and creative crossroads–with plenty to express.
On August 10 1985, Into The Groove spent the first of two weeks in the number-one position on the UK Singles Chart. It was Madonna’s first chart-topping single in the UK, where she has collected a total of thirteen number-one hits to date.
As an added validation, Into the Groove was Madonna’s first attempt at co-producing a song. While artists co-producing their own work is common today, it was relatively unusual at the time, particularly for female artists. The immense success of the single undoubtedly helped convince the powers at Sire/Warner to grant Madonna the artistic freedom to co-produce her next album, True Blue, together with her collaborators Stephen Bray and Patrick Leonard.
On July 22 1989, Madonna’s Express Yourself reached #2 on the Billboard Hot 100 Singles Chart. Express Yourself was the first song that Madonna and producer Stephen Bray collaborated on for the Like a Prayer album.
“The message of the song is that people should always say what it is they want. The reason relationships don’t work is because they are afraid. That’s been my problem in all my relationships. I’m sure people see me as an outspoken person, and for the most part, if I want something I ask for it. But sometimes you feel that if you ask for too much or ask for the wrong thing from someone you care about that that person won’t like you. And so you censor yourself. I’ve been guilty of that in every meaningful relationship I’ve ever had. The time I learn how not to edit myself will be the time I consider myself a complete adult.”
—Madonna talking to Stephen Holden of The New York Times.
On June 24 1989, Madonna’s Express Yourself single debuted at #21 on the Billboard Hot Dance Music/Maxi Single Sales chart.
The 12″ maxi single included the following:
- Express Yourself (Non-Stop Express Mix) – 7:57
- Express Yourself (Stop & Go Dubs) – 10:49
- Express Yourself (Local Mix) – 6:26
- The Look of Love (Album Version) – 4:00
On April 25 1988, Spotlight was released as a single by Warner-Pioneer. Issued exclusively in Japan, it was the only commercial single release from the remix album You Can Dance. The song was written by Curtis Hudson, Madonna and Stephen Bray and was produced by Stephen Bray. Madonna wasn’t given a co-producer’s credit on the track – odd considering it was a leftover from the True Blue album sessions, for which she co-produced every song. The track was remixed by John “Jellybean” Benitez for its inclusion on You Can Dance.
In a 2012 interview with blogcritics.com writer Justin Kantor, Curtis Hudson recalled the circumstances surrounding the creation and release of Spotlight:
“During the time right after Holiday, when we’d go to her place and write, I presented Spotlight. I gave her a complete song, Spotlight. I had actually written it in case Warner Bros. asked her for another Holiday. She said she loved it and felt spiritual about it. But she didn’t use it or contact me again about it. It sort of popped up out of nowhere when she was getting ready to do You Can Dance. Her lawyer contacted our manager and said we needed to talk. We went over and met with him. She and Stephen Bray had already done the song; but I hadn’t even heard the version they had done.They took the demo I had given her and worked it into a different song. They gave me credit since I had the original song copyrighted. I would’ve collaborated and made changes. But I was told, ‘Well, she’s too busy. She’s overseas doing a movie.’ I was okay with it, though, because they gave me credit. But the original song had a certain magic, and the changes took that essence away. The original Spotlight was another Holiday—the rhythm, the basic groove. I think they were trying to get away from that sound. Sometimes artists don’t want their sound to be identified with specific writers.”