On March 4 1996, Madonna’s Love Don’t Live Here Anymore music video was shot at the Confitería El Molino in Buenos Aires, Argentina, during her day off from filming Evita.
The music video was directed by Jean-Baptiste Mondino, who worked with Madonna on her videos for Open Your Heart, Justify My Love and Human Nature.
Love Don’t Live Here Anymore was released as the fourth single from the Something to Remember ballads collection.
In her Evita diaries, published by Vanity Fair magazine in 1996, Madonna made reference to the video shoot:
“There are no words to describe the weariness I feel today. I have not slept well in days, and when I do, there is no comfort. My dreams are violent and full of betrayal. Like my life, there’s no escape. I feel the responsibility of this film. I cannot talk about Evita and her life without defending myself … Dear God, what have I gotten myself into? What is happening to me? Today we went to shoot a music video for my next song. But I kept forgetting the lyrics, and felt like crying each and every time I did it. It was so frustrating. It’s my own song!”
On December 2 1995, Madonna appeared on the cover of NME (New Music Express) magazine. The cover/interview was part of the Something To Remember promotional plan.
Here are a few questions from the interview:
Is ‘You’ll See’ about revenge?
“No, It’s about empowering yourself. As much as I like a song like ‘Take A Bow’, lyrically it only reflects one side of my personality. I have that side which in completely masochistic and willing to, literally, do anything for love. But there’s another side too which is – ‘Don’t f*** with me, I don’t need anybody. I can do what I want’ and ‘You’ll See’ reflects that.”
Are you getting harder as you get older?
“No, just wiser. I’ve read a couple of reviews that say I’m getting harder in my old age but I don’t think that’s true at all. I think that you can’t help but become a little cynical about life and love but I’m still a romantic, I’m still an idealist. I fall in love quite easily so I don’t think I’ve gotten harder at all. It’s just another thing for people to mention when they want to undermine who I am and what I say. Some people have a really hard time resisting thinking in a one-dimensional way in general.”
For a woman whose first hit was a song about holidays, Madonna implies that she is singularly bad at taking them.
“I despise anyone who looks at me and my lifestyle and thinks – ‘Oh God! Her life is so easy!’ Like I was born into it and it happened overnight. Bullshit! I work so f**ing hard.”
Nor is she deluded about her commercial ranking. Though still one of the most famous women in the world – most people have forgotten more about Madonna than they achieve in their entire lives – her record sales don’t always reflect this.
“I’ve gone from having a huge fan base to losing a huge fan base to having a kind of fluctuating fan base. I’ve always had a core of fans who’ve stuck by me but, depending on the kind of music I do, I end up appealing to certain groups of people and alienating others.”
Does this bother you?
“No. I may not be as popular as I once was but people are starting to pay attention to my music and respect me as an artist more.”
Have you lost your nerve at any point over the years?
“Absolutely!” she laughs. “I panic every time I put out a record. I think every artist does. Every time you have a Number One record you think., ‘Well that was great but I’ll probably never be able to do it again’. It’s never-ending.”
On November 10 1995, Madonna’s Something to Remember was released in Japan under the title Best of Madonna: Ballad Collection.
The Japanese release included Madonna’s 1986 hit La Isla Bonita as a bonus track.
La Isla Bonita was re-released three months prior to the compilation as a double A-side record with Human Nature, the final single from Bedtime Stories. Receiving gold certification from the Recording Industry Association of Japan (RIAJ), the song was added to Something to Remember track listing in the hope of boosting the album sales in the Japanese region.
On October 23 1995, Madonna began filming the You’ll See video in London, England with director Michael Haussman.
The video was conceived as a sequel to Madonna’s 1994 video for Take A Bow, with both featuring Spanish bullfighter Emilio Muñoz. Madonna’s scenes for the You’ll See video were shot as she was preparing to begin recording the soundtrack for Evita.