On November 15 1986, Billboard reported that a 6-track Madonna remix EP titled You Can Dance, initially scheduled for a 1986 pre-Christmas release, would be delayed until the following year to avoid affecting holiday sales of her still red-hot True Blue LP.
The article also mentions Madonna’s upcoming film, Slammer (later retitled Who’s That Girl), her track for Nick Kamen, the video for her next single, Open Your Heart, touring plans and more.
Stay tuned for a third and final installment on the You Can Dance delay…
Filmed in Venice, Italy, the video marked Madonna’s second collaboration with director Mary Lambert. Lambert later recalled of the shoot:
“For Like a Virgin I said ‘Lets do it in Venice!’ The idea of Madonna singing in a gondola was the most outrageous thing I could think of. And Madonna dug it, because she has the whole thing with the Catholic Church and her Italian heritage. It turned into a huge party.”
On November 7 1998, The Power of Good-Bye advanced one position to #13 in what would be its final bulleted week on the Billboard Hot 100 in the U.S. The single would nonetheless manage to sneak its way up to #11 on November 28th, sans bullet. It is worth noting that one of the most significant changes to eligibility rules in the Hot 100’s history at the time took effect during the single’s initially rapid ascent, causing an immediate rush of non-commercially released radio hits to storm the chart and seemingly disrupt the ballad’s momentum.
A decision by Warner Bros. to withhold a maxi-single release for The Power Of Good-Bye in the U.S., compounded by the lack of any non-album content on the standard single despite earlier reports, suggests that the changes to the Hot 100 may have created a larger ripple than Warner had anticipated. Including the Oprah performance of Little Star, as previously reported in Billboard, or even the Dallas Austin remix of The Power Of Good-Bye on the b-side certainly would have given fans more incentive to pick up the 2-track single in the U.S.
It’s difficult to fully frown on Warner’s seemingly uncontainable enthusiasm for the brilliant remixes of Ray Of Light‘s fourth single, Nothing Really Matters, however, despite its unconventional timing.
On October 31 2006, Jump was released as the fourth and final single from the album Confessions On Dance Floor. It was written by Madonna, Stuart Price & Joe Henry and produced by Madonna & Stuart Price.
In Canada, the CD maxi-single for Jump is notable for being Madonna’s last physical single to be issued domestically. The Hard Candy-era singles were imported from the U.S. by Warner Music Canada, while her Interscope singles have only been released in digital form for the North American market.
On October 27 1990, Madonna’s first dance teacher and mentor from Michigan, Christopher Flynn, passed away from an AIDS-related illness. On the news of his death, Madonna issued the statement: “Christopher Flynn was my mentor, is my higher power, and will remain an eternal inspiration.”
Indeed, Flynn would later serve as the inspiration for one of the characters from Madonna’s directorial debut, Filth And Wisdom, as she explained to Gus Van Sant in the October 2010 issue of Interview magazine:
The character that Richard E. Grant plays in the film I directed, Filth and Wisdom, is this blind professor who was based on my ballet teacher, Christopher Flynn. Growing up in Michigan, I didn’t really know what a gay man was. He was the first man-the first human being-who made me feel good about myself and special. He was the first person who told me that I was beautiful or that I had something to offer the world, and he encouraged me to believe in my dreams, to go to New York. He was such an important person in my life. He died of AIDS, but he went blind toward the end of his life. He was such a lover of art, classical music, literature, opera. You know, I grew up in the Midwest, and it was really because of him that I was exposed to so many of those things. He brought me to my first gay club-it was this club in Detroit. I always felt like I was a freak when I was growing up and that there was something wrong with me because I couldn’t fit in anywhere. But when he took me to that club, he brought me to a place where I finally felt at home. So that character in Filth and Wisdom was dedicated to him and inspired by him.”
Madonna would also recall Christopher’s influence in the second verse of the lyrics of the song, In This Life.