On January 27 1984, Madonna performed Burning Up and Holiday on the UK television program, The Tube. The show was broadcast live from The Hacienda club in Manchester.
Malcolm Gerrie, executive producer of The Tube, has been quoted as saying that the show paid for Madonna to travel to Manchester because Warner Bros. didn’t yet consider her a “priority artist” and were unwilling to cover her travel costs.
On January 19 1991, Billboard magazine reported on the controversy surrounding Madonna’s use of prose from the Book of Revelations in a remix featured on the maxi-single of Justify My Love, titled The Beast Within. The remix was created by Madonna & Lenny Kravitz during the recording session for Justify My Love.
While The Beast Within would later be featured prominently in 1993’s Girlie Show tour and as the opening sequence of 2004’s Re-Invention tour, in both cases the biblical verse that had sparked the controversy was excluded.
The article also mentions the song’s use of Public Enemy’s Security Of The First World as the basis of Justify My Love‘s rhythm track, with Public Enemy’s co-producer revealing an intent to sue Madonna & Kravitz over its use. Madonna had only received credit for “additional lyrics” on the song, while Kravitz was originally credited as composer and producer.
On January 13 2010, a press release by powerHouse books announced the book Madonna: Sticky & Sweet, featuring photography by Guy Oseary:
Madonna’s legendary Sticky & Sweet Tour, the most successful tour by a solo artist in history, has been chronicled by her longtime manager Guy Oseary and the resulting book, Madonna: Sticky & Sweet is being published by powerHouse Books (February 2010). The glossy retrospective includes 500 extraordinary photographs taken on and off stage during the course of the 58 show tour which circled the globe in 2008 and was seen by over 2 1/2 million fans. Oseary’s discerning eye along with his unprecedented access to Madonna before, during and after each show gives the viewer a unique insight into the journey of a lifetime. The Sticky & Sweet photo book feature the four segments of the concert experience including the opening “Pimp” section, and Old School salute to early NYC dance roots, onto Romani music influences and escalating in a rave finale. Oseary previously released the critically acclaimed Madonna: Confessions photo book, also published by powerHouse Books which covered her previous tour. Guy Oseary is the CEO of Maverick and Madonna’s manager. He has worked closely with Madonna for almost two decades, and was the only individual permitted to take photographs both on and backstage on the landmark Sticky & Sweet Tour. Oseary’s first book, Madonna: Confessions, was published by powerHouse in 2008.
On January 6 1990, Billboard magazine looked back at the top-selling music videocassettes of the 1980’s. All three of Madonna’s qualifying releases charted, with both her self-titled four-video EP and Madonna Live: The Virgin Tour topping the list for the years 1985 and 1986 respectively.
It should be noted that Ciao Italia, which ranked #7 on the 1989 tally, was at a disadvantage for this type of chart due to its mid-year release. Had it been released in early 1988, or even late 1987, it certainly would have fared better.
On January 1 2019, Madonna rang in the New Year with a surprise appearance at New York City’s historic Stonewall Inn.
A heartfelt speech about the gay rights movement was followed by a sing-along performance of Like A Prayer and a cover of Elvis Presley’s hit, Can’t Help Falling in Love, with her son David Banda providing musical accompaniment on acoustic guitar.
“I stand here proudly at the place where pride began, the legendary Stonewall Inn, on the birth of a New Year. We come together tonight to celebrate fifty years of revolution, fifty years of freedom fighting, fifty years of blood, sweat, and tears. Fifty years of sacrifice, fifty years of standing up to discrimination, hatred, and worst of all, indifference. And it started here, at Stonewall. Let us never forget the Stonewall riots and those who bravely stood up and said ‘enough!’
A half a century later, Stonewall has become a defying moment and a critical turning point in history, catapulting LGBT rights into public conversation and consciousness and awakening gay activism, giving birth to the civil rights movement of the 21st century.
Now you can’t imagine how happy I am to return home, to New York City, my beautiful city, where dreams are born and forged out of fire and brought to life, where I am proud to say that my journey as an artist began, and my commitment to equality for all people took root. As a lifelong ally, I have had the privilege of using my art as a vehicle for change, to provoke, to inspire, to wake people up and to bring the LGBTQ community with me.
There is so much destruction in the world, but you cannot stop art. And creation always wins in the end. So as we move forward, let’s not forget the work that we had to do from the ground up. We must never forget where we’ve been, the challenges and the road blocks along the way. We must never forget where we came from. This movement was born out of the need to survive discrimination and hatred. But why do people hate? Yes – fear of the unknown. But if we look and we truly take the time to get to know one another we will find that we all bleed the same color and we all need to love and be loved. When we stand here together tonight let’s remember who we are fighting for and what we are fighting for. We are fighting for ourselves, yes, we are fighting for each other, yes, but truly and most importantly, what are we fighting for? We are fighting for love! Thank you, people – we are fighting for love!
So let’s take a moment to reflect on how we can bring more love and peace into 2019. In this New Year let’s commit to disarming people with unexpected acts of kindness. Let’s become more intuitive. Share what you know with someone you don’t agree with. Think about that. Try it. Get outside of your comfort zone. Let’s try to be more forgiving. Maybe we can find an opening to let the light come in. Let’s close up the distance between one human being and another.
I walk in the shadow of giants, our freedom fighters who have gone before me. But let’s be giants ourselves! Let’s be giants and carry each other on our shoulders into the New Year and into a future of love and understanding. Are you ready?”