Today In Madonna History: March 6, 1986

George Harrison And Madonna Promote 'Shanghai Surprise' madonna-george-harrison-shanghai-surprise-conferrence-2 madonna-george-harrison-shanghai-surprise-conferrence-3 madonna-george-harrison-shanghai-surprise-conferrence-4

On March 6 1986, Madonna and George Harrison held a press conference at Kensington Roof Gardens, London, England to discuss the filming of Shanghai Surprise.

When asked by a reporter to apologize for her and Sean’s behavior towards the British press, Madonna answered: “I have nothing to apologize for”.

You have to stick it out to the end of the video to hear George Harrison’s Shanghai Surprise. It’s one of those 80’s songs you can’t get out of your head!

Here are some of the lyrics:

But i’m ready.
You must be crazy… crazy…
And you got no money… money…
But you’re a tryer…

My straits are dire from the wok into the fire,
I’d like to meet you but i’ve broken my chopstick.
Sometimes there’s no hope in, in chasing promises,
I wanna love you though it could prove to be unwise,
Shanghai surprise.

Today in Madonna History: December 22, 1986

On December 22 1986, an exclusive interview with Madonna conducted by Simon Bates was broadcast on BBC Radio 1 in the U.K.

Madonna discussed her upbringing, her formative years as an artist, her work ethic, her marriage with Sean Penn, the press, Shanghai Surprise and more.

Listen to the full broadcast interview here:

Today in Madonna History: September 2, 1985

19850902-750-0 19850902-750-22 19850902-750-23

On September 2 1985, Madonna and Sean Penn are featured on the cover of People Magazine with the headline: Madonna Weds Sean.

Here’s a snippet of the article inside People:

The World Watches (From Afar) as the Pop Princess Takes Reclusive Film Star Sean Penn on a Walk to the Altar. From above the bluffs of Point Dume, Malibu, a half-dozen choppers filled with photographers sent down a windy backwash and a constant din. Below, at the huge wooden gates fronting real-estate developer Dan Unger’s $6.5 million home, blue-blazered guards oversaw an I.D. check of all who entered, while inside others prepared for the evening ahead by arming themselves with infrared binoculars to scan the perimeter for intruders. One interloper—an Italian photographer in camouflage gear and blackened face who had been hiding in the shrubbery since 1:30 in the morning—was ejected and his pictures of the blessed event were destroyed.

Today in Madonna History: August 28, 1986

madonna_goose_tom_tom

On August 28 1986, Madonna and Sean opened in David Rabe’s Goose & Tomtom at Lincoln Centre’s Mitzi Newhouse Theatre, in New York.

Here’s a snippet of an article that Dena Kleiman published about the play:

A Revival that may not revive (New York Times August 19, 1986):

Madonna and Sean Penn are quietly dashing in and out of Lincoln Center these days in connection with closely guarded rehearsals of David Rabe’s Goose and Tomtom that may never be opened to the public.

But maybe, said Mr. Rabe, who is also directing the play, he will invite a special audience to come next week to a free performance – or even two. And after that? ”I’ve reserved the right not to show it,” Mr. Rabe said.

The rehearsals, in which Harvey Keitel, Barry Miller and Lorraine Bracco are also taking part, have been described by Mr. Rabe as a ”work in progress” for a play that was previously – but in his view unsuccessfully – produced. He said he believes he has a better handle on the play now, but is still not absolutely sure.

In the play, Goose (Barry Miller) and Tomtom (Sean Penn) are a pair of jewel thieves, who, in collaboration with a sexy woman named Lorraine (Madonna), amass a collection of gems only to have them stolen by a rival gang.

”I’m in the process of trying to understand it,” said Mr. Rabe, who is currently working with the actors on the stage of the Mitzi E. Newhouse Theater. ”I wrote it without understanding it, and it has taken a long time to grasp.”

Today in Madonna History: May 3, 2010

On May 3 2010, Madonna was featured on the cover of Interview magazine, with photos by Mert Atlas and Marcus Piggott.

Here’s a snippet of the interview between Gus Van Sant and Madonna featured in Interview:

MADONNA: Did you like working with my ex-husband? [laughs]

VAN SANT: I did. Sean [Penn] was amazing.

MADONNA: He is amazing.

VAN SANT: I haven’t really caught up with Sean since he’s been going to Haiti. I mean, it’s incredible, what he’s been doing.

MADONNA: Yup. He’s got a fire under his ass, that’s for sure. A bee in his bonnet.

VAN SANT: When I called him to see whether he would play the role in Milk, he took half a second to say yes. I guess he knew the elements were there.

MADONNA: I could see why he would be attracted to the role and be able to say yes in two seconds. Watching Milk was such a trip down memory lane for me.

VAN SANT: Yeah? Did you go to the Castro a lot?

MADONNA: I did when I was younger. But you know, what the movie triggered for me was all my early days in New York and the scene that I came up in-you know, with Andy Warhol and Keith Haring and Jean-Michel Basquiat and Kenny Scharf. It was just so alive with art and politics and this wonderful spirit. So many of those people are dead now. I think that’s one of the reasons I cried. In fact, the character that Richard E. Grant plays in the film I directed, Filth and Wisdom [2008], is this blind professor who was based on my ballet teacher, Christopher Flynn. Growing up in Michigan, I didn’t really know what a gay man was. He was the first man-the first human being-who made me feel good about myself and special. He was the first person who told me that I was beautiful or that I had something to offer the world, and he encouraged me to believe in my dreams, to go to New York. He was such an important person in my life. He died of AIDS, but he went blind toward the end of his life. He was such a lover of art, classical music, literature, opera. You know, I grew up in the Midwest, and it was really because of him that I was exposed to so many of those things. He brought me to my first gay club-it was this club in Detroit. I always felt like I was a freak when I was growing up and that there was something wrong with me because I couldn’t fit in anywhere. But when he took me to that club, he brought me to a place where I finally felt at home. So that character in Filth and Wisdom was dedicated to him and inspired by him. I don’t know why I’m bringing all this up, but I guess it’s just coming from that world in Michigan and the trajectory of my life: after going to New York and being a dancer when the whole AIDS epidemic started and nobody knew what it was. And then suddenly, all these beautiful men around me, people who I loved so dearly, were dying-just one after the next. It was just such a crazy time. And watching the world freak out-the gay community was so ostracized. But it was also when I was beginning my career. . . . I don’t know. Your movie really struck a chord for me and made me remember all that. It’s a time I don’t think many people have captured on film. It’s a time that people don’t talk about much. And even though there was so much death, for me, New York was so alive.

VAN SANT: It’s amazing that you had a person like that in your life who was such an influence.

MADONNA: Thank god! Otherwise, I don’t know if I would’ve gotten out of Michigan. I think it was Christopher and my Russian history teacher, Marilyn Fellows. The two of them, I think they were a conspiracy that god sent to me. The conspiracy of angels that gave me the confidence and helped me turn my lemons into lemonade, if you know what I’m saying. Because when you grow up in a really conservative place and you don’t fit in, it’s kind of hard. . . . You can go one way or the other.

 

Today in Madonna History: January 5, 1989

madonna-sean-january-4-divorce

On January 5 1989, Madonna filed for divorce from Sean Penn citing “irreconcilable differences” at the Los Angeles County Superior Court in Los Angeles, California.

Madonna’s publicist at the time, Liz Rosenberg, made this statement:

“I can only tell you that there will definitely be no further comment from either Mr. Penn or Madonna on this subject.”

Today in Madonna History: December 28, 1988

On December 28 1988, Madonna filed assault charges against Sean Penn at the sheriff’s office in Malibu, California.

Versions of what happened on that date include:

  • Sean scaled the wall surrounding their Malibu home and started a quarrel with Madonna in their bedroom
  • Madonna threatened to leave the house
  • Sean attempted to tie Madonna to a chair with the cord from a lamp, but she fled the bedroom
  • Sean chased Madonna into living room and then tied her to a chair using twine
  • Sean threatened to cut off her hair
  • The police report indicates that Sean was “drinking liquor straight from the bottle” and that the abuse went on for several hours, according to Madonna
  • Madonna was smacked several times while bound to the chair
  • Sean eventually untied Madonna and she fled the house in her car and drove to the sheriff’s office

When she arrived at the sheriff’s office, Lieutenant Bill McSweeny is quoted as saying, “I hardly recognized her as Madonna. She was weeping, her lip was bleeding and she had obviously been struck.”

Sean was charged with inflicting “corporal injury and traumatic conditions” on Madonna as well as committing “battery”.

Madonna filed for divorce a few days later and withdrew the assault charges against Sean.

On December 17 2015, Madonna made this statement about the above mentioned rumours/speculation:

“I am aware of the allegations that have surfaced over the years accusing Sean of incidents of physical assault and abuse against me, which purportedly resulted in Sean’s arrest for domestic assault and battery against me. Sean has never struck me, ‘tied me up,’ or physically assaulted me, and any report to the contrary is completely outrageous, malicious, reckless and false.”

So .. according to Madonna in 2015, these stories are false. But, if you listen to Till Death Do Us Part and piece the story together bit-by-bit — you might think she’s re-writing history to save a long-time friend and life-long love. Either way, it’s her decision ..

Till Death Do Us Part:

Our luck is running out of time
You’re not in love with me anymore
I wish that it would change, but it won’t, if you don’t
Our luck is running out of time
You’re not in love with me anymore
I wish that it would change, but it won’t
‘Cause you don’t love me no more

You need so much but not from me
Turn your back in my hour of need
Something’s wrong but you pretend you don’t see
I think I interrupt your life
When you laugh it cuts me just like a knife
I’m not your friend, I’m just your little wife

They never laugh, not like before
She takes the keys, he breaks the door
She cannot stay here anymore
He’s not in love with her anymore

The bruises they will fade away
You hit so hard with the things you say
I will not stay to watch your hate as it grows
You’re not in love with someone else
You don’t even love yourself
Still I wish you’d ask me not to go

He takes a drink, she goes inside
He starts to scream, the vases fly
He wishes that she wouldn’t cry
He’s not in move with her anymore

He makes demands, she draws the line
He starts the fight, she starts the lie
But what is truth when something dies
He’s not in love with her anymore

You’re not in love with someone else
You don’t even love yourself
Still I wish you’d ask me not to go

She’s had enough, she says the end
But she’ll come back, she knows it then
A chance to start it all again
Till death do us part