Today in Madonna History: May 26, 1990

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On May 26, 1990, Madonna is honoured with Pop Artist Of The Decade, Dance Artist Of The Decade and Dance Single Of The Decade (for Into The Groove) in Billboard magazine’s Music Of The 80’s Poll.

Today in Madonna History: May 13, 1989

On May 13 1989, Madonna’s Like A Prayer single peaked at #4 on Billboard’s Hot Adult Contemporary chart in the USA. The hit single also peaked on the Hot R&B Single Sales at #18 and the Hot R&B Singles & Tracks chart at #20 during the same week.

 

Today in Madonna History: April 23, 1983

On April 23 1983, the recording of Madonna’s debut album was mentioned briefly in Billboard magazine.

The fact that Jellybean was producing Naked Eyes at the same studio provides some context for the vocal Madonna recorded for the remix of their single, Promises, Promises. Perhaps Sire didn’t support the idea at the time, as Madonna’s cameo remained shelved for twenty years until the band finally issued it on a scarce retrospective, Everything And More, in 2002.

Today in Madonna History: April 15, 1989

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On April 15 1989, Madonna’s Like A Prayer became the number one dance single on the Billboard Hot Dance Club Play chart.

Like A Prayer remained number one for the week of April 22.

Today in Madonna History: March 31, 1990

On March 31 1990, the sixth single from Madonna’s Like A Prayer album, Keep It Together, reached #1 on Billboard’s Hot Dance/Club Play chart in the USA.

Today in Madonna History: March 26, 1983

On March 26 1983, the music video for Madonna’s Everybody was briefly mentioned in Billboard magazine along side the music video for Konk’s Konk Party, noting that both videos were directed by Ed Steinberg of Soft Focus Productions. What is not mentioned and likely not known to the columnist (considering they think Madonna is the name of a group!) is that Madonna appears as an extra in Konk Party along with her pals Erika Belle and Martin Burgoyne. Original Sonic Youth drummer and member of Konk, Richard Edson, is also featured in the video. Edson would later appear in the film Desperately Seeking Susan, holding open a newspaper box for Madonna, and is pictured prominently next to Madonna in the film’s cast photo – which is unusual considering the brevity of his time on-screen. He worked with Madonna again in 1988, playing the character of Johnny Crackow in the film, Bloodhounds Of Broadway.

Sonic Youth would explore their own fascination with Madonna with their side project, Ciccone Youth. In liner notes for Sonic Youth’s reissue of their landmark album, Daydream Nation (1988), the band revealed that they had given an advance copy of Ciccone Youth’s The Whitey Album (1988) to Madonna’s sister, who was working in Warner’s art department at the time, seeking Madonna’s approval for the use of her image on the album cover (her songs Into The Groove & Burning Up were also covered & sampled). Word came back that Madonna had no issues with it, adding that she remembered the band from their early days in New York.

Sonic Youth made humourous references to Madonna’s place in popular culture in their promotional artwork throughout the 80’s – typically designed by bassist/vocalist/guitarist and visual artist, Kim Gordon. They were even known to use Madonna’s music as interludes during guitar changes at their shows in the 80’s, bewildering audience members who were not privy to their shared origins as part of the early 80’s underground music scene in NYC.

In another connection, Sonic Youth’s 2004 album, Sonic Nurse, featured artwork from Richard Prince’s acclaimed Nurse Paintings series. In 2015, Madonna used a rotating selection of paintings from her own art collection as backdrops for a series of press junket interviews to promote her Rebel Heart album. One of the paintings displayed was Prince’s Heartbreak Nurse from his Nurse Paintings series.

Today in Madonna History: February 25, 1995

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On February 25 1995, Madonna’s Take A Bow hit #1 in the USA on the Billboard Hot 100 chart.  The hit single remained #1 for 7 weeks, and became Madonna’s 11th single to top the charts in the USA.

Billboard called the song a “plush pop ballad” that was “as close to perfect as top 40 fare gets.” Adding that the lead vocal was “both sweet and quietly soulful.”

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