On August 25 1987, Causing a Commotion was released as the second single from the soundtrack album Who’s That Girl, by Sire Records. Causing a Commotion was written and produced by Madonna and Stephen Bray, the song was inspired by Madonna’s relationship with then husband Sean Penn, and his abusive and violent nature.
On August 15 1987, Madonna opened the European leg of the Who’s That Girl World Tour 1987 at Roundhay Park in Leeds, England. Madonna performed for 73,000 fans during the show.
The title Who’s That Girl Tour came to Madonna during rehearsals when she looked at a gigantic image of herself, projected on a screen on the stage. She commented,
“Oh god, what have I done? What have I created? Is that me, or is this me, this small person standing down here on the stage? That’s why I call the tour ‘Who’s That Girl?’; because I play a lot of characters, and every time I do a video or a song, people go, ‘Oh, that’s what she’s like.’ And I’m not like any of them. I’m all of them. I’m none of them. You know what I mean.?”
On July 17 1993, Rain was released as a single in North America. It was the fourth and final North American single from the Erotica album.
Following a cold reception to Madonna’s previous North American single – the bleak-but-beautiful Bad Girl – Rain was given a glossy makeover by French record producer Daniel Abraham (who had recently completed a similar assignment with the video remix of Fever) to help ensure that it would receive a warmer welcome from radio programmers. The U.S. promotional CD that was serviced to radio by Maverick/Warner offered the choice between the sweetened “Radio Remix” (in full-length and edited form) or an edited album version, the latter of which was fittingly used in the song’s gorgeous music video.
As her label had correctly predicted, radio indeed favored the smoother sound of the “Radio Remix” over the darker, more dynamic (and in our opinion, more interesting) production-work of the album mix.
While not an all-out smash hit, Rain was the first single from the Erotica album to impact Billboard’s Hot AC chart, where it reached the Top 10, and it is generally viewed as an initial recovery step following the backlash Madonna had faced in the wake of the Sex book.
Written and produced by Madonna & Shep Pettibone (unlike the majority of the tracks from Erotica, Tony Shimkin has not been added as co-writer, according to the Warner-Chappel publishing database), Rain was one of the earliest songs conceived during the Erotica album sessions. It appears as the first track on a two-cassette collection of demos from the album sessions submitted to the U.S. Library Of Congress for copyright registration.
The infamously sought-after set is often referred to by fans as The Rain Tapes because of the song’s prominent placement in its sequencing and also due to the likely unintentional visual prominence of the song’s title in the handwritten sleeve notes that accompanied the tapes.
Shep Pettibone created the song’s interesting use of panning percussion by digitally cutting and splicing samples of percussion breaks from an extended version of Scritti Politti’s 1985 hit, Perfect Way (and no, he was not involved with creating the remix). Although no sample credit was given on the album, considering the royalties the band would have earned for their inclusion on Madonna’s Who’s That Girl soundtrack, perhaps she figured that they owed her one.
The Rain maxi-single was perhaps most notable for its inclusion of a non-album track, Up Down Suite, which was for all intents and purposes a dub remix of album outtake, Goodbye To Innocence (which remained unreleased at the time, aside from some vocal samples used in a promo-only remix of Fever). A new remix (featuring Everlast) of the Erotica album track, Waiting, was also included on the North American maxi-single, while its album version served as the single’s North American b-side.
With its poetically poignant and emotionally charged lyrics, percussive urgency and one of Madonna’s most ambitious uses of layered self-harmonization (not to mention it being accompanied by one of the most beautiful music videos ever created), it isn’t difficult to understand why Rain remains an enduring fan favorite.
I feel like I’ve known you before
And I want to understand you
More and more and more
When I’m with you
I feel like a magical child
Waiting is the hardest thing
I tell myself that if I believe in you
In the dream of you
With all my heart and all my soul
That by sheer force of will
I will raise you from the ground
And without a sound you’ll appear
And surrender to me, to love”
On December 19 1987, Madonna’s haunting ballad The Look Of Love peaked at number nine on the UK Singles Chart. The third and final Madonna single from the Who’s That Girl soundtrack, it was released only in select European countries and in Japan.
The Look Of Love was written, produced and recorded by Madonna and Patrick Leonard during the second of a three-day studio session, with the title track of the soundtrack being written and recorded on the first day. Additional musicians were brought in for overdubs and mixing was completed for both tracks by the end of the third day.
Despite being a set-list staple on the Who’s That Girl tour – the song’s limited release, moderate chart success, along with the fact that it has not been included in any of Madonna’s subsequent retrospective collections has led to it being largely forgotten, although fans frequently cite it as an underrated gem.
In a 1991 interview with ICON magazine, background vocalist Niki Haris expressed fond memories of performing the track with Madonna during the 1987 tour:
“My favorite song ever to perform with Madonna was a song called The Look Of Love from the Who’s That Girl Tour [Niki sings: Nowhere to run, nowhere to hide…]. That is one of the greatest songs and Madonna sings it really great. That’s my favorite song of all time as far as singing with her.”
The single reached number six in Ireland, number eight in the Netherlands and number ten in Belgium, while it peaked outside the top-ten in Germany, Switzerland, France and Japan.
On September 4 1987, Madonna performed Causing A Commotion live via satellite from the Stadio Communale in Turin, Italy, during the Who’s That Girl World Tour and won Best Female Video for Papa Don’t Preach at the 4th annual MTV Video Music Awards at the Universal Amphitheatre in Los Angeles, California.