Today in Madonna History: April 11, 1998

On April 11 1998, Madonna appeared on the cover of TV Guide.

In the issue, Madonna explains the relationship she had with Lourdes’ father, Carlos Leon:

“I was in love with him. A lot of people think I walked out on the street and looked at him and said, `You’re going to be my sperm donor. I had a relationship with him. I still have a relationship with him. We are really good friends. . . . the last thing I want my daughter to do is grow up without a father. I grew up without a parent.”

Today in Madonna History: March 11, 1985

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On March 11 1985, Madonna was featured on the cover of People magazine.  Photos by Ken Reagan.

Today in Madonna History: February 1, 1999

On February 1 1999, a geisha-inspired Madonna was featured on the cover of Harper’s Bazaar magazine in the USA, with photos by Patrick Demarchelier.

Today in Madonna History: January 8, 2017

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On January 8 2017, Madonna announced through her social media channels that she would appear on the cover of the 150th Anniversary Issue of Harper’s Bazaar, shot by Luigi and Iango.

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Today in Madonna History: December 18, 2000

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On December 18 2000, Madonna appeared on the cover of People magazine:  Madonna and family: A burglar in the house.

In the predawn hours of Dec. 1, the unsettling sounds of an intruder downstairs awoke Madonna and her fiancé, British film director Guy Ritchie, 32, at their rented Victorian mansion in London’s Notting Hill. By the time help arrived, the thief, who police believe had targeted the house at random, had fled with a laptop computer in Ritchie’s year-old black Range Rover. The shock of the invasion aside, little harm was done. The couple’s 4-month-old son, Rocco, and Madonna’s daughter Lourdes, 4, slept right through the excitement, and the SUV was recovered later that day in London.

“On a scale of 1 to 10,” says Ritchie pal and publicist Kris Thykier, “it’s a 1.”   Yet security plainly rates a 10 in Madonna’s mind. Though she recently knocked L.A. by announcing “I feel safer” in London, she was burgled in the same house last June. After that theft, the star shelled out $280,000 to tighten security at the three-story house, which came equipped with a 5-ft. stone wall and iron railings.

Contrary to press reports that she purchased a $10.3 million Georgian property in nearby Belgravia, real estate agents say that Madonna—who has made a second career of shopping for London houses—is still on the prowl to buy a residence.   Meanwhile, jetting off to Rome 12 hours after the heist to promote her new Music album, Madonna, 42, put aside her burglary fears with a 90-minute shopping spree at the chichi Fendi boutique. Shop manager Mariano Manselli, who declines to confirm reports of a $15,000 tab, demurely labels the haul “Christmas shopping.”

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Today in Madonna History: December 2, 1995

On December 2 1995, Madonna appeared on the cover of NME (New Music Express) magazine. The cover/interview was part of the Something To Remember promotional plan.

Here are a few questions from the interview:

Is ‘You’ll See’ about revenge?

“No, It’s about empowering yourself. As much as I like a song like ‘Take A Bow’, lyrically it only reflects one side of my personality. I have that side which in completely masochistic and willing to, literally, do anything for love. But there’s another side too which is – ‘Don’t f*** with me, I don’t need anybody. I can do what I want’ and ‘You’ll See’ reflects that.”

Are you getting harder as you get older?

“No, just wiser. I’ve read a couple of reviews that say I’m getting harder in my old age but I don’t think that’s true at all. I think that you can’t help but become a little cynical about life and love but I’m still a romantic, I’m still an idealist. I fall in love quite easily so I don’t think I’ve gotten harder at all. It’s just another thing for people to mention when they want to undermine who I am and what I say. Some people have a really hard time resisting thinking in a one-dimensional way in general.”

For a woman whose first hit was a song about holidays, Madonna implies that she is singularly bad at taking them.

“I despise anyone who looks at me and my lifestyle and thinks – ‘Oh God! Her life is so easy!’ Like I was born into it and it happened overnight. Bullshit! I work so f**ing hard.”

Nor is she deluded about her commercial ranking. Though still one of the most famous women in the world – most people have forgotten more about Madonna than they achieve in their entire lives – her record sales don’t always reflect this.

“I’ve gone from having a huge fan base to losing a huge fan base to having a kind of fluctuating fan base. I’ve always had a core of fans who’ve stuck by me but, depending on the kind of music I do, I end up appealing to certain groups of people and alienating others.”

Does this bother you?

“No. I may not be as popular as I once was but people are starting to pay attention to my music and respect me as an artist more.”

Have you lost your nerve at any point over the years?

“Absolutely!” she laughs. “I panic every time I put out a record. I think every artist does. Every time you have a Number One record you think., ‘Well that was great but I’ll probably never be able to do it again’. It’s never-ending.”

Today in Madonna History: November 13, 1997

On November 13 1997, the Rolling Stone magazine Women of Rock issue, featuring Madonna, Tina Turner and Courtney Love was released.

The photoshoot took place on October 21, and according to Madonna, the ladies had fun figuring out what music to listen to during the shoot:

“There was a bit of a skirmish over who was going to play what. We finally agreed that every other CD was mine and every other CD was Courtney’s and we sort of went back and forth. But the ultimate song that we ended up dancing to all the time was the MC stereo remix of the Tricky song, which is a very good song to dance to.”

Tina had this to say about working with Madonna and Courtney:

“It was like working with kids. You know I’ve always had Ikettes for dancers, so they were pretending a few times that they were my dancers. They had all kinds of pretence going on, but it was always built around me being the mother of the two in some kind of way. In terms of ‘Tina is this and we are that,’ and I was laughing the whole time, honestly. If the photograph comes out with me really laughing seriously, it was because of their reaction to each other. It was wonderful.”

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