Today in Madonna History: July 23, 1985

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On July 23 1985, Into The Groove was released as a single in the UK.

Not wanting to draw more attention away from the Like A Virgin album following the release of the soundtrack hit Crazy For You, Sire/Warner notoriously relegated Into The Groove to the b-side of the Angel 12″ single in North America & Australia, although they eventually ceded to issuing it as an A-side in most other international territories.

Into The Groove was written & produced by Madonna & Stephen Bray and was their first released co-production to not be reworked by an outside producer (the pair had already been producing their own demos for years). The original demo version was used over the closing credits of Desperately Seeking Susan (seemingly dubbed from an actual cassette copy of the demo–granted, DAT’s were still a few years away), and although the commercially released mix featured a slightly beefed-up and more polished-sounding musical backing track, it kept Madonna’s original demo vocals intact.

In the UK, and throughout most of Europe, the single was backed by the Madonna-penned ballad Shoo-Bee-Doo, while the original album version of Everybody (another song credited to her alone) rounded out the 12″ single…it would be fair to assume that Madonna likely earned some of the biggest single-generated songwriting royalty cheques of her career thus far with this release. It’s interesting to note that despite being one of Madonna’s most enduring dance floor classics, no remixes were produced for Into The Groove at the time of its release. It wasn’t until 1987’s You Can Dance remix compilation that the song finally received an official extended remix treatment.

Today in Madonna History: June 19, 2013

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On June 19 2013, Debi Mazar talked to The Cut about how she first met Madonna:

I was in Danceteria, working the elevator. She came into my elevator, and a great song was spinning and she goes, ‘Hey, you wanna dance? And I was like, ‘Yeah!’ And I parked the elevator, and we had a great dance together and then later on we danced some more. She wasn’t, like, a big star yet. She was just a girl from Detroit who had a real raw sexuality. From there on we became pals and started dancing and hanging out. I was doing makeup then, and so I did her makeup for years. She was like, ‘I’m gonna be a star one day,’ and I was like, ‘Great!’ We also did videos together. The first one was a song called ‘Everybody,’ and we filmed at the Paradise Garage, and Keith Haring was there. That was the beginning. I was always trying to pluck her eyebrows — they’re caterpillars. At this moment in time I probably wouldn’t pluck them, but it was the eighties, so, you know. Anyway, we remained girlfriends and we still are.

Today in Madonna History: January 1, 1983

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On January 1 1983, Madonna’s first single, Everybody, climbed to #4 on the Billboard Hot Dance Music/Club Play chart in the USA after 9 weeks on the chart.

Madonna talking about hearing Everybody for the first time on radio:

“I was living on the Upper West Side, 99th and Riverside, and about 7:00 at night I had the radio on in my bedroom, on WKTU, and I heard ‘Everybody’. I said ‘Oh, my God, that’s me coming out of that box.’ It was an amazing feeling.”

Today in Madonna History: November 17, 1987

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On November 17 1987, Madonna’s first remix collection, You Can Dance, was released by Sire Records.

The LP version included the following tracks:

Spotlight
Holiday
Everybody
Physical Attraction
Over and Over
Into the Groove
Where’s the Party

The CD release included the following bonus tracks:

Holiday (Dub Version)
Into the Groove (Dub Version)
Where’s the Party (Dub Version)

The cassette release included this track listing:

Spotlight
Holiday
Everybody
Physical Attraction
Spotlight (Dub Version)
Holiday (Dub Version)
Over and Over
Into the Groove
Where’s the Party
Over and Over (Dub Version)
Into the Groove (Dub Version)

Patrick Leonard had this to say about working on You Can Dance:

“Remixing is a form of secondary creativity. Dance music elevates the DJ and the mixer to being almost on a level with the musician. In my opinion this is false. Manipulation of pre-recorded sound sources may be creative in a secondary sense, and may be valid in its own field, but it is pseudo musicianship. That’s why we tried to have a fresh approach to the songs for You Can Dance, as if we were developing and composing them for the first time.”

Today in Madonna History: November 16, 1989

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On November 16 1989, Madonna’s eponymous album was ranked #50 in Rolling Stone magazine’s list of The 100 Greatest Albums Of The 1980s.

Here’s what Rolling Stone had to say of Madonna’s debut album:

Five years after arriving in New York City from her hometown of Pontiac, Michigan, Madonna Louise Ciccone had little to show for a lot of work. By 1982, she had managed to get only a few gigs singing with drummer Stephen Bray’s band, the Breakfast Club, at clubs like CBGB and Max’s Kansas City, and the future looked far from bright.

“I had just gotten kicked out of my apartment,” Madonna says, “so the band let me live in their rehearsal space at the Music Building, on Eighth Avenue. Stephen had keys to all the rehearsal rooms, so when I decided to make my own demos, we’d go into other people’s studios at night and use their four-track machines.”

Armed with a tape, Madonna began making the rounds of New York’s dance clubs. “I had heard that a lot of A&R people hung out at the clubs,” she says, “and I thought trying to go see them at their offices would be a waste of time.” It proved a good strategy: Through Mark Kamins, the DJ at Danceteria, the tape found its way to Sire Records, and Madonna was signed by label president Seymour Stein. “Seymour was in the hospital at the time,” she says. “I got signed while he was lying in bed in his boxer shorts.”

The contract with Sire guaranteed just one single, but it had options for recording albums as well. With Kamins producing, Madonna cut the moody disco track Everybody as her debut single. But when Sire picked up its option to record an album, she decided to try a different producer. “I wanted someone who’d worked with a lot of female singers,” she says.

Reggie Lucas, the Grammy-winning songwriter who had produced Stephanie Mills and Roberta Flack, was selected. After recording the album’s second single, the Lucas-penned Physical Attraction, he and Madonna cut the rest of the album, with the exception of Holiday, which was produced by Jellybean Benitez.

“Things were very informal and casual,” Lucas says of the sessions. “It was my first pop project, and she was just a new artist. I had no idea it would be the biggest thing since sliced bread.”

Indeed, initial response to Madonna gave no indication of the mania to follow. It took a year and a half for the album to go gold. But its assured style and sound, as well as Madonna’s savvy approach to videos, helped the singer make the leap from dance diva to pop phenom, and it pointed the direction for a host of female vocalists from Janet Jackson to Debbie Gibson.

“It influenced a lot of people,” says Madonna, who cites Chrissie Hynde and Debbie Harry as her own musical heroes. “I think it stands up well. It just took a long time for people to pay attention to me —and I thank God they did!”

Today in Madonna History: July 27, 1983

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On July 27 1983, Madonna’s eponymous debut album was released by Sire Records. The record was renamed Madonna: The First Album for the 1985 international re-release of the album.

The album was released with 8 tracks (produced by John “Jellybean” Benitez, Mark Kamins and Reggie Lucas):

  1. Lucky Star
  2. Borderline
  3. Burning Up
  4. I Know It
  5. Holiday
  6. Think of Me
  7. Physical Attraction
  8. Everybody

Five singles were released from The First Album:

  1. Everybody (October 6 1982)
  2. Burning Up (March 9 1983)
  3. Holiday (September 7 1983 – UK)
  4. Lucky Star (September 8 1983)
  5. Borderline (February 15 1984)

“Madonna was unhappy with the whole album, so I went in and sweetened up a lot of music for her, adding some guitars to ‘Lucky Star’, some voices, some magic… I just wanted to do the best job I could do for her. When we would playback ‘Holiday’ or ‘Lucky Star’, you could see that she was overwhelmed by how great it all sounded. You wanted to help her, you know? As much as she could be a bitch, when you were in a groove with her, it was very cool, very creative.”

— John “Jellybean” Benitez talking about Madonna and the album.

Today in Madonna History: April 24, 2007

Everybody US 7-inch single

On April 24 2007, Liz Rosenberg posted an article on Madonna.com remembering Madonna’s very first single that started it all:

It may seem like only yesterday but 25 years ago on April 24, 1982, Sire Records honcho Seymour Stein released a single called Everybody on Warner Bros. Records by an unknown singer from Rochester, Michigan by the name of Madonna Louise Veronica Ciccone. To say the world would never be the same is an understatement. The song went on to become a huge dancefloor hit and was heard all over the radio in the Summer of 1982. That little girl from Michigan would go on to become one of the most famous entertainers and cultural icons in history – selling close to 200 million records and remaining a star of enormous magnitude and influence for the next 25 years. She’s just getting started. Long Live the Queen and Happy Anniversary to Madonna.

The announcement came as a surprise to many fans who had always understood the release date of Everybody to be October 6, 1982. While the erroneous April date was likely just a simple mistake on Liz’s part, the lack of any official retraction/correction to the post has led to much confusion about the single’s release date in the years since, with the press often assuming the April date to be factual given its reputable source. However, the sequencing of the catalogue numbers for both the promotional and commercial releases of Everybody, as well as its charting chronology, offer clear evidence that its originally reported release date of October 6, 1982 is in fact the accurate one.