Today in Madonna History: January 8, 1983

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On January 8 1983, Everybody peaked at number-three on the US Hot Dance Music/Club Play chart. It would remain locked in that position for three weeks before quickly descending. Then known as Hot Dance/Disco, it was Madonna’s first appearance on the chart that she continues to rule today, with a total of 50 number-one hits under her belt (as of 2020).

Long live the Dancing Queen!

Today in Madonna History: December 24, 1983

On December 24 1983, Madonna was named runner-up for Top Dance/Disco Artist Of The Year in Billboard magazine’s year-end issue, while Michael Jackson took top honors.

The double-sided club hit Holiday/Lucky Star peaked at #3 on the Top Dance/Disco Singles Of The Year tally, while Madonna’s second entry at #26 combined points from her first two single releases, Everybody and Burning Up/Physical Attraction.

Today in Madonna History: November 15, 2005

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On November 15 2005, Madonna performed an intimate club show for roughly 1,500 contest winners and guests at KOKO in London’s Camden Town district. The event was held to celebrate the release of her album, Confessions On A Dance Floor.

While roughly 200 fans queued overnight to secure a spot near the stage for the gig, fans around the world were able to enjoy a live stream of the performance online.

VIP guests in attendance included Sir Bob Geldof and his late daughter Peaches, Stella McCartney, Guy Ritchie and Pet Shop Boys’ Neil Tennant.

Madonna’s very first promotional concert in London was held at the same venue – then named Camden Palace – in October of 1983.

Setlist

  • Hung Up
  • Get Together
  • I Love New York
  • Let It Will Be
  • Everybody

Today in Madonna History: April 24, 2007

Everybody US 7-inch single

On April 24 2007, Liz Rosenberg posted an article on Madonna.com remembering Madonna’s very first single that started it all:

It may seem like only yesterday but 25 years ago on April 24, 1982, Sire Records honcho Seymour Stein released a single called Everybody on Warner Bros. Records by an unknown singer from Rochester, Michigan by the name of Madonna Louise Veronica Ciccone. To say the world would never be the same is an understatement. The song went on to become a huge dancefloor hit and was heard all over the radio in the Summer of 1982. That little girl from Michigan would go on to become one of the most famous entertainers and cultural icons in history – selling close to 200 million records and remaining a star of enormous magnitude and influence for the next 25 years. She’s just getting started. Long Live the Queen and Happy Anniversary to Madonna.

The announcement came as a surprise to many fans who had always understood the release date of Everybody to be October 6, 1982. While the erroneous April date was likely just a simple mistake on Liz’s part, the lack of any official retraction/correction to the post has led to much confusion about the single’s release date in the years since, with the press often assuming the April date to be factual given its reputable source. However, the sequencing of the catalogue numbers for both the promotional and commercial releases of Everybody, as well as its charting chronology, offer clear evidence that its originally reported release date of October 6, 1982 is in fact the accurate one.

Today in Madonna History: March 26, 1983

On March 26 1983, the music video for Madonna’s Everybody was briefly mentioned in Billboard magazine along side the music video for Konk’s Konk Party, noting that both videos were directed by Ed Steinberg of Soft Focus Productions. What is not mentioned and likely not known to the columnist (considering they think Madonna is the name of a group!) is that Madonna appears as an extra in Konk Party along with her pals Erika Belle and Martin Burgoyne. Original Sonic Youth drummer and member of Konk, Richard Edson, is also featured in the video. Edson would later appear in the film Desperately Seeking Susan, holding open a newspaper box for Madonna, and is pictured prominently next to Madonna in the film’s cast photo – which is unusual considering the brevity of his time on-screen. He worked with Madonna again in 1988, playing the character of Johnny Crackow in the film, Bloodhounds Of Broadway.

Sonic Youth would explore their own fascination with Madonna with their side project, Ciccone Youth. In liner notes for Sonic Youth’s reissue of their landmark album, Daydream Nation (1988), the band revealed that they had given an advance copy of Ciccone Youth’s The Whitey Album (1988) to Madonna’s sister, who was working in Warner’s art department at the time, seeking Madonna’s approval for the use of her image on the album cover (her songs Into The Groove & Burning Up were also covered & sampled). Word came back that Madonna had no issues with it, adding that she remembered the band from their early days in New York.

Sonic Youth made humourous references to Madonna’s place in popular culture in their promotional artwork throughout the 80’s – typically designed by bassist/vocalist/guitarist and visual artist, Kim Gordon. They were even known to use Madonna’s music as interludes during guitar changes at their shows in the 80’s, bewildering audience members who were not privy to their shared origins as part of the early 80’s underground music scene in NYC.

In another connection, Sonic Youth’s 2004 album, Sonic Nurse, featured artwork from Richard Prince’s acclaimed Nurse Paintings series. In 2015, Madonna used a rotating selection of paintings from her own art collection as backdrops for a series of press junket interviews to promote her Rebel Heart album. One of the paintings displayed was Prince’s Heartbreak Nurse from his Nurse Paintings series.

Today in Madonna History: January 1, 1983

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On January 1 1983, Madonna’s first single, Everybody, climbed to #4 on the Billboard Hot Dance Music/Club Play chart in the USA after 9 weeks on the chart.

Madonna talking about hearing Everybody for the first time on radio:

“I was living on the Upper West Side, 99th and Riverside, and about 7:00 at night I had the radio on in my bedroom, on WKTU, and I heard ‘Everybody’. I said ‘Oh, my God, that’s me coming out of that box.’ It was an amazing feeling.”

Today in Madonna History: November 16, 1989

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On November 16 1989, Madonna’s eponymous album was ranked #50 in Rolling Stone magazine’s list of The 100 Greatest Albums Of The 1980s.

Here’s what Rolling Stone had to say of Madonna’s debut album:

Five years after arriving in New York City from her hometown of Pontiac, Michigan, Madonna Louise Ciccone had little to show for a lot of work. By 1982, she had managed to get only a few gigs singing with drummer Stephen Bray’s band, the Breakfast Club, at clubs like CBGB and Max’s Kansas City, and the future looked far from bright.

“I had just gotten kicked out of my apartment,” Madonna says, “so the band let me live in their rehearsal space at the Music Building, on Eighth Avenue. Stephen had keys to all the rehearsal rooms, so when I decided to make my own demos, we’d go into other people’s studios at night and use their four-track machines.”

Armed with a tape, Madonna began making the rounds of New York’s dance clubs. “I had heard that a lot of A&R people hung out at the clubs,” she says, “and I thought trying to go see them at their offices would be a waste of time.” It proved a good strategy: Through Mark Kamins, the DJ at Danceteria, the tape found its way to Sire Records, and Madonna was signed by label president Seymour Stein. “Seymour was in the hospital at the time,” she says. “I got signed while he was lying in bed in his boxer shorts.”

The contract with Sire guaranteed just one single, but it had options for recording albums as well. With Kamins producing, Madonna cut the moody disco track Everybody as her debut single. But when Sire picked up its option to record an album, she decided to try a different producer. “I wanted someone who’d worked with a lot of female singers,” she says.

Reggie Lucas, the Grammy-winning songwriter who had produced Stephanie Mills and Roberta Flack, was selected. After recording the album’s second single, the Lucas-penned Physical Attraction, he and Madonna cut the rest of the album, with the exception of Holiday, which was produced by Jellybean Benitez.

“Things were very informal and casual,” Lucas says of the sessions. “It was my first pop project, and she was just a new artist. I had no idea it would be the biggest thing since sliced bread.”

Indeed, initial response to Madonna gave no indication of the mania to follow. It took a year and a half for the album to go gold. But its assured style and sound, as well as Madonna’s savvy approach to videos, helped the singer make the leap from dance diva to pop phenom, and it pointed the direction for a host of female vocalists from Janet Jackson to Debbie Gibson.

“It influenced a lot of people,” says Madonna, who cites Chrissie Hynde and Debbie Harry as her own musical heroes. “I think it stands up well. It just took a long time for people to pay attention to me —and I thank God they did!”

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