On June 23 1998, the music video for Ray of Light was released by Warner Reprise Video as a limited edition video single of 40,000 VHS copies. It sold 7,381 copies within its first month of release, becoming one of the best-selling video singles of the Nielsen SoundScan era. Madonna’s previous video single release, Justify My Love, which predated SoundScan, was certified quadruple-Platinum by the RIAA (for shipment of over 200,000 copies).
The reason behind Ray of Light being issued as a video single were twofold. Madonna was very pleased with the outcome of her first collaboration with director Jonas Åkerlund and her record company felt that there would be enough interest to warrant its commercial release. Secondly, Warner’s marketing team correctly sensed that the song’s then-experimental sound would be a tough sell at radio, so the decision was made to pull out all the stops to ensure the release outperformed on the sales chart. Another prong in this strategy was the inclusion of album outtake Has To Be as the b-side to the two-track single, while excluding it from the maxi-single in an attempt to persuade fans to purchase the single in multiple formats. The strategy proved successful, with the song’s number-five debut and peak on the Billboard Hot 100 mainly due to its sales strength. According to Billboard, the music video single boosted its first-week sales by roughly 7%, helping it to secure its place in the top-five.
Shortly after Ray of Light‘s release as a video single, Billboard magazine published an article musing on whether renewed interest in the relatively obscure format could ever prove lucrative for the music industry. A video buyer for a major retail chained remarked:
“Madonna’s Ray of Light video single is a success because she has a fervent fan base. There are very few artists with videos that consistently get people’s attention, but Madonna is one of those artists. It’s too early to tell if there’s a true market for video singles. Right now, it seems like record companies are trying video singles to see what happens. I think we’re going to see the lines becoming more blurred in how audio and video singles are marketed.”
Indeed. Within the next five years (and two Madonna video singles later), the emergence of online file sharing would obliterate the physical singles market in North America, and video streaming sites would soon spell an end to the prospect of marketing music video singles as a physical format. In digital form, however, music video singles may be selling in larger numbers than ever due to increased availability through iTunes. Strangely, however, sales of music videos through iTunes are not reported to Billboard and no longer count towards a single’s chart position (reportedly due to iTunes’ monopoly on digital sales of the format), while streams of music videos through sites like YouTube and Vevo are used in Billboard’s chart methodology.
On June 20 2010, Susan Boyle’s cover of Madonna’s You’ll See was released as a single from her debut album, I Dreamed A Dream.
Susan frequently performed the song during auditions in the early days of her career.
Her version was featured on the first episode of the 2010 Brazilian telenovela, Ti Ti Ti.
On June 18 1994, Madonna’s I’ll Remember spent a second week at #1 on the Billboard Adult Contemporary chart in the U.S. I’ll Remember spent a total of 4 weeks at the top of the chart, making it her longest running AC chart-topper to date at the time. This would be surpassed less than a year later when Take A Bow ended an incredible 9-week run at #1 on AC chart on February 18th, 1995 and remains her biggest AC hit in the U.S.
On June 17 2003, the single cover for Madonna’s Hollywood single was revealed. The photo was taken from the photo shoot by Steven Klein for W Magazine.
Hollywood was the second single from the American Life album, released on July 14, 2003.
In April 2003, in an interview with Q Magazine, Madonna described the allure of life in Hollywood:
“I’ve had 20 years of fame and fortune, and I feel that I have a right to an opinion on what it is and what it isn’t. All everyone is obsessed about at the moment is being a celebrity. I’m saying that’s bullshit and who knows better than me? Before it happens you have all kinds of notions about how wonderful celebrity is and how much joy it’s going to bring you. Then you arrive … Look like this you’re gonna be happy. Drive this car you’re gonna be popular. Wear these clothes and people are gonna wanna fuck you. It’s a very powerful illusion and people are caught up in it, including myself. Or I was.”