On June 1 1985, Warner Bros. and Sire Records took out a centerfold ad in Billboard magazine to celebrate the resounding success of Madonna’s first concert trek, The Virgin Tour.
Featuring the cover image from her then-current single, Angel, as a backdrop, the spread cheekily alluded to Madonna’s “virgin” moniker with the caption:
“You were wonderful! We’re proud of you. Congratulations on your first tour.
– Warner Bros. and Sire records.”
On August 16 2021, Madonna re-signed with Warner Bros. Records, the label controlling the bulk of her catalogue of music. This follows a thirteen-year period that essentially saw Madonna releasing her new music independently with distribution through Interscope Records, via her 360 deal with Live Nation. She retained the rights to the masters of the three albums released since her departure from Warner, and the new deal sees licensing rights for these albums revert to Warner in 2025.
Also announced are plans for Warner Rhino to reissue Madonna’s albums as deluxe editions – something fans have long requested and is frankly long overdue considering her stature and influence on popular music over the past 39 years, not to mention the wealth of unavailable and unreleased material in the vault.
Congrats to Madonna and Guy Oseary for recognizing the value and support that Warner has consistently brought to Madonna’s recording career; having all of her recorded works on the same label is as much a score for fans as it is for both Madonna and Warner Bros.
On June 28 1986, Billboard magazine reported that Madonna made a surprise appearance at WEA International’s annual manager’s meeting with Seymour Stein in New York earlier that month where she previewed tracks from her forthcoming album, True Blue.
On October 15 1998, an article by Chuck Philips ran in the LA Times regarding a dispute between the principal shareholders of Maverick Records – Freddy DeMann, Guy Oseary and Madonna.
A feud between the founders of Madonna’s Maverick Records, one of the most successful start-up labels of the decade, is threatening to undercut the label’s value if it goes up for sale next year. Sources said Maverick co-Chairman Freddy DeMann might leave the company before January with a buyout package worth more than $20 million. Representatives for Madonna, DeMann and Maverick minority owner Guy Oseary have been meeting regularly in Burbank to resolve the matter with senior brass at Time Warner’s Warner Music Group, which owns 50% of Maverick. None of the principals involved in the discussions would comment, but sources said Madonna and Oseary have wanted DeMann to leave for more than a year and have asked Warner to underwrite his exit. The disagreement is likely to undercut the trio’s bargaining power when its joint-venture deal with Warner runs out in July.
Maverick could command as much as $200 million on the open market if Warner chooses not to exercise its option to buy the company next year, sources said. The label has generated more than $750 million in revenue since 1992 selling music by such acts as Alanis Morissette, Prodigy and Candlebox. Discord among Maverick’s principals, however, has hampered the trio’s ability to attract suitors and has given Warner the upper hand in the negotiations, sources said. Indeed, one proposal on the table calls for Warner to put up the money to finance DeMann’s exit and possibly give Madonna and Oseary a higher stake in the label in exchange for a commitment from them to extend their joint venture with Warner for five to seven years, sources said.
The size of DeMann’s exit package will depend on what value the parties assign Maverick, sources said. DeMann is likely to walk away with at least $20 million to cover his 20% stake in Maverick but could be paid twice that amount before the talks conclude, sources said. DeMann is being represented in the negotiations by financier Jerry Perenchio, a longtime friend. One source said the 59-year-old DeMann is upset because he wants to sell Maverick in July and cash out, but Oseary and Madonna prefer to negotiate for a bigger stake in the company, with plans to sell in six years. Other sources, however, said DeMann is being forced out by Madonna and Oseary–who, until recently, have relied on his expertise to navigate their careers, as well as manage the record label now at the center of the dispute.
Madonna and DeMann launched Maverick in 1992 as a joint venture with Warner, which put up about $10 million to finance the partnership. Initially, the company was viewed as little more than a vanity label–a bargaining chip used by Warner to sweeten its offer during contract renegotiations with Madonna, who is signed to the company as a recording artist. DeMann had pitched the label concept to Madonna, whose career he had managed since her arrival on the pop music scene in the early 1980s. He then built the label from scratch, hired its staff and even came up with the company’s name–a combination of letters culled from Madonna, Veronica (the singer’s middle name) and Frederick (his first name).
One of DeMann’s first hires at Maverick was Oseary, a 19-year-old with virtually no experience in the music business who was a friend of DeMann’s daughter. DeMann took Oseary under his wing and gave him a job as Maverick’s artist and repertoire man, the employee responsible for discovering musical talent. Oseary delivered his first hit in 1993 with the Seattle rock act Candlebox, whose debut album sold 4 million copies. Oseary then came across a tape of Morissette, an unknown Canadian singer whose demo had been rejected by every major record company. He liked what he heard and played it for DeMann, who agreed to sign her to Maverick. The album eventually sold more than 28 million copies worldwide. Following Morissette’s success, Oseary’s profile rose dramatically. The young executive was rewarded with a minority stake in Maverick and tensions soon began to mount within the company, sources said.
In 1996, Madonna dumped DeMann as her manager and ultimately hired Q-Prime’s Cliff Bernstein and Peter Mench to represent her. A friend of Oseary’s is said to have helped facilitate the singer’s move to Q-Prime, sources said. Within a year, representatives for Madonna and Oseary began to lobby Warner for help in financing an exit package for DeMann, sources said. Warner turned the request down last October but resumed discussions with representatives for the trio a few months ago after rumors surfaced that Sony Music might be interested in acquiring Maverick or hiring Oseary and Madonna next year to start a new label, sources said.
It is unclear why Madonna, Oseary and DeMann couldn’t maintain a united front until after their Warner deal runs out in July. The dispute, however, appears to be heating up as Maverick prepares for the Nov. 3 release of Morissette’s follow-up album, one of the most widely anticipated projects of the year. During the last few weeks, executives from Warner have held meetings with Madonna’s attorney Allen Grubman, Oseary’s lawyer John Branca and DeMann’s representatives Perenchio and attorney Larry Kartiganer. While nothing has been decided, sources said the matter is expected to be resolved by the end of the year and possibly even before Morissette’s album hits the street.
On June 1 1985, Warner Bros. and Sire Records took out a centerfold ad in Billboard magazine to celebrate the resounding success of Madonna’s first concert trek, The Virgin Tour.
Featuring the cover image from her then-current single, Angel, as a backdrop, the spread cheekily alluded to Madonna’s “virgin” moniker with the caption:
“You were wonderful! We’re proud of you. Congratulations on your first tour.
– Warner Bros. and Sire records.”
On June 28 1986, Billboard magazine reported that Madonna made a surprise appearance at WEA International’s annual manager’s meeting with Seymour Stein in New York earlier that month where she previewed tracks from her forthcoming album, True Blue.
On October 15 1998, an article by Chuck Philips ran in the LA Times regarding a dispute between the principal shareholders of Maverick Records – Freddy DeMann, Guy Oseary and Madonna.
A feud between the founders of Madonna’s Maverick Records, one of the most successful start-up labels of the decade, is threatening to undercut the label’s value if it goes up for sale next year. Sources said Maverick co-Chairman Freddy DeMann might leave the company before January with a buyout package worth more than $20 million. Representatives for Madonna, DeMann and Maverick minority owner Guy Oseary have been meeting regularly in Burbank to resolve the matter with senior brass at Time Warner’s Warner Music Group, which owns 50% of Maverick. None of the principals involved in the discussions would comment, but sources said Madonna and Oseary have wanted DeMann to leave for more than a year and have asked Warner to underwrite his exit. The disagreement is likely to undercut the trio’s bargaining power when its joint-venture deal with Warner runs out in July.
Maverick could command as much as $200 million on the open market if Warner chooses not to exercise its option to buy the company next year, sources said. The label has generated more than $750 million in revenue since 1992 selling music by such acts as Alanis Morissette, Prodigy and Candlebox. Discord among Maverick’s principals, however, has hampered the trio’s ability to attract suitors and has given Warner the upper hand in the negotiations, sources said. Indeed, one proposal on the table calls for Warner to put up the money to finance DeMann’s exit and possibly give Madonna and Oseary a higher stake in the label in exchange for a commitment from them to extend their joint venture with Warner for five to seven years, sources said.
The size of DeMann’s exit package will depend on what value the parties assign Maverick, sources said. DeMann is likely to walk away with at least $20 million to cover his 20% stake in Maverick but could be paid twice that amount before the talks conclude, sources said. DeMann is being represented in the negotiations by financier Jerry Perenchio, a longtime friend. One source said the 59-year-old DeMann is upset because he wants to sell Maverick in July and cash out, but Oseary and Madonna prefer to negotiate for a bigger stake in the company, with plans to sell in six years. Other sources, however, said DeMann is being forced out by Madonna and Oseary–who, until recently, have relied on his expertise to navigate their careers, as well as manage the record label now at the center of the dispute.
Madonna and DeMann launched Maverick in 1992 as a joint venture with Warner, which put up about $10 million to finance the partnership. Initially, the company was viewed as little more than a vanity label–a bargaining chip used by Warner to sweeten its offer during contract renegotiations with Madonna, who is signed to the company as a recording artist. DeMann had pitched the label concept to Madonna, whose career he had managed since her arrival on the pop music scene in the early 1980s. He then built the label from scratch, hired its staff and even came up with the company’s name–a combination of letters culled from Madonna, Veronica (the singer’s middle name) and Frederick (his first name).
One of DeMann’s first hires at Maverick was Oseary, a 19-year-old with virtually no experience in the music business who was a friend of DeMann’s daughter. DeMann took Oseary under his wing and gave him a job as Maverick’s artist and repertoire man, the employee responsible for discovering musical talent. Oseary delivered his first hit in 1993 with the Seattle rock act Candlebox, whose debut album sold 4 million copies. Oseary then came across a tape of Morissette, an unknown Canadian singer whose demo had been rejected by every major record company. He liked what he heard and played it for DeMann, who agreed to sign her to Maverick. The album eventually sold more than 28 million copies worldwide. Following Morissette’s success, Oseary’s profile rose dramatically. The young executive was rewarded with a minority stake in Maverick and tensions soon began to mount within the company, sources said.
In 1996, Madonna dumped DeMann as her manager and ultimately hired Q-Prime’s Cliff Bernstein and Peter Mench to represent her. A friend of Oseary’s is said to have helped facilitate the singer’s move to Q-Prime, sources said. Within a year, representatives for Madonna and Oseary began to lobby Warner for help in financing an exit package for DeMann, sources said. Warner turned the request down last October but resumed discussions with representatives for the trio a few months ago after rumors surfaced that Sony Music might be interested in acquiring Maverick or hiring Oseary and Madonna next year to start a new label, sources said.
It is unclear why Madonna, Oseary and DeMann couldn’t maintain a united front until after their Warner deal runs out in July. The dispute, however, appears to be heating up as Maverick prepares for the Nov. 3 release of Morissette’s follow-up album, one of the most widely anticipated projects of the year. During the last few weeks, executives from Warner have held meetings with Madonna’s attorney Allen Grubman, Oseary’s lawyer John Branca and DeMann’s representatives Perenchio and attorney Larry Kartiganer. While nothing has been decided, sources said the matter is expected to be resolved by the end of the year and possibly even before Morissette’s album hits the street.
Today In Madonna History 