Today in Madonna History: December 15, 1990

december-15-1990-pioneer-madonna-blond-ambition-tour-advert-0 december-15-1990-pioneer-madonna-blond-ambition-tour-advert-1 december-15-1990-pioneer-madonna-blond-ambition-tour-advert-2 december-15-1990-pioneer-madonna-blond-ambition-tour-advert-3

On December 15 1990, the LA Times printed a feature article by Robert Hilburn, about Madonna’s forth-coming laser-disc release of the Blond Ambition tour.

Can Madonna sell laser-disc players as well as she sells herself? Pioneer Artists, the nation’s leading distributor of music-related laser discs, hopes so. In a move virtually unprecedented in the video industry, Pioneer has just released Madonna’s Blond Ambition World Tour Live exclusively on laser disc. Normally, video packages of this nature are released on videocassette two to six weeks before they are released on laser-disc. In this case, however, Blond Ambition won’t be released on videocassette for at least a year.  Steven Galloway, president of Pioneer Artists, said he hopes the fact that an artist of Madonna’s stature would release a video only on laser disc will send a signal to millions of potential laser customers that the new format has finally come of age.

Galloway said that the laser exclusive with Madonna grew out of an agreement last spring for Pioneer, the electronics hardware and software giant, to sponsor her tour.

“I contacted her manager, Freddy DeMann, long before the tour started in hopes of getting the laser-disc rights to any video that was going to be shot in association with the tour,” Galloway said. DeMann was meeting with potential corporate sponsors at the time, Galloway said, and he asked if Pioneer would be interested in sponsoring the tour. The company apparently jumped at the opportunity.

“Madonna is the ideal artist to reach the new demographics that we are hoping to attract with the new, low-priced combination CD and laser players . . . the young, hip 18-35 audience,” Galloway said.

“Until these low-priced players arrived, laser discs were considered something just for the high-end market . . . a rich man’s toy. But that has changed and Madonna seemed the ideal artist to drive that point home.”

And what about the Blond Ambition package itself?

The video is based on the same concert in Nice that HBO broadcast live last summer, but the new, edited laser version offers much more of the vitality and charm of the show itself than the HBO special.

Today in Madonna History: November 19, 1993

dangerous game poster 550 dangerous game set 7 550

On November 19 1993, the movie Dangerous Game premiered in New York City. Madonna shared top-billing with co-stars Harvey Keitel & James Russo in director Abel Ferrara’s gritty and experimental film about film-making. It was one of the first productions by Maverick Pictures, the film arm of Madonna’s multimedia company that was born in partnership with Warner Bros. the previous year. In some countries, the film was released under its original title, Snake Eyes, which could not be used in the U.S. due to a previous trademark on the name.

Given Maverick’s production involvement, it is perhaps unsurprising that the film’s credits include some names that should be familiar to many Madonna fans:

  • Madonna’s longtime manager and founding partner in Maverick, Freddy DeMann, as executive producer
  • Madonna’s assistant at the time, Missy Coggiola
  • her frequent costume designer, Marlene Stewart
  • her stylist, Hiram Ortiz–who not only styled her for the film but also appears as her stylist onscreen
  • Madonna’s then-future manager, now the late Caresse Henry–at the time an assistant to DeMann
  • songs by Maverick-signed music groups Proper Grounds & UNV
  • Madonna’s eldest brother, Anthony Ciccone, as locations production assistant

Unhappy with Ferrara’s final cut of the film–which was reported to have been drastically altered from the movie that had been pitched to the actors–Madonna did not attend the premiere and, in Ferrara’s view, killed the movie’s shot at achieving wider distribution after badmouthing it in the press. Ironically, Ferrara noted, the reviews of Madonna’s strong performance in the film (which was certainly more natural, raw & vulnerable than any of her previous big-screen appearances) are among the best she had received as an actress at the time.

Dangerous Game was re-released on Blu-ray in North America on November 17, 2015 by Olive Films. It includes both the theatrical and the “unrated” versions of the movie.

(Note: the clips used in the short preview above are from a low-resolution, compressed rip from DVD and do not represent the superior quality of the new high definition Blu-ray edition of the film.)

Today In Madonna History: March 31, 2010

On March 31 2010, Madonna’s former manager, Caresse Henry, passed away at the age of 44. Her death was later ruled a suicide.

Caresse had initially worked as an assistant to Madonna’s former manager, Freddy DeMann, before becoming Madonna’s personal assistant. When Madonna parted ways with DeMann in 1997, Caresse took the reigns as Madonna’s manager and remained in the role until late 2004. Caresse had also managed the careers of Ricky Martin, Jessica Simpson, Paula Abdul and Joss Stone, among others.

Caresse was credited as an artistic manager and executive producer for the HBO special: Madonna: Drowned World Tour 2001.

Liz Rosenberg (Madonna’s publicist at the time) released a statement to the press explaining that Caresse died of a self-inflicted gunshot at her home in Irvine, California. She was survived by her two children, a sister, a brother and her parents.

Today in Madonna History: January 4, 1991

beast-within-1 beast-within-2 beast-within-3 beast-within-4

On January 4 1991, Madonna responded to a Rabbi’s accusation of anti-semitism for the song lyrics in the remix of Justify My Love, called The Beast Within.

Rabbi Abraham Cooper, associate dean of the Simon Wiesenthal Center for Holocaust Studies, accused Madonna of insulting Jews by using this Bible reference:

“I know your tribulation and your poverty and the slander of those who say that they are Jews, but they are not, they are a synagogue of Satan.”

In a letter sent to Madonna’s manager, Freddy DeMann, Rabbi Cooper said the Wiesenthal Center was outraged and wanted the quotation withdrawn. “The imagery of ‘Jew as Devil’ has led to untold violence against the Jewish people and slander against Judaism over the course of the last 2,000 years,” the rabbi wrote.

He charged that the phrase could “contribute to those who seek to promote anti-Semitism” and said that neo-Nazi groups had used such imagery to promote racist ideology among youth.

Madonna responded with this statement:

“I certainly did not have any anti-Semitic intent when I included a passage from the Bible on my record. It was a commentary on evil in general. My message, if any, is pro-tolerance and anti-hate. The song is, after all, about love.”

Rabbi Cooper said he took Madonna at her word.

“She was direct to the issue, she responded quickly and we’re relieved that she did so,” the rabbi said.

How did you feel about The Beast Within the first time you heard it? 

Today in Madonna History: December 15, 1990

december-15-1990-pioneer-madonna-blond-ambition-tour-advert-0 december-15-1990-pioneer-madonna-blond-ambition-tour-advert-1 december-15-1990-pioneer-madonna-blond-ambition-tour-advert-2 december-15-1990-pioneer-madonna-blond-ambition-tour-advert-3

On December 15 1990, the LA Times printed a feature article by Robert Hilburn, about Madonna’s forth-coming laser-disc release of the Blond Ambition tour.

Can Madonna sell laser-disc players as well as she sells herself? Pioneer Artists, the nation’s leading distributor of music-related laser discs, hopes so. In a move virtually unprecedented in the video industry, Pioneer has just released Madonna’s Blond Ambition World Tour Live exclusively on laser disc. Normally, video packages of this nature are released on videocassette two to six weeks before they are released on laser-disc. In this case, however, Blond Ambition won’t be released on videocassette for at least a year.  Steven Galloway, president of Pioneer Artists, said he hopes the fact that an artist of Madonna’s stature would release a video only on laser disc will send a signal to millions of potential laser customers that the new format has finally come of age.

Galloway said that the laser exclusive with Madonna grew out of an agreement last spring for Pioneer, the electronics hardware and software giant, to sponsor her tour.

“I contacted her manager, Freddy DeMann, long before the tour started in hopes of getting the laser-disc rights to any video that was going to be shot in association with the tour,” Galloway said. DeMann was meeting with potential corporate sponsors at the time, Galloway said, and he asked if Pioneer would be interested in sponsoring the tour. The company apparently jumped at the opportunity.

“Madonna is the ideal artist to reach the new demographics that we are hoping to attract with the new, low-priced combination CD and laser players . . . the young, hip 18-35 audience,” Galloway said.

“Until these low-priced players arrived, laser discs were considered something just for the high-end market . . . a rich man’s toy. But that has changed and Madonna seemed the ideal artist to drive that point home.”

And what about the Blond Ambition package itself?

The video is based on the same concert in Nice that HBO broadcast live last summer, but the new, edited laser version offers much more of the vitality and charm of the show itself than the HBO special.

Today in Madonna History: November 19, 1993

dangerous game poster 550 dangerous game set 7 550

On November 19 1993, the movie Dangerous Game premiered in New York City. Madonna shared top-billing with co-stars Harvey Keitel & James Russo in director Abel Ferrara’s gritty and experimental film about film-making. It was one of the first productions by Maverick Pictures, the film arm of Madonna’s multimedia company that was born in partnership with Warner Bros. the previous year. In some countries, the film was released under its original title, Snake Eyes, which could not be used in the U.S. due to a previous trademark on the name.

Given Maverick’s production involvement, it is perhaps unsurprising that the film’s credits include some names that should be familiar to many Madonna fans:

  • Madonna’s longtime manager and founding partner in Maverick, Freddy DeMann, as executive producer
  • Madonna’s assistant at the time, Missy Coggiola
  • her frequent costume designer, Marlene Stewart
  • her stylist, Hiram Ortiz–who not only styled her for the film but also appears as her stylist onscreen
  • Madonna’s then-future manager, now the late Caresse Henry–at the time an assistant to DeMann
  • songs by Maverick-signed music groups Proper Grounds & UNV
  • Madonna’s eldest brother, Anthony Ciccone, as locations production assistant

Unhappy with Ferrara’s final cut of the film–which was reported to have been drastically altered from the movie that had been pitched to the actors–Madonna did not attend the premiere and, in Ferrara’s view, killed the movie’s shot at achieving wider distribution after badmouthing it in the press. Ironically, Ferrara noted, the reviews of Madonna’s strong performance in the film (which was certainly more natural, raw & vulnerable than any of her previous big-screen appearances) are among the best she had received as an actress at the time.

Dangerous Game was re-released on Blu-ray in North America on November 17, 2015 by Olive Films. It includes both the theatrical and the “unrated” versions of the movie.

(Note: the clips used in the short preview above are from a low-resolution, compressed rip from DVD and do not represent the superior quality of the new high definition Blu-ray edition of the film.)

Today in Madonna History: October 17, 1987

On October 17 1987, Billboard magazine featured a two-page spread taken out by Madonna’s manager, Freddy DeMann, thanking everyone involved with Madonna’s massively successful Who’s That Girl World Tour, which had wrapped up in Europe the month before.

In the same issue of Billboard, Chart Beat columnist Paul Grein marked Madonna’s 13th consecutive top-5 hit as Causing A Commotion moved into the #5 position on the Hot 100. Speculating on how long Madonna’s winning streak could last, he warned of the dangers of over-exposure and artistic complacency. Without the benefit of hindsight, the back-handed compliment and slightly patronizing advice is not altogether unreasonable, and is certainly not unusual for the time.

Less reasonable, however, is his summation that the severity of Madonna’s potential fall from grace would be compounded by the abundance of female singers of the era who “sound like Madonna”.

Because you know, all female singers are only that – female singers. Even though you’re co-writing and co-producing your own songs and radio can’t get enough, neither can your audience or even your peers, you’re breaking records set by top male and female artists alike, you’re selling out stadiums around the world and earning high praise as a live performer – don’t think any of these things should afford you any respect. You may not have entered the business through the back door and you may have paid your dues and then some, but you’ve still just been lucky, that’s all. You couldn’t possibly possess the talent or the drive to evolve or the insight to be able to stay in the game once your luck runs out. Even though you are the one that everyone is copying – you’re still just another female singer, and they’re a dime a dozen.

While we no longer need hindsight to spot the glaring absurdity and blatant sexism of such an argument today, would it be as obvious if Madonna hadn’t stuck around to dispel it?

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