Today in Madonna History: August 1, 1989

On August 1 1989, Madonna’s Cherish single was released as the third single from her Like A Prayer album. The hit single was written and produced by Madonna and Patrick Leonard.

Watch the HD version of the Cherish music video, re-released on August 1 2021:

Today in Madonna History: July 22, 1989

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On July 22 1989, Madonna’s Express Yourself reached #2 on the Billboard Hot 100 Singles Chart. Express Yourself was the first song that Madonna and producer Stephen Bray collaborated on for the Like a Prayer album.

“The message of the song is that people should always say what it is they want. The reason relationships don’t work is because they are afraid. That’s been my problem in all my relationships. I’m sure people see me as an outspoken person, and for the most part, if I want something I ask for it. But sometimes you feel that if you ask for too much or ask for the wrong thing from someone you care about that that person won’t like you. And so you censor yourself. I’ve been guilty of that in every meaningful relationship I’ve ever had. The time I learn how not to edit myself will be the time I consider myself a complete adult.”

—Madonna talking to Stephen Holden of The New York Times.
 
Express Yourself (Organic Percapella Mix):

Today in Madonna History: May 4, 2016

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On May 4 2016, Madonna tweeted about her long-time friend and Like A Prayer collaborator, Prince:

“It’s been 7 hours and 13 days since you took your love away……….all the flowers you planted died when you went away……….Nothing Compares 2 U.”

Today in Madonna History: April 22, 1989

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On April 22 1989, Madonna’s Like A Prayer album and single reached #1 simultaneously in the USA.

The album stayed at the top of the charts for 6 weeks, while the single stayed at the top of the Hot 100 for 3 weeks.

Today in Madonna History: April 15, 1989

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On April 15 1989, Madonna’s Like A Prayer became the number one dance single on the Billboard Hot Dance Club Play chart.

Like A Prayer remained number one for the week of April 22.

Today in Madonna History: January 30, 1990

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On January 30 1990, Keep It Together was released in North America as the fifth and final single from Like A Prayer. It also received a commercial release in Japan, Australia, Ecuador and the Philippines, while some European markets opted to include it as the b-side to Madonna’s next single, Vogue.

As fate would ironically have it, Madonna’s soulful ode to remembering ones roots would turn out to be the last Madonna-performed single co-written and co-produced with longtime collaborator Stephen Bray, whom she had befriended (or by some accounts, dated) during her days as a student at the University of Michigan. A final collaboration written by the pair, Get Over – which is speculated to have been written as a potential new track for The Immaculate Collection but was instead given to fellow Warner recording artist Nick Scotti – was released as a single in 1993, after first appearing on the Nothing But Trouble soundtrack in 1991.

Although no music video was produced for Keep It Together, the maxi-single – jam-packed with memorable remixes by Shep Pettibone and DJ Mark “The 45 King” with Stephen Bray – made the single a must-have for fans around the world. And despite its exclusion from her greatest hits releases, Madonna’s show-closing (and show-stopping) performance of the song during her legendary Blond Ambition Tour – and its accompanying documentary Truth Or Dare – has also served to keep the song alive in the hearts and minds of fans.

Today in Madonna History: January 23, 1990

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On January 23 1990, Madonna’s Like A Prayer album was certified triple platinum for sales of 3 million units in the USA.

Producer Patrick Leonard talked to Billboard magazine about working with Madonna on Like A Prayer:

“She’d start writing lyrics and oftentimes there was an implied melody. She would start with that and deviate from it. Or if there was nothing but a chord change, she’d make up a melody. But, a lot of the time in my writing there’s a melody implied or I even have something in mind. But she certainly doesn’t need that.  She would write the lyrics in an hour, the same amount of time it took me to write the music, and then she’d sing it. We’d do some harmonies, she’d sing some harmony parts, and usually by three or four in the afternoon, she was gone.”

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