On March 22 2017, The Huffington Post published an article titled, “Why Madonna’s Like A Prayer Is The Most Important Album Ever Made By A Female Artist.”
Here are some of the highlights from the article:
28 years ago this week, Madonna released what is not only her best album to date, but also what could be the most important release ever by a female artist. That’s not to say that Like a Prayer is the best album ever by a female artist, but it’s pretty close. After six years of being considered pop fluff and a disco dolly, Madonna was finally taken seriously by most music critics in 1989. Still, Like a Prayer deserved even more than bewildering critical acclaim.
If Madonna and misogyny weren’t practically synonyms, Like a Prayer would have not only won several Grammys in 1990 (it didn’t even earn any major nominations), but it would be widely praised for its songwriting and production 28 years later. If a man delivered the same type of vocals Madonna did on Like a Prayer, critics would note that his voice isn’t technically perfect, but distinct, melodic, and full of emotion. When it comes to Madonna, who certainly could never hit the notes of Aretha Franklin or Whitney Houston, it’s just easier for people to say that she “can’t sing.”
For people (especially millennials) to understand how important Like a Prayer is to culture and music, they have to comprehend the repressive environment Madonna’s album arrived to in March of 1989. The late 1980s was ruled by the religious right, who believed AIDS was a curse God gave to the gay community. Women who were outspoken or wore revealing clothes were referred to as sluts, whores, bitches, etc. Police brutality among African Americans was still widely accepted without much of a backlash. And interracial dating was still considered a taboo.
The pamphlet on AIDS Madonna included with each copy of Like a Prayer alone proves that the notion of Madonna being a bad role model and having a bad influence on Generation X (especially women and teenagers) just isn’t true. Madonna educated many about AIDS and safe sex at a time when schools, the media, and religious institutions stayed away from the topic. A move like this in 1989 could have hurt a showbiz career, but Madonna survived and thrived by doing the right thing and, possibly, helping to save lives at the same time.
On December 16 1989, Dear Jessie debuted at #9 on the UK Singles Chart.
The single would climb to its peak position of #5 on December 30th, where it remained for three weeks before beginning its descent.
On May 4 2016, Madonna tweeted about her long-time friend and Like A Prayer collaborator, Prince:
“It’s been 7 hours and 13 days since you took your love away……….all the flowers you planted died when you went away……….Nothing Compares 2 U.”
On April 11 1990, Madonna’s Keep It Together single was certified Gold by the RIAA for shipment of over 500,000 units in the U.S.
Keep It Together was Madonna’s last 7-inch single to be issued with a picture sleeve by Warner Bros. Records in the U.S. until the release of a 4 Minutes/Give It 2 Me double 7-inch set eighteen years later.
March 21 2016 marks the 27th Anniversary of Madonna’s fourth studio album, Like a Prayer.
To celebrate this anniversary, we invite you to follow this link and explore the many exciting releases and controversies that came with this epic release: https://todayinmadonnahistory.com/tag/like-a-prayer/
On March 20 1990, the lead single from Madonna’s I’m Breathless album, Vogue, was released.
Vogue was written and produced by Madonna and Shep Pettibone in December 1989. The song was recorded with the intention of being the b-side to the upcoming (and last single for the Like A Prayer album), Keep It Together (released on January 30 1990).
The finished product was too good to be a single b-side, so it was decided that Vogue would be a stand-alone single on Madonna’s forthcoming album, I’m Breathless (even though the song had nothing to do with Dick Tracy).
On January 23 1990, Madonna’s Like A Prayer album was certified triple platinum for sales of 3 million units in the USA.
Producer Patrick Leonard talked to Billboard magazine about working with Madonna on Like A Prayer:
“She’d start writing lyrics and oftentimes there was an implied melody. She would start with that and deviate from it. Or if there was nothing but a chord change, she’d make up a melody. But, a lot of the time in my writing there’s a melody implied or I even have something in mind. But she certainly doesn’t need that. She would write the lyrics in an hour, the same amount of time it took me to write the music, and then she’d sing it. We’d do some harmonies, she’d sing some harmony parts, and usually by three or four in the afternoon, she was gone.”