On March 31 1990, Keep It Together hit its peak position of number-eight on the Billboard Hot 100.
While it is possible that it reached its natural peak on the charts, some have speculated that the single’s ascent may have been prematurely interrupted by the sudden release of Madonna’s next single, Vogue.
On March 21 1989, Madonna’s Like A Prayer album was released.
Written and produced by Madonna with Patrick Leonard, Stephen Bray and Prince, the Like A Prayer album was considered to be a major artistic leap forward for Madonna, and was certainly her most personal offering to date at the time of its release.
Allmusic’s Stephen Thomas Erlewine offered this 5-star (out of 5) review of the album:
Out of all of Madonna’s albums, Like a Prayer is her most explicit attempt at a major artistic statement. Even though it is apparent that she is trying to make a “serious” album, the kaleidoscopic variety of pop styles on Like a Prayer is quite dazzling. Ranging from the deep funk of Express Yourself and Keep It Together to the haunting Oh Father and Like a Prayer, Madonna displays a commanding sense of songcraft, making this her best and most consistent album.
Happy 33rd anniversary to one of our favorites – the phenomenal Like A Prayer!
On October 24 1989, Oh Father was released in North America as the fourth single from the Like A Prayer album. France, Japan, the Philippines and Australia also opted to issue the single in 1989, while other European markets waited for Madonna’s 1995 ballads compilation, Something To Remember, to promote the song. Oh Father was written and produced by Madonna & Patrick Leonard.
According to the song’s string arranger, Bill Meyers, Oh Father was recorded in a “dingy studio” in New York City’s Garment District while Madonna was appearing in the play, Speed-The-Plow. Since the bulk of the album would be completed in California after the completion of her Broadway run, this would suggest that Oh Father was likely the first song recorded for the project. Leonard recently provided further evidence of this when he shared an image of a demo tape sleeve containing working titles of songs from the latter sessions on his Instagram, noting that Oh Father was not among the tracks listed because it had been completed earlier.
Leonard recalled the recording of the track in a 2014 interview with Billboard Magazine:
My favorite thing that we ever recorded, ever – or wrote – is Oh Father. That to me is the best thing we ever did. So, it didn’t surprise me because we knew when we did it, that there was something about this that was in a way kind of the most real thing.
For that song, the ‘record’ button was only pressed three times. It was pressed to do the track, live, with her singing live. Then we did the orchestra. And then we did a double of her vocal when we were mixing. That’s it. So it’s real. It’s something that I really wanted to do and she was kind enough to say “let’s try this,” and it was not easy.
There’s two or three guitar players playing. I’m playing keyboards. Jai Winding was playing keyboards. There was a percussionist and a drummer – and she’s singing – all at the same time.
These days, people go “wow, that seems crazy.” Those days it wasn’t uncommon for everybody to be playing together even though you’re not a band. But it was one of those things where the arrangement was tricky enough, that it really took some working out to get it all right.
Even all those weird synth overdubs and things – all those things were being done live. We worked out all the parts, had all the sounds. I remember that we cut it live, and then put the orchestra on. You’re not doubling the orchestra, so it’s one pass for the orchestra.
When I say [the ‘record’ button was] pressed three times, it might have gotten pressed 10 times that day, but it was ultimately one that stayed there. If you see what I’m saying. When we were mixing it, [mixer] Bill Bottrell suggested that we double the choruses. I remember even being a little upset about it (laughs). Like, look, “we’ve got an amazing record that we only pressed the record button twice – can’t we leave it?” He said, “three isn’t exactly shameful.” We doubled the lead vocal on the choruses, and that was it.
On September 26 1988, Madonna began recording the Like A Prayer album in Los Angeles, California with collaborators Patrick Leonard and Stephen Bray.
Madonna had begun writing for the album during the down time of her Broadway run in David Mamet’s Speed-The-Plow, for which she gave her final performance in late August. With her marriage to Sean Penn on the rocks, Madonna found herself at a personal and creative crossroads – with plenty to express.
On August 13 1952, one of Madonna’s closest friends, Herb Ritts, was born in Los Angeles, California.
Ritts specialized in black and white photography and music videos, including Madonna’s Cherish music video and the photoshoot for Madonna’s True Blue, Like A Prayer and Immaculate Collection albums (among others — the list just goes on and on).
Throughout the 80’s and 90’s, Herb was at Madonna’s side taking the most beautiful photos of her possible. We thank him from the bottom of our hearts for capturing Madonna during this time in her life and career.
On August 1 1989, Madonna’s Cherish single was released as the third single from her Like A Prayer album. The hit single was written and produced by Madonna and Patrick Leonard.
Watch the HD version of the Cherish music video, re-released on August 1 2021: