Today in Madonna History: March 21, 1989

On March 21 1989, Madonna’s Like A Prayer album was released.

Written and produced by Madonna with Patrick Leonard, Stephen Bray and Prince, the Like A Prayer album was considered to be a major artistic leap forward for Madonna, and was certainly her most personal offering to date at the time of its release.

Allmusic’s Stephen Thomas Erlewine offered this 5-star (out of 5) review of the album:

Out of all of Madonna’s albums, Like a Prayer is her most explicit attempt at a major artistic statement. Even though it is apparent that she is trying to make a “serious” album, the kaleidoscopic variety of pop styles on Like a Prayer is quite dazzling. Ranging from the deep funk of Express Yourself and Keep It Together to the haunting Oh Father and Like a Prayer, Madonna displays a commanding sense of songcraft, making this her best and most consistent album.

Happy 33rd anniversary to one of our favorites – the phenomenal Like A Prayer!

Today in Madonna History: March 20, 1992

On March 20 1992, Woody Allen’s Shadows and Fog went into wide release in North America.

Madonna appears briefly in scenes with John Malkovich and Mia Farrow, playing the role of a tightrope artist named Marie. Her scenes were filmed in November of 1990.

The black & white film received minimal attention upon its release.

Today in Madonna History: March 19, 1989

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On March 19 1989, Madonna’s Like A Prayer stormed on to Australia’s ARIA Singles Chart, entering at #3. It would hit ARIA’s top spot the following week, nudging out The Fine Young Cannibal’s She Drives Me Crazy.

The two songs entered into an extended dance for the pole position, with Crazy reclaiming its spot for two weeks before handing it back again to Prayer. Then back to Crazy. Then Prayer.

Dizzy yet?

Our Aussie mates may be a tad indecisive with their hits – but they sure know how to pick ’em!

Today in Madonna History: March 18, 2005

On March 18 2005, a resolution was reached in a UK copyright lawsuit (Coffey v Warner/Chappell Music Ltd. & Others) which alleged that elements of the Madonna & Patrick Leonard composition, Nothing Really Matters, had infringed on the copyright of claimant Elizabeth Coffey and her song, Forever After, performed by Peter Twomey.

The case took almost four years to reach the court and went under a considerable number of amendments by the plaintiff during that time. Coffey eventually alleged that the recording of Forever After included an original musical work, which consisted of the combination of vocal expression, pitch contour, and syncopation of or around the words “does it really matter,” but did not extend to the melody or lyrics surrounding those words.  She pleaded that the words “does it really matter” comprised the song’s lyrical hook and alleged that the copyright in Forever After was infringed by the defendants’ activities in relation to Nothing Really Matters.

In turn, the defendants moved to have the claim struck out as the method the plaintiff had identified the alleged copied elements was contrary to copyright law in general. Another defense offered was that, in any event, no copying had occurred.

The case was dismissed on the legal grounds that, in copyright, one cannot cherry pick the elements of the song that are the most similar in an attempt to build a stronger case. In his findings, the presiding Judge Blackburn, noted:
“The three somewhat elusive features identified by the claimant as her musical work cannot by any stretch of the imagination be said to be sufficiently separable from the remainder of the song as themselves to constitute a musical work. […] What the copyright work is in any given case is not governed by what the claimant alleging copyright infringement chooses to say that it is. Rather, it is a matter for objective determination by the court.”
A summary analysis and MIDI clip of the claimant’s song (which, incidentally, bears no perceivable resemblance to Nothing Really Matters) can be found here. The complete judgement in the lawsuit can be viewed here.

 

Today in Madonna History: March 17, 1998

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On March 17 1998, the maxi-single for Madonna’s Frozen single was released in North America.

The maxi-single included:

  • Album Version
  • Stereo MC’s Remix
  • Extended Club Mix
  • Meltdown Mix

Today In Madonna History: March 16, 2001

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On March 16 2001, MTV and VH1 networks announced that Madonna’s new video for What It Feels Like For A Girl would be broadcast only once on March 20 at 11:30 pm because of the controversy over its violent content.

Today In Madonna History: March 15, 1995

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On March 15 1995, Madonna signed on to star as the late Eva Peron in film version of Andrew Lloyd Webber’s Broadway musical Evita.