Today in Madonna History: July 23, 1985

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On July 23 1985, Into The Groove was released as a single in the UK.

Not wanting to draw more attention away from the Like A Virgin album following the release of the soundtrack hit Crazy For You, Sire/Warner notoriously relegated Into The Groove to the b-side of the Angel 12″ single in North America & Australia, although they eventually ceded to issuing it as an A-side in most other international territories.

Into The Groove was written & produced by Madonna & Stephen Bray and was their first released co-production to not be reworked by an outside producer (the pair had already been producing their own demos for years). The original demo version was used over the closing credits of Desperately Seeking Susan (seemingly dubbed from an actual cassette copy of the demo–granted, DAT’s were still a few years away), and although the commercially released mix featured a slightly beefed-up and more polished-sounding musical backing track, it kept Madonna’s original demo vocals intact.

In the UK, and throughout most of Europe, the single was backed by the Madonna-penned ballad Shoo-Bee-Doo, while the original album version of Everybody (another song credited to her alone) rounded out the 12″ single…it would be fair to assume that Madonna likely earned some of the biggest single-generated songwriting royalty cheques of her career thus far with this release. It’s interesting to note that despite being one of Madonna’s most enduring dance floor classics, no remixes were produced for Into The Groove at the time of its release. It wasn’t until 1987’s You Can Dance remix compilation that the song finally received an official extended remix treatment.

Today in Madonna History: July 21, 2001

Madonna performing during the first show in the North American leg of her 'Drowned World Tour 2001' at the First Union Center in Philadelphia, Pa., 7/21/01. Photo by Frank Micelotta/ImageDirect.

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Madonna performing during the first show in the North American leg of her 'Drowned World Tour 2001' at the First Union Center in Philadelphia, Pa., 7/21/01. Photo by Frank Micelotta/ImageDirect.

On July 21 2001, Madonna kicked off the U.S. leg of her Drowned World Tour with the first of two sold-out concerts at the First Union Centre (now the Wells Fargo Centre) in Philadelphia.

For the first time in her career, Madonna altered one of her tour set lists by performing You’ll See in the place Gone at select shows during the U.S. leg of the tour. You’ll See made its live debut at the July 21st show in Philadelphia and was performed again the following night. The decision to alter the set list was rumoured to have been made in response to European reviews of the tour, which despite being generally favorable, often lamented the show’s overabundance of new material and lack of hits.

Personally, we were pleased that the Ray Of Light and Music albums were the primary focus of the Drowned World Tour. If she had instead focused on hits, it is likely that these two essential Madonna albums would have been treated similarly to Bedtime Stories–an album from which she has yet to perform anything other than its four released singles.

Were you disappointed at the time by the lack of hits and the focus on recent album cuts during the Drowned World Tour? Have your views shifted at all in retrospect?

Today in Madonna History: July 20, 2015

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On July 20 2015, Madonna announced that Diplo would be the opening act for the launch of her Rebel Heart Tour on September 9 and 10th at the Bell Centre in Montreal, Quebec:

“To have Diplo open for me is my dream come true. Montreal is about to TURN UP!!!! We Go Hard or We Go Home!”

With Madonna, Diplo produced and co-wrote the songs Living For Love, Bitch I’m Madonna, Unapologetic Bitch, Veni Vidi Vici and co-wrote Graffiti Heart (from the Super Deluxe Album).

Today in Madonna History: July 19, 2004

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On July 19 2004, Jane Stevenson published this review of Madonna’s Re-Invention Tour in the Toronto Sun:

After an 11 – year absence, Madonna returned to Toronto last night with the first of three sold-out shows at the Air Canada Centre.

The 45-year-old pop icon notably didn’t bring her 2001 Drowned Tour to T.O., disappointing fans, but she seemed to have been forgiven last night judging from the roaring reception.

“Ah, it’s good to be back in Toronto,” she said towards the end of her hour-and-50-minute set. “It’s been so long. Just because I have two children doesn’t mean I don’t like to have fun.”

Believe it or not, Madonna last performed in this city in 1993 with her sexy Girlie Show Tour at SkyDome. (She mistakenly remembered her last visit as the infamous 1990 Blonde Ambition Tour saying: “The last time we were here, the police almost arrested us. I’m a good girl.”)

But back in 1993, she was a vastly different artist, single and childless, and without her new – found faith in Kabbalah, the study of a kind of Jewish mysticism that has found her choosing the Hebrew name of Esther for herself.

Not to give anyone the wrong idea.

Last night’s show — which began 45 minutes later than scheduled and found 17,000 anxious fans chanting “Madonna! Madonna!” – – was still a hi-tech, flashy and fun affair but overall more tame, and slightly preachy with plenty of Bush-bashing, anti-war messages and Hebrew references.

Like the L.A. tour launch on May 24, a select group of fans were guided into tiny pits on either side of the stage before the concert began for a first – class view of Madge, although five giant moving video screens enabled the masses farther away to get a good look at The Material Girl.

Kicking off the night with a slick, stylized video and recorded spoken – word monologue called The Beast Within, the concert really began when Madonna made her big entrance laying down on a platform that came out of the stage floor to the opening strains of her 1990 uber-hit Vogue.

She was quickly joined by nine dancers, all dressed in French period costumes, with her seven-piece band divided into two camps in the shadows on either side of the stage.

The biggest production number, however, came during the title track from her 2003 release, American Life, which saw a gleaming silver catwalk descend from above for a fashion show featuring Madonna’s dancers dressed as everything from a rabbi, a priest, a nun, an Arab, etc.

By this point, Madge — who began the night in a sparkly champagne – coloured corset top, short black shorts and knee – high black boots – – had changed into army fatigues and a black beret with the rest of her dancers brandishing rifles for army – themed choreography.

The background video, meanwhile, was sober images of victims of war ending with a Bush and Saddam Hussein look – a-likes sharing a cigar. (Similar video of children in war – torn countries was shown during her cover of John Lennon’s Imagine.)

Because this is called the Re-Invention Tour, many of Madonna’s songs were reworked, some better than others.

Often she appeared as a solitary figure on stage playing the electric or acoustic guitar on such songs as Burning Up and Material Girl or the new tune, Nothing Fails, respectively.

The weakest link in the entire show was the circus – themed third portion where, for some unknown reason, Madonna dragged out the awful Dick Tracy song Hanky Panky, and turned the normally robust dance song Deeper And Deeper into a cabaret ballad.

Thankfully,that segment was saved by a wonderfully inventive tango version of her James Bond theme song, Die Another Day, before she was placed in an electric chair for the Evita number, Lament.

Other crowd – pleasers proved to be a mix of old and new songs like Frozen, Express Yourself, Don’t Tell Me, Like A Prayer and Music.

Although Into The Groove, which featured bagpipes, drums and Madonna and her dancers in kilts, and the show – ending Holiday, complete with red – and – white confetti and another stroll down the catwalk, have to be singled out for special mention.

Madonna wraps up the North American leg on her Re-Invention Tour on Aug. 2 in Miami before heading over to Europe.

Otherwise, she plays two more shows at the ACC, tonight and Wednesday. The Toronto shows initially sold-out in a record-setting 80 minutes but more seats were released once the Re-Invention production was finalized.

Rumoured among those to be in attendance last night were Madonna’s two children — seven-year-old daughter Lourdes, a.k.a. Lola, and three-year-old son Rocco — and hubby Guy Ritchie.