Today in Madonna History: April 8, 1999

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On April 8 1999, American TV newsmagazine Entertainment Tonight (aka ET) revealed the title of the new song Madonna had recorded for the Austin Powers: The Spy Who Shagged Me soundtrack: Beautiful Stranger.

Beautiful Stranger launched to radio in mid-May and quickly became a sizeable summertime hit along with the Maverick Records-issued soundtrack album which landed in North American record stores on June 1st, 1999.

Today in Madonna History: April 3, 1993

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On April 3 1993, Fever entered the UK Singles Chart at its peak position of number-six. Without the support of a proper music video at the time of its release (Warner UK instead issued a rarely seen compilation video of previous clips), the single spent only six weeks on the UK charts, dropping to number-seven the following week.

Strangely, Madonna did eventually decide to film a video for the song in late April  – nearly a month after its release in Europe. By the time the video premiered during the second week of May, Fever was spending its final week on the UK Singles Chart.

In North America the remixes for Fever had been issued commercially on Madonna’s previous international single, Bad Girl. Fever was also serviced to clubs as a promotional single in its own right, but it was not promoted to radio despite the video being added to into rotation on MTV and MuchMusic. While the release of the music video managed to coincide with Fever’s single week atop the Hot Dance/Club Play chart, its number-one status had already been confirmed several days prior to the clip’s debut, making the video’s intended purpose and the timing of its release all the more puzzling.

Today in Madonna History: March 18, 2005

On March 18 2005, a resolution was reached in a UK copyright lawsuit (Coffey v Warner/Chappell Music Ltd. & Others) which alleged that elements of the Madonna & Patrick Leonard composition, Nothing Really Matters, had infringed on the copyright of claimant Elizabeth Coffey and her song, Forever After, performed by Peter Twomey.

The case took almost four years to reach the court and went under a considerable number of amendments by the plaintiff during that time. Coffey eventually alleged that the recording of Forever After included an original musical work, which consisted of the combination of vocal expression, pitch contour, and syncopation of or around the words “does it really matter,” but did not extend to the melody or lyrics surrounding those words.  She pleaded that the words “does it really matter” comprised the song’s lyrical hook and alleged that the copyright in Forever After was infringed by the defendants’ activities in relation to Nothing Really Matters.

In turn, the defendants moved to have the claim struck out as the method the plaintiff had identified the alleged copied elements was contrary to copyright law in general. Another defense offered was that, in any event, no copying had occurred.

The case was dismissed on the legal grounds that, in copyright, one cannot cherry pick the elements of the song that are the most similar in an attempt to build a stronger case. In his findings, the presiding Judge Blackburn, noted:
“The three somewhat elusive features identified by the claimant as her musical work cannot by any stretch of the imagination be said to be sufficiently separable from the remainder of the song as themselves to constitute a musical work. […] What the copyright work is in any given case is not governed by what the claimant alleging copyright infringement chooses to say that it is. Rather, it is a matter for objective determination by the court.”
A summary analysis and MIDI clip of the claimant’s song (which, incidentally, bears no perceivable resemblance to Nothing Really Matters) can be found here. The complete judgement in the lawsuit can be viewed here.

 

Today in Madonna History: March 16, 2004

On March 16 2004, Love Profusion was commercially released in North America on CD maxi-single. In the U.S., a double 12″ vinyl edition of the maxi-single was also released one week later, on March 23rd. Written & produced by Madonna & Mirwais Ahmadzaï, Love Profusion was the fourth and final North American single release from the American Life album. In the UK, Warner chose to issue the song instead of Nothing Fails as the album’s third and final single in December, 2003.

Though lack of radio support kept Love Profusion from charting on the Hot 100 in the U.S., it nevertheless managed to top the Hot Dance/Club Play chart. North of the border, the track peaked at #3 on the Canadian singles chart.

North American pressings of the CD maxi-single included a fold-out tester square of the Estée Lauder fragrance Beyond Paradise. The television commercial for the fragrance featured the song Love Profusion – and although Madonna was replaced by supermodel Carolyn Murphy, it used the same computer-generated imagery as the music video’s “daylight” scenes. Both the video and the commercial were created simultaneously by director Luc Besson.

Today in Madonna History: March 3, 2000

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On March 3 2000, American Pie was released as a single in the UK. The cover of the Don McLean classic would hit number-one on the UK singles chart the following week.

A huge international hit, American Pie also topped the charts in Canada, Australia, Switzerland, Italy, Germany, Austria and Finland. In the U.S. the track was not released commercially in a strategic move designed to maximize sales of The Next Best Thing soundtrack, however it managed to reach number twenty-nine on the Hot 100 based on the strength of airplay alone.

Today in Madonna History: February 27, 1995

On February 27 1995, Madonna’s Bedtime Stories album was certified double platinum for shipment of over two million units in the U.S.

Today in Madonna History: February 26, 2008

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On February 26 2008, Entertainment Weekly magazine confirmed the title, cover art and release date of Madonna’s final studio album for Warner Bros., Hard Candy.

Madonna chose to stick with the sweet theme because “she loves candy,” said her longtime rep, Liz Rosenberg. “It’s about the juxtaposition of tough and sweetness, or as Madonna so eloquently expressed, ‘I’m gonna kick your ass, but it’s going to make you feel good.'”

The album, which would feature Justin Timberlake on multiple tracks and production by Pharrell Williams, Timbaland, and Nate “Danja” Hills, was scheduled for release on April 29th in North America. The first single, 4 Minutes, would precede it in mid-March.

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