Today in Madonna History: September 15, 2014

On September 15 2014, Vice magazine’s blog THUMP published an article in which Stuart Price recalled his time spent collaborating with Madonna on her 2005 album, Confessions On A Dance Floor:

“Right before we made Confessions on a Dance Floor, I had made a record with a girl named Juliet [2005’s Random Order]; we had made that album over Thanksgiving in New York, when the city was completely dead, and it was just the two of us concentrating on working on it. [I went] straight from that to Madonna, and I assumed that would be a much different experience, but she completely surprised me.

The real eye-opener was about how focused she was on avoiding the kind of over-the-top, excessive, entourage-in-the-studio environment that I had expected. It was the total opposite, really. She helped to create an environment where we were like two kids working together in a studio. It was exactly the same feeling as it was when I was working with Juliet. She was really… I don’t want to say ‘smart,’ but she was really honest about music. She’s really instinctive in understanding that dance music comes from a very minimal way of working. It doesn’t come from throwing lots of money on a lavish production.

We spent five or six weeks in my apartment; the studio used to be upstairs in the loft. I would work on a track overnight, then she would come in and we’d start messing around. She would do vocal melodies and I would come up with a few ideas, and then she’d go, ‘Okay, I’m gonna go home and think about it.’ Then she’d come back the next day and have the hook for Hung Up or the chorus for Sorry. Then I would carry on working on more tracks to keep us going. It was more of a really fluid and almost childlike environment than anything that seemed too serious.

They always say that an album sounds like the time that you had making it. I know that with that album, it was a super-productive time, but it was also really fun and natural. And I think that comes across in the way it sounds.

It’s surprising that Madonna has such a simple work mode. I would have expected her to come in with her full entourage and play the diva, at least to some extent.

Well, don’t get me wrong—I think in a lot of parts of her life, she is the big-entourage person. But when it comes to being creative, she’s unexpectedly low-key. She’s great to work with, and I really mean that.”

Today in Madonna History: September 8, 1983

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On September 8 1983, Madonna’s Lucky Star single was released in the UK.

Although Lucky Star was issued promotionally as a double A-side with Holiday in the US in September 1983, it was not released commercially in North America until August 1984 when it was issued as the final single from Madonna’s self-titled debut album.

Lucky Star was written by Madonna and produced by Reggie Lucas, with additional remixing by Jellybean Benitez. It is the most successful of her North American singles that were entirely self-written, reaching #4 on the U.S. Hot 100 and #8 in Canada (RPM Top 100). It was also her first Top-5 single in the U.S.

In the U.K., her self-written single Gambler was a bigger hit, reaching #4 in the fall of 1985, while Lucky Star peaked at #14.

Madonna wrote the song in 1982 after landing her first recording contract with Sire Records. It was rumoured to have been written about Mark Kamins, although we’re unsure whether that has ever been confirmed by Madonna herself.

Today in Madonna History: August 22, 1992


On August 22 1992, Madonna filmed scenes for the Erotica music video at The Kitchen in New York City with fashion photographer/director/designer Fabien Baron. These scenes consisted of Madonna in the character of her Sex book alter-ego, Dita, miming the lyrics to the song, and would be intercut with a selection of 8mm footage previously shot by Baron during the making of the Sex book.

Baron also served as art director for the Sex book, the Erotica album and single, and later for the Bedtime Stories album and its singles Secret and Take A Bow. He also directed the commercial for her fragrance, Truth Or Dare by Madonna, in 2012.

“She put that book out at the best moment. She timed it very well. She knows what she’s doing. And such drive. Some people want to lift stones and see what’s under it. She’ll be on a beach with millions of stones and want to lift every one of them.”            – Fabien Baron

Today in Madonna History: August 21, 1989

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On August 21 1989, the music video for Cherish premiered on MTV in the U.S.  The video was the directed by Madonna’s frequent collaborator and friend, photographer Herb Ritts.

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While the single from the Like A Prayer album went on to become another hit single, it’s interesting to note that Madonna had previously written an entirely different song using the title Cherish. Her handwritten lyrics for the unreleased track – along with several others that have yet to surface in musical form – turned up at an auction in 2011.

Today in Madonna History: August 19, 2009

On August 19 2009, Madonna’s Celebration single was released as a digital remix EP on iTunes in North America.

The EP featured remixes by Benny Benassi, Paul Oakenfold and Johnny Vicious.

Although Madonna had produced the album version of Celebration with one of the world’s best known DJ’s, Paul Oakenfold, it was Benny Benassi’s remix that, deservedly, captured the most attention.

Madonna chose to feature Benassi’s remix in the music video for the single, and it was also used as the closing performance of her MDNA Tour. She would also collaborate on several songs with Benassi for her album, MDNA.

Today in Madonna History: August 16, 2015

On August 16 2015, singer/songwriter Joe Henry shared a touching birthday tribute to his sister-in-law, Madonna:

This is the young woman I met shortly after our family’s move to Michigan in 1975 – as I entered my sophomore year of high school and, she, her senior one. Together, we were in the Thespian Society; and in that winter’s first production, we were cast as mother and son – the wife and child of Ralph Waldo Emerson – in a play about Thoreau.

She was whip-smart and short on patience; and to tell the truth, she scared me more than a little, but along with her sister Paula, her presence upon my landscape nudged open a door through which I would pass and find my life utterly and forever changed…that unusual and sprawling family becoming, years later, my own.

No one is more surprised than I by the way our lives have expanded; by the way that our journeys have diverged and become entangled. Like anyone, I can sometimes forget to see the flesh and blood/heart and mind behind the parade float that is her public persona. But then I will find myself across the kitchen table from her, sharing a martini, and be additionally shocked to recognize anew the compact, terse-yet-compassionate human at the switches.

I have told this tale before, but it bears repeating: when Elvis Presley died on this date in 1977, this upstart professed in real-time that she felt his spirit had passed out of his body and through her own in exodus.

I laughed at her then for such outrageous self-possession, at the arrogance that I assumed must allow her to declare such publicly.

Today, when there is laughter, it is the laugh of recognition I hear – and it begins somewhere high above me, where things that once seemed implausible play with wild abandon and in broad daylight.

Happy Birthday, Madonna Louise Veronica Ciccone.

Today in Madonna History: August 5, 2008

On August 5 2008, Madonna’s Give It 2 Me was released as a CD maxi-single by Warner Bros. Records in the U.S. It included amazing club remixes by Eddie Amador, Paul Oakenfold, Fedde Le Grand, Tong & Spoon, Jody den Broeder, and a ragga mix by Sly & Robbie.

The single was also issued in the U.S. as a double-vinyl 12-inch set, a 12-inch vinyl picture disc and as a double-vinyl 7-inch set coupled with her previous single, 4 Minutes. Though no Canadian pressings of the single were issued, the U.S. CD maxi-single was distributed to Canadian retailers with a Warner Music Canada special import sticker.

Give It 2 Me was the second single from Hard Candy. It was written by Madonna & Pharrell Williams with production by Madonna & The Neptunes. An early demo version of the song with alternate lyrics, titled Infinity, would eventually surface online.

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