Today in Madonna History: January 13, 2015

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On January 13 2015, Billboard revealed that Michael Keaton’ son, Sean Douglas, worked on Ghosttown, one of the songs to be featured on Madonna’s Rebel Heart album. The songwriter said that the track was written in three days, after Madonna had personally requested some studio time.

“Madonna liked ‘Talk Dirty,’ actually, and so they put me and [co-writers] Jason Evigan and Evan Bogart in with her and we had this great session. I was incredibly nervous for obvious reasons, but she showed up, was super personable and was ready to work. I basically checked it off my life bucket list.”

Douglas is a successful pop songwriter whose credits include Top 40 hits for Jason Derulo, Demi Lovato and Fifth Harmony, among many others.

Today in Madonna History: January 4, 1987

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On January 4 1987, Open Your Heart spent its third and final consecutive week at its peak position of #4 on the UK Singles chart.

Today in Madonna History: December 29, 2005

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On December 29 2005, Madonna’s Official Fan Club, ICON, published an interview with Stuart Price about his experiences working with Madonna on Confessions on a Dance Floor.

Here’s part of the interview they posted:

ICON: What’s the best part in being involved with Madonna’s new album?

STUART: Watching it take shape from a few demos done for fun into an entire spectacle with dancers, videos and nightclubs full of people!

ICON: What made you want to record this album in your home studio? Why not a big studio instead?

STUART: It wasn’t really thought about that much, we just found that we had got into several songs before we even thought about it. But that was the thing for much of the album concept; it wasn’t over-thought or analyzed. We liked the sound of my studio and so thought why go elsewhere?

ICON: How would you describe your collaboration with Madonna?

STUART: Like finding your favourite musician, comedian and friend all in one!

ICON: How is working on a Madonna project different from working with a new artist?

STUART: It’s not in many ways. She is very fresh, exciting and full of ideas the same way as someone is when they do their first record. The difference is she has the experience and integrity of someone who understands the creative process very deeply and can therefore suggest directions and ideas that can inspire greater heights.

Today in Madonna History: December 20, 2005

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On December 20 2005, Madonna’s official website confirmed that Jamie King would direct the music video for Sorry, the second single from Confessions On A Dance Floor.

The video was conceived as a sequel to the album’s first single, Hung Up.

Today in Madonna History: December 16, 1989

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On December 16 1989, Dear Jessie debuted at #9 on the UK Singles Chart.

The single would climb to its peak position of #5 on December 30th, where it remained for three weeks before beginning its descent.

Today in Madonna History: December 13, 2003

On December 13 2003, “Nobody Knows Me (P. Rauhofer, Above & Beyond, Mount Sims Mixes)” hit #4 on Billboard’s Hot Dance Music/Club Play chart in the US.

The track from American Life had been serviced to clubs as a promo-only 12-inch, with the remixes being issued commercially in North America as part of the Nothing Fails maxi-single.

(Thanks to ElOr98 for sharing the video!)
((and to aviddiva for making it!!))

Today in Madonna History: December 5, 1992

On December 5 1992, Madonna’s Deeper and Deeper single was the week’s Hot Shot Debut entry on the Billboard Hot 100 in the U.S., bowing in at #38.

Pop radio had taken an immediate liking to Deeper and Deeper upon the album’s release, with some stations choosing to spin it in favor of the album’s darker lead single, well ahead of its official promotional launch. The support wasn’t unanimous, however, as Madonna was facing a severe public backlash following the release of her Sex book and the forthcoming release of the film Body Of Evidence.

The fact that Deeper and Deeper managed to climb to #7 on the Hot 100 amidst a tidal wave of contempt is a true testament to song’s irresistible appeal.

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