Today In Madonna History: July 26, 1986

Papa Don't Preach single frontpapa don't preach cdv

On July 26 1986, Papa Don’t Preach spent its third and final week at number-one on the UK singles chart. It was certified Gold by BPI on August 1st, 1986 for shipment of over 500,000 copies, based on certification thresholds at that time. With a chart run extending for 15 weeks, the single ranked #8 overall in the UK’s year-end charts tally.

The song was a massive hit across Europe, topping the Eurochart for an incredible eleven week stretch from August 2nd through October 11th, 1986 when it was finally overtaken by none other than Madonna herself with the follow-up single, True Blue.

Although Justify My Love is often cited as being the first-ever video single, it is interesting to note that it was actually not the first Madonna music video to be marketed commercially as a single. Possibly an attempt to cash-in on the success and controversy surrounding Papa Don’t Preach or more likely as a means of testing out new marketing possibilities for a hybrid laserdisc/cd format, Warner issued limited quantities of Papa Don’t Preach as a CD Video in the US, UK and Japan containing three audio tracks along with the music video. Perhaps anticipating the limited appeal of the format, Warner did not bother modifying the track-listing to include the appropriate b-sides in either the UK (Ain’t No Big Deal) or Japan (Think Of Me), instead opting to issue the US b-side (Pretender) on all three pressings. Stranger still was the release date – 1988 – two years after the standard single hit stores. Needless to say, this early attempt to market a music video single did not stir public interest the way it would in 1990, and the concept went into hibernation mode until Madonna gave audiences a video single they were willing to pay for.

Today in Madonna History: July 24, 1999

beautiful stranger single

On July 24 1999, Beautiful Stranger reached its peak position of #19 on the Billboard Hot 100. This was based on the strength of airplay alone, as Maverick Records opted to boost sales of the Austin Powers: The Spy Who Shagged Me soundtrack album by not releasing the song as a physical single in the US. Had it been issued commercially, it would have easily given Madonna another Top 10 hit. The single was released in most major markets outside the US including Canada, Europe, Australia and Japan.

Today in Madonna History: July 19, 1986

true-blue-herb-ritts-poster

On July 19 1986, Madonna’s True Blue enjoyed a second week at the top of the UK Albums Chart. The record debuted at #1 the previous week (July 12 1986).

Today In Madonna History: July 15, 1995

On July 15 1995, Madonna’s Human Nature single peaked at #46 on the Billboard Hot 100 in the U.S.

Human Nature was written and produced by Madonna and Dave Hall, with its bass and percussion parts sampled from the track What You Need by Main Source.

The North American Human Nature single was backed with the album version of Sanctuary, which was produced by Madonna & Dallas Austin with additional remixing by Nellee Hooper.

Sanctuary was originally written by Anne Preven and Scott Cutler of the short-lived 90’s band, Ednaswap, best known for Nathalie Imbruglia’s cover of their original song, Torn. Madonna was passed a demo tape of Sanctuary by a friend of Preven and Cutler, who heard an early version of it and thought “Madonna would love this song!” Madonna’s version came out before Ednaswap had even signed a record deal, and the song deviated significantly from the demo. Preven originally thought Madonna had ruined the song, going so far as meeting with Madonna to plead for changes. However, upon hearing the song as part of the whole album, Preven had a change of heart and “understood what [Madonna] was going for.”

The most significant change was Austin and Madonna’s interpolation of Sanctuary with an instrumental demo Austin had created which centers around a looped sample from Herbie Hancock’s Watermelon Man (the funk-based arrangement from his 1973 album, Head Hunters). Madonna also provided additional lyrical and melodic contributions.

While Austin’s instrumental demo that was worked in to Sanctuary later leaked to the internet, Ednaswap did not release their own version of the song and their original demo recording has yet to surface online.

Today in Madonna History: July 11, 1987

Who's That Girl Canadian CMS - Cover Insert 550 Who's That Girl Canadian CMS - Inside Insert 550 Who's That Girl Canadian CMS - Side 1

On July 11 1987, the Who’s That Girl single made its debut on the Billboard Hot 100 in the U.S., entering the chart at number forty-three.

Today in Madonna History: July 6, 1985

angel UK sheet music Angel Promo Label - 550

On July 6 1985, Angel/Into The Groove reached number-one on the Billboard Hot Dance Club Play chart in the U.S., where it spent a single week. It was Madonna’s fourth release to top the Dance chart.

Due to the fact that both sides of the commercial single received a substantial amount of club play, the release charted as Angel/Into The Groove on the Hot Dance Club Play chart. This is despite the fact that Sire/Warner had actually promoted the single to clubs without Into The Groove, as the official U.S. promotional 12-inch single contained Angel on both sides.

In spite of the label’s apparent attempts to downplay Into The Groove, in the end its inclusion on the commercial single unquestionably helped to propel the release to the top of the Dance chart.

Today in Madonna History: June 29, 1998

Ray of Light Canadian CD Single cover insert back Ray of Light Canadian CD Single tray insertRay of Light Canadian CD Single disc

On June 29 1998, Madonna’s Ray of Light single peaked at #3 on RPM’s Top 100 Canadian Singles chart.

As with all the Canadian singles from the Ray of Light album, the title track was issued by Warner Music Canada as a 2-track CD single and as a CD maxi-single. In the U.S., the album’s CD singles were issued in cardboard sleeves with “draw pack” trays and the CD maxi-singles in “FLP digipak” cases, while in Canada the two configurations for each of the album’s four domestic singles were packaged in standard CD jewel cases with printed inserts.

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