On April 23 1983, the recording of Madonna’s debut album was mentioned briefly in Billboard magazine.
The fact that Jellybean was producing Naked Eyes at the same studio provides some context for the vocal Madonna recorded for the remix of their single, Promises, Promises. Perhaps Sire didn’t support the idea at the time, as Madonna’s cameo remained shelved for twenty years until the band finally issued it on a scarce retrospective, Everything And More, in 2002.
On February 2 1985, Sidewalk Talk peaked at #1 on the Billboard Hot Dance/Club Play chart. The song was written by Madonna, who also contributed vocals on the chorus and bridge while the verses were performed by Catherine Buchanan. Madonna gifted the song to producer/remixer/DJ/boyfriend Jellybean Benitez for use on his debut EP, Wotupskii!!?! and it was promoted to clubs by EMI Records in October, 1984. It was eventually issued as a commercial single, peaking at #18 on the Billboard Hot 100 on February 1st, 1986.
Sidewalk Talk was arranged by Stephen Bray & Benitez with vocal arrangement by Madonna, according to the album’s liner notes. Madonna’s lyrics to the song recall her early years in New York and some of the challenges she encountered adjusting to big city life and how she empowered herself to overcome them.
On December 22 1985, John “Jellybean” Benitez’ Sidewalk Talk (featuring Madonna) debuted at #48 on the Billboard Hot Dance/Disco chart (not to be confused with the Hot Dance Music/Maxi-Single Sales chart). The hit dance single peaked at #1 on the Dance/Disco chart on February 2 1986.
Sidewalk Talk was written by Madonna, arranged by Jellybean and Stephen Bray and mixed by Jellybean.
On September 12 1984, Madonna attended Dallas Boesendahl’s party for the Orion Pictures movie release of Amadeus at the Limelight club in New York.
In 2003, photographer Patrick McMullan released a coffee table book called: So80’s: A Photographic Diary of a Decade. In the book he said this of Madonna:
I was at this Dallas Boesendahl party for Amadeus at Limelight, and a publicist named Reid Rosefelt said to me, “You should come meet this girl Madonna.” I said, “Sure, I’m very happy to meet her,” but I didn’t know who she was. So I met her and took a few pictures of her. She couldn’t have been sweeter. It was just a very simple, unguarded moment.
On July 27 1983, Madonna’s eponymous debut album was released by Sire Records. The record was renamed Madonna: The First Album for the 1985 international re-release of the album. When a remastered version of the album was issued on CD in 2001 (with bonus tracks) and later on vinyl (without bonus tracks), the original artwork was restored and the album title reverted to simply Madonna across all markets.
The album included 8 tracks (produced by Reggie Lucas, *John “Jellybean” Benitez & **Mark Kamins):
Five singles were issued from the album (the release chronology of some singles varied by market/country):
“Madonna was unhappy with the whole album, so I went in and sweetened up a lot of music for her, adding some guitars to ‘Lucky Star’, some voices, some magic… I just wanted to do the best job I could do for her. When we would playback ‘Holiday’ or ‘Lucky Star’, you could see that she was overwhelmed by how great it all sounded. You wanted to help her, you know? As much as she could be a bitch, when you were in a groove with her, it was very cool, very creative.”
— John “Jellybean” Benitez talking about Madonna and the album.
“I’ve refrained over the years in addressing aspects of Madonna’s career because I’m not a person who likes negative discussions. But what I will say is that in Madonna’s ascent to fame and fortune, there’s been a pretty vicious competition for credit in being involved. In other words, someone will say, ‘I launched Madonna.’ If I talk to a lot of people today, I will say I was Madonna’s first producer. I produced six of the eight tracks on her first record. I would say nine times out of 10, their response will be, ‘Oh yeah, I thought Jellybean did that.’ But Jellybean didn’t do that. Jellybean was a remixer, and we didn’t have time to remix records. It wasn’t something that I was interested in doing. Somewhere in this process of publicists and personal relationships, somehow he came out as the guy. Just for the record, one tires in a lifetime of hearing someone taking credit for something that you’ve done. Jellybean produced ‘Holiday’ and he remixed a couple of tracks, but remixing tracks for radio isn’t the same thing as producing one of the major breakout pop stars of the 1980s…it’s almost like I was fired or something. I wasn’t fired. I finished the record…and they put it out and sold a bunch of records. And everybody else ran around trying to take credit for it because it was so big that they couldn’t help themselves. … I must say, Madonna was great to work with in the studio. She really put in the work. She was a creative person.”
— Reggie Lucas, producer of Madonna’s first album.
Although its authenticity is unconfirmed, this is said to be an early track list of the album.
On April 25 1988, Spotlight was released as a single by Warner-Pioneer. Issued exclusively in Japan, it was the only commercial single release from the remix album You Can Dance. The song was written by Curtis Hudson, Madonna and Stephen Bray and was produced by Stephen Bray. Madonna wasn’t given a co-producer’s credit on the track – odd considering it was a leftover from the True Blue album sessions, for which she co-produced every song. The track was remixed by John “Jellybean” Benitez for its inclusion on You Can Dance.
In a 2012 interview with blogcritics.com writer Justin Kantor, Curtis Hudson recalled the circumstances surrounding the creation and release of Spotlight:
“During the time right after Holiday, when we’d go to her place and write, I presented Spotlight. I gave her a complete song, Spotlight. I had actually written it in case Warner Bros. asked her for another Holiday. She said she loved it and felt spiritual about it. But she didn’t use it or contact me again about it. It sort of popped up out of nowhere when she was getting ready to do You Can Dance. Her lawyer contacted our manager and said we needed to talk. We went over and met with him. She and Stephen Bray had already done the song; but I hadn’t even heard the version they had done.They took the demo I had given her and worked it into a different song. They gave me credit since I had the original song copyrighted. I would’ve collaborated and made changes. But I was told, ‘Well, she’s too busy. She’s overseas doing a movie.’ I was okay with it, though, because they gave me credit. But the original song had a certain magic, and the changes took that essence away. The original Spotlight was another Holiday—the rhythm, the basic groove. I think they were trying to get away from that sound. Sometimes artists don’t want their sound to be identified with specific writers.”
On March 2 1985, Madonna’s first single from the Vision Quest soundtrack, Crazy For You, was released.
Crazy For You later appeared on Madonna’s greatest hits collection, The Immaculate Collection. It was also included on her greatest ballads collection, Something To Remember and later on her career spanning hit collection, Celebration.
Lyrics:
Swaying room as the music starts
Strangers making the most of the dark
Two by two their bodies become one
I see you through the smokey air
Can’t you feel the weight of my stare
You’re so close but still a world away
What I’m dying to say, is that
I’m crazy for you
Touch me once and you’ll know it’s true
I never wanted anyone like this
It’s all brand new, you’ll feel it in my kiss
I’m crazy for you, crazy for you
Trying hard to control my heart
I walk over to where you are
Eye to eye we need no words at all
Slowly now we begin to move
Every breath I’m deeper into you
Soon we two are standing still in time
If you read my mind, you’ll see
It’s all brand new, I’m crazy for you
And you know it’s true
I’m crazy, crazy for you
Today In Madonna History 