On July 4 2009, the Sticky & Sweet Tour‘s 2009 extension began with the first of two sold out dates at London’s O2 Arena.
In January 2009, following the completion of European, North American and South American legs of the massively successful 2008 Sticky & Sweet Tour, it was confirmed that Madonna would extend the tour during the Summer of 2009 with a second European leg before concluding with two dates in Israel in September. The itinerary for the extension consisted largely of markets where Madonna either hadn’t previously performed or hadn’t visited in many years.
In a January 2009 interview with Billboard.com, Live Nation chairman Arthur Fogel commented on the extended run of the tour:
“It absolutely has not happened in the four tours I’ve been involved with, […] There has been talk [of extending] during each one, but it has never come to be. But with this one, she loves the show, she’s had a great time and she’s excited about playing new markets. […] We went to quite a few markets she has never played or hasn’t been to in 15-plus years. This [extension] is really a continuation of that in the sense of playing new and different markets. [The six-month break] is a long hiatus, but everybody was excited to continue. […] So we basically worked out the arrangements for all the performers, crew and equipment and we’ll be ready to go.”
The extension’s opening night and all subsequent dates featured three song changes to the original setlist: Holiday replaced Heartbeat, a guitar-heavy version of Dress You Up took the place of Borderline, and the non fan-favorite “rock version” of Hung Up was dropped in favour of a much more pleasing, club-ready mash-up of Frozen with I’m Not Alone by Calvin Harris (which also threw in snippets of Open Your Heart).
Madonna also included a special tribute to Michael Jackson during Holiday, as well as a quote attributed to him at the end of Frozen (the lyrics quoted from his song Man In The Mirror were in fact written by Madonna’s occasional backing singer, Siedah Garrett, if you want to get technical). At the time of his passing Jackson had been scheduled to begin a run of comeback concerts at the O2 Arena, beginning the week after Madonna’s shows at the venue.
(Thanks to Michael aka MykillICON for the video footage and pictures!)
On May 16 1984, Madonna performed Dress You Up at Keith Haring’s birthday party held at the Paradise Garage in New York.
Here’s a short clip from the performance:
On April 10 1985, Madonna’s Virgin Tour opened with 3 sold-out concerts at the Paramount Theatre in Seattle, Washington.
During a 2009 interview with Rolling Stone, interviewer Austin Scaggs asked Madonna regarding her feelings and emotions during the tour, since it was the first time she was playing in arenas. Madonna replied saying, “That whole tour was crazy, because I went from playing CBGB and the Mudd Club to playing sporting arenas,” she told the magazine. “I played a small theater in Seattle, and the girls had flap skirts on and the tights cut off below their knees and lace gloves and rosaries and bows in their hair and big hoop earrings. I was like, ‘This is insane!’ After Seattle, all of the shows were moved to arenas.”
Madonna had three shows in Seattle – April 10, 12 and 13 – and all three were sellouts by the time she took the stage that first night. The Beastie Boys opened for Madonna and they weren’t well received by the pro-Madonna crowd. The show was a year before “Licensed to Ill” was released.
Their 30-minute set got off to a bad start when one of the Beastie Boys declared himself King of the Paramount, and generally made the pro-Madonna audience feel like a swarm of hillbillies, P-I pop music critic Gene Stout wrote in his review.
“Dressed in what looked like a Boy George outfit, she looked reluctant, almost scared, and kept her eyes on the ground as she and her small entourage swept past a modest gathering of fans,” Stout wrote.
Madonna started the show with Dress You Up, followed with Holiday, and performed Borderline for the first time live as her seventh song. Madonna ended by debuting Material Girl as her encore.
On March 16 1995, Madonna’s The Immaculate Collection was certified 6x platinum (6 million units) in the USA.
Review by Stephen Thomas Erlewine (allmusic.com):
On the surface, the single-disc hits compilation The Immaculate Collection appears to be a definitive retrospective of Madonna’s heyday in the ’80s. After all, it features 17 of Madonna’s greatest hits, from Holiday and Like a Virgin to Like a Prayer and Vogue. However, looks can be deceiving. It’s true that The Immaculate Collection contains the bulk of Madonna’s hits, but there are several big hits that aren’t present, including Angel, Dress You Up, True Blue, Who’s That Girl and Causing a Commotion. The songs that are included are frequently altered. Everything on the collection is remastered in Q-sound, which gives an exaggerated sense of stereo separation that often distorts the original intent of the recordings. Furthermore, several songs are faster than their original versions and some are faded out earlier than either their single or album versions, while others are segued together. In other words, while all the hits are present, they’re simply not in their correct versions. Nevertheless, The Immaculate Collection remains a necessary purchase, because it captures everything Madonna is about and it proves that she was one of the finest singles artists of the ’80s. Until the original single versions are compiled on another album, The Immaculate Collection is the closest thing to a definitive retrospective.
Despite a four-week reign at #1 on the maxi-single sales chart (beginning the week of October 5th), a more modest #12 peak on the regular Singles Sales chart prevented Dress You Up from rising above #5 on the Hot 100.