Today in Madonna History: December 13, 1984

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On December 13 1984, Madonna performed Like A Virgin on BBC1-TV’s Top Of The Pops in London, England.

Madonna wore her signature Boy Toy belt, a Keith Haring jacket and a vibrant pink wig. She wore the same pink wig during a performance on Like A Virgin on Solid Gold.

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Today in Madonna History: May 16, 1984

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On May 16 1984, Madonna performed Dress You Up at Keith Haring’s birthday party held at the Paradise Garage in New York.

Here’s a short clip from the performance:

 

Today in Madonna History: June 19, 2013

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On June 19 2013, Debi Mazar talked to The Cut about how she first met Madonna:

I was in Danceteria, working the elevator. She came into my elevator, and a great song was spinning and she goes, ‘Hey, you wanna dance? And I was like, ‘Yeah!’ And I parked the elevator, and we had a great dance together and then later on we danced some more. She wasn’t, like, a big star yet. She was just a girl from Detroit who had a real raw sexuality. From there on we became pals and started dancing and hanging out. I was doing makeup then, and so I did her makeup for years. She was like, ‘I’m gonna be a star one day,’ and I was like, ‘Great!’ We also did videos together. The first one was a song called ‘Everybody,’ and we filmed at the Paradise Garage, and Keith Haring was there. That was the beginning. I was always trying to pluck her eyebrows — they’re caterpillars. At this moment in time I probably wouldn’t pluck them, but it was the eighties, so, you know. Anyway, we remained girlfriends and we still are.

Today in Madonna History: December 1, 2018

On December 1 2018, Madonna shared this photo and message through her social media channels:

With My Good Friend Keith Haring. He was a big AIDS activist when everyone was calling it GAY cancer. I was with him the day he died of AIDS. He said what hurt him the most was how people did not want to touch door knobs after he touched them. The discrimination then was next level. #worldaidsday.

Today in Madonna History: April 17, 2015

On April 17 2015, Madonna tweeted about her long-lost friends, Andy Warhol and Keith Haring:

Andy and Keith had my back way back when! Miss being surrounded by artists that stuck together and defended one another! ❤#rebelhearts

Madonna spoke at length about Keith — here’s what she had to say about how they met and their journey together:

Keith’s work started in the street, and the first people who were interested in his art were the people who were interested in me. That is, the black and Hispanic community – I’d say people from lower income and background. His art appealed to the same people who liked my music. We were two odd birds in the same environment, and we were drawn to the same world – and inspired by it.

I watched Keith come up from that street base, which is where I came up from, and he managed to take something from what I call Street Art, which was an underground counter culture, and raise it to a Pop culture for mass consumption. And I did that too. The point is, we have an awful lot in common.

Another thing we have in common – and this happened quite early – was the envy and hostility coming from a lot of people who wanted us to stay small. Because we both became very commercial and started making a lot of money, people eliminated us from the realm of being artists. They said, “OK, if you’re going to be a mass-consumption commodity and a lot of people are going to buy your work – or buy into what you are – then you’re no good.” I know people thought that about Keith, and they obviously felt that about me too.

So Keith and I are sort of two sides of the same coin. And we were very supportive of each other in those early days. I remember Keith coming to watch my first shows. That was down at the Fun House, where “Jellybean,” with whom I was involved, was the disc jockey. I’d sing and dance and I’d choreograph these scenarios – and we had taped music and it was great, because this was a Hispanic club-and the atmosphere was just charged!

I don’t know what drew us to these exotic clubs – like the Fun House or Paradise Garage. Obviously, it was the sexuality and the animal-like magnetism of those people getting up and dancing with such abandon! They were all so beautiful! I’ve always been drawn to Hispanic culture – and so has Keith. It’s another thing we have in common.

So these were the people who bought my records in the first place – and they’re a great audience to perform for. Keith keyed into that too. He’d give these great parties, and I’d go to them and I’d give parties and he’d come to them. And we had such fun!

Another thing we have in common… we have the same taste in men! I remember a funny story about people saying that I stole one of Keith’s friends. What happened was that I had a New Year’s Eve party, and Keith arrived with this incredibly gorgeous guy. I remember Keith saying, “He’s yours, Madonna. He’s your New Year’s Eve present!” I said, “Oh, thank you!” And there was this really stunning guy – a great dancer – completely happy and a great positive spirit. And so he became my friend, too.

Anyway, I’ve always responded to Keith’s art. From the very beginning, there was lot of innocence and a joy that was coupled with a brutal awareness of the world. But it was all presented in a child-like way. The fact is, there’s a lot of irony in Keith’s work, just as there’s a lot of irony in my work. And that’s what attracts me to his stuff. I mean, you have these bold colors and those childlike figures and a lot of babies, but if you really look at those works closely, they’re really very powerful and really scary. And so often, his art deals with sexuality – and it’s a way to point up people’s sexual prejudices, their sexual phobias. In that way, Keith’s art is also very political.

What stays with me is that very early on, when Keith and I were just beginning to soar, our contemporaries and peers showed all this hostility. Well, the revenge was that, yes, there’s this small, elite group of artists who think we’re selling out. Meanwhile, the rest of the world is digging us! Of course, it’s what they want too! It’s so transparent! They’re just filled with jealousy and envy. And it certainly didn’t stop us, because Keith didn’t want to do his work just for the people of New York City – he wanted to do it for everybody, everywhere. I mean, an artist wants world recognition! He wants to make an impression on the world. He doesn’t just want a small, sophisticated, elitist group of people appreciating his work. The point of it all is that everybody is out there reaching for the stars, but only some of us get there!

When I think of Keith, I don’t feel alone. I don’t feel alone in my endeavors. I don’t feel alone in my celebration of what I’ve achieved. I don’t feel alone in the odds I’ve been up against. I feel so akin to Keith in so many ways! I really can’t compare myself to many people… and I don’t feel that many people can relate to where I’ve come from and to where I’ve landed. So when I think of Keith and his life and what he’s achieved… well, I feel that I’m not alone.

Today in Madonna History: August 20, 2008

On August 20 2008, Live Nation released this press release for Madonna’s 2008 Sticky & Sweet World Tour:

Madonna’s Sticky & Sweet Tour Kicks Off This Saturday In Cardiff

Madonna, currently putting the finishing touches to her fabulous new Sticky & Sweet show in Cardiff, is readying herself and the 250 travelling personnel for the opening night this Saturday at Cardiff’s Millennium Stadium. Hot on the diamante shaped heels of her phenomenally successful Hard Candy disc, Sticky & Sweet promises two pulsating hours of non-stop hits in a show that features 16 dancers, a 12 piece band, more than 8 costume changes for the lady herself and £l million of Swarovski crystals. The audience is taken on a rock driven dancetastic journey that’s broken into four sections:

Pimp – A mashed up homage to 1920’s deco and modern day gangsta pimp. Madonna makes a grand entrance dressed by Givenchy.

Old School – Madonna tips her hat to her early 80’s downtown New York City dance roots with flashes of Keith Haring and the dance culture vibe of the time including the birth of rap.

Gypsy – A VIP trip to La Isla Bonita infused by the spirit of Romanian folk music and dance. A tour de force.

Rave – Far eastern influences emerge all sparkly and sporty.

Sticky & Sweet kicks off this Saturday August 23rd at Cardiff’s Millennium Stadium. The tour hits London’s Wembley Stadium September 11th. The Sticky & Sweet Tour is produced by Live Nation Global Touring.

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