On October 8 1994, Madonna’s Secret debuted at #30 on the Billboard Hot 100 in the USA.
Madonna’s hairstyle on the cover for Secret was inspired by Jean Harlow.
Category Archives: 1994
Today in Madonna History: October 4, 1994
On October 4 1994, Madonna’s Secret music video premiered on MTV. The video was directed by Melodie McDaniel. An official remix video (the Dan-O-Rama Remix) was also released. The remix video was set to Junior’s Luscious Club Edit, and was the first remix video to hit #1 on MTV’s music video countdown.
Today in Madonna History: July 19, 1994
On July 19 1994, Madonna contributed Goodbye to Innocence to the Just Say Roe benefit CD.
When Madonna went to record her vocals for Goodbye to Innocence during the recording of the Erotica album , she started singing Little Willie John’s song Fever instead of singing the original words. Shep Pettibone and Madonna decided to record it, as they felt it sounded good. As they did not know the words, Madonna called Seymour Stein from Sire Records, and within an hour, they had the Peggy Lee version, and the original version of the song. Fever was the last song to be recorded for the album, in August 1992, and it was finished within a month later.
Lyrics:
I don’t wanna say goodbye
There are some who believe that I owe them something
But they’re wrong, I owe nothing to no one but myself
And there are some who say they created me
But only my parents will have that acclaim
I took it from there, I am to blame
Say goodbye to anonymity
I have to (have to, have to) say goodbye
To privacy, but most of all
To innocence
To innocence
To innocence
My life is not a game that I play to entertain you
And if you can do it better, then you’re welcome to my fame
I’m not gonna waste my time correcting myths and rumors
You believe what you wanna believe
Say goodbye to anonymity
I have to (have to, have to) say goodbye
To privacy, but most of all
To innocence
To innocence
To innocence
I don’t wanna say goodbye
I don’t need a reason to cry
Kinda makes me wanna
Kinda makes me hafta
Stop and think about it
Stop and think about it
Stop and think about it
Do I want to?
I don’t (getting up and down)
I don’t (getting up and down)
I don’t (getting up and down)
Up-up, d-d-down, up-up-up
I don’t (getting up and down)
I don’t (getting up and down)
I don’t (getting up and down)
Up-up, d-d-down, up-up-up
Listen up
It always comes down to this
It always comes down to this
Some people have a snake at the base of their spine
That would suck out your life, that would take all your time
They’re called feeders
They’re not believers but you must not fear it
They’re takers
You know you better stop, stop and think about it
Your innocence
Your innocence
Your innocence
I don’t wanna say goodbye to innocence
I don’t need a reason to cry, innocence
Hold on to your innocence
Hold on (hold on, hold on), hold on to innocence
Hold on
Stop and think about it, say goodbye, think about it
Today in Madonna History: May 16, 1994
On May 16, 1994, Madonna’s I’ll Remember (Theme From With Honors) hit #1 on the Canadian Top 100 Singles chart by RPM.
The song remained at the top of the Canadian singles chart for five weeks, surpassing Like A Prayer to become Madonna’s longest-running #1 single on the Canadian charts at that time. It was finally displaced on June 20th by All-4-One’s hit, I Swear – the same song that blocked I’ll Remember from reaching the top spot on the Billboard Hot 100 in the U.S., where it spent four weeks locked at #2.
Today In Madonna History: March 12, 1994
On March 12, 1994, Madonna made a surprise appearance at the AIDS Dance-A-Thon benefit in San Francisco, California.
Today in Madonna History: January 23, 1994
On January 23 1994, Bye Bye Baby re-entered the New Zealand singles chart, ultimately peaking at #43. The track had initially charted in the country for a single week in late November of 1993.
Today in Madonna History: November 29, 1994
On November 29 1994, the second single from Madonna’s Bedtime Stories album, Take A Bow, was released. The song was written and produced by Madonna and Babyface.
In Steve Sullivan’s Encyclopedia of Great Popular Song Recordings Volume 2, he reviews the hit single:
A gorgeous melancholy ballad of unrequited love, with the object of the singer’s affection being someone who hides behind a role playing mask which only she can see. Babyface makes the song virtually a duet with Madonna, echoing her words with his high tenor wafting dreamily behind her, and the song’s minimalist arrangement is impeccably elegant.
