Today in Madonna History: April 30, 2020

On April 30 2020, Madonna’s 1994 Bedtime Stories album topped the U.S. iTunes Albums Chart after her fans kicked of th #JusticeForBedtimeStories campaign.

This is how the Daily Mail reported it:

More than 25 years after its initial release, one of Madonna’s most under-appreciated albums is getting some love.

Bedtime Stories, the Material Girl’s sixth studio album released in 1994, shot to the top position of the U.S. iTunes chart on Thursday, thanks to a fan-led hashtag campaign ‘#JusticeForBedtimeStories’.

The campaign follows in the footsteps of #JusticeForEMC2, a similar move made by the Mariah Carey fandom in support of her 2008 album, as well as an effort on behalf of Janet Jackson’s 1986 record Control.

Madonna’s Bedtime Stories marked a transitional time in the career of the now 61-year-old performer, after she pushed the envelope with 1992’s salacious Erotica album and the publication of her Sex book, and before her Golden Globe-winning role as buttoned-up Evita Peron in 1996’s musical film Evita.

And while Bedtime Stories‘ final track, Take A Bow, spent seven weeks at number one on the Billboard Hot 100 – to date her longest-running number-one single – only one of the album’s other singles, Secret, managed to break the top 10.

Still, Bedtime Stories remains to this day one of Madge’s most cohesive and melodic albums, containing one of her best songs of all time – the brazen and unapologetic anthem Human Nature.

Today in Madonna History: April 29, 1995

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On April 29, 1995, Bedtime Story peaked at #42 on the Billboard Hot 100 in the U.S.

Released as the follow-up to the longest-running U.S. #1 single of her career (Take A Bow), Madonna & Warner Bros. likely hoped that the momentum would carry over to the cutting-edge Björk penned title track. Despite a respectable reception in Europe (in the U.K. it performed better than Take A Bow) and significant buzz generated by its music video, Bedtime Story proved to be too unconventional for radio in North America, where it became her first fully promoted single to miss the Top 40 since Burning Up in 1983. It fared no better in Canada, peaking at #46 on May 1st, 1995.

The remixes for Bedtime Story, however, were a hit with North American D.J.’s and earned Madonna another #1 on Billboard’s Hot Dance/Club Play chart.

Today in Madonna History: April 13, 1995

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On April 13 1995, Bedtime Story was released as a single in North America by Maverick/Sire as the third single from the album Bedtime Stories. The song was written by Björk, Nellee Hooper & Marius DeVries and was produced by Madonna & Nellee Hooper.

Bedtime Story was released in Europe in February but the release was delayed for several months in North America due to the prolonged chart reign of her previous single, Take A Bow.

The commercial maxi-single featured remixes by Junior Vasquez and Orbital. Additional promo-only remixes by Mark Picchiotti & Teri Bristol were also later serviced to clubs.

An official remix video was released to promote the Bedtime Story maxi-single. It was edited by Ed Steinberg – the director of Madonna’s very first music video for Everybody in 1982 – and was set to Junior’s Single Mix.

Today in Madonna History: March 10, 1995

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On March 10 1995, Madonna’s luscious Bedtime Story music video was given a cinematic release at three different Odeon Cineplex film theatres:

  • Santa Monica, California (Broadway Cinemas)
  • Manhattan, New York (Chelsea Theater)
  • Chicago, Illinois (Biograph Threater)

The one week engagement allowed attendees to enjoy the Mark Romanek directed masterpiece on the big screen for a week before the video was released on MTV.

Madonna later celebrated the premiere of Bedtime Story video by throwing a Pajama Party at Webster Hall in New York, on March 18, 1995.

Today in Madonna History: February 13, 1995

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On February 13 1995, Bedtime Story was released in Europe by Maverick Records as the third single from the album Bedtime Stories. In North America, the single was delayed until April due to the sleeper success of Take A Bow, which continued its slow-but-steady climb to the top of the Hot 100.

Bedtime Story was written by Björk, Marius De Vries & Nellee Hooper and was produced by Hooper & Madonna. Björk’s original demo, titled Let’s Get Unconscious, was reworked by Hooper & DeVries and renamed Bedtime Story for its submission to Madonna. Björk later revisited elements of the song’s lyrics in Sweet Intuition–a b-side from her 1995 single, Army Of Me.

In a 2001 interview for NYLON magazine, writer James Servin asked Björk whether it was true that she had written the lyrics to Bedtime Story for Madonna because she liked the idea of her expressing a viewpoint that was paradoxical to her controlled public image:

“I think at the time, yes. But that’s like six years ago, when everything about [Madonna] seemed very controlled. I think she’s a very intuitive person, and definitely her survival instincts are incredible. They’re like, outrageous. At the time, the words I thought she should say were, ‘I’m not using words anymore, let’s get unconscious honey. Fuck logic. Just be intuitive. Be more free. Go with the flow.’ Right now, she seems pretty much to be going with the flow.”

This prompts me to ask Björk if she thinks she might have put those mellowing-out thoughts into Madonna’s head. “Well, I wouldn’t credit myself for that,” she says. “Not at all. That’s a question for you to ask her.”

I sent a fax to Madonna via her publicist Liz Rosenberg, with the question: “Did singing the lyrics Björk wrote for Bedtime Story lead you in the direction of going more with the flow?” A day or two later, I receive this e-mail from Liz Rosenberg: “I wish I could get an answer from Madonna for you. She’s deep into rehearsals for her tour, and I can’t get any info from her for a while. I can tell you that Madonna certainly thinks Björk is inspiring and a brilliant artist. Madonna is a huge fan of her music. I’ve never thought Madonna was a ‘go with the flow’ person before or after recording Bedtime Story. She goes with a flow – but it’s a flow of her own creation, if you know what I mean.”

Today in Madonna History: December 2, 2000

On December 2 2000, Madonna’s Don’t Tell Me single was reviewed by Chuck Taylor in Billboard magazine.

Don’t Tell Me was Madonna’s final single to be released on cassette in the U.S.  In the U.K., Warner Bros. issued Madonna’s next two singles in the format, with the last being 2002’s Die Another Day. In Canada – the first market to regularly issue Madonna’s singles on cassette (beginning with the cassette maxi-single for Angel in 1985) – her final cassette single was 1995’s Bedtime Story, while her final cassette maxi-single was 1994’s I’ll Remember.

Today in Madonna History: October 8, 2004

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On October 8 2004, Billboard announced that Madonna was the lead finalist for Billboard’s inaugural Backstage Pass Awards, in three categories:

  • Top Tour (based on gross dollars): Re-Invention Tour
  • Top Draw (based on total tickets sold): Re-Invention Tour
  • Top Boxscore Event (for a show at Madison Square Garden): Re-Invention Tour

The Backstage Pass Awards recognize the top achievements in touring (according to box office data).

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