Today in Madonna History: October 31, 1987

On October 31 1987, Madonna’s Causing A Commotion reached #1 on Billboard’s Hot Dance Club Play chart in the USA.

I’ve got the moves baby, you got the motion 
If we got together we’d be causing a commotion 

Today in Madonna History: October 24, 1987

On October 24 1987, Causing A Commotion peaked at #2 on the Billboard Hot 100 in the U.S.

The single spent three weeks in the runner-up position while Michael Jackson’s hit Bad ruled the chart.

Today in Madonna History: October 17, 1987

On October 17 1987, Madonna’s Causing A Commotion peaked at #37 on the Billboard Adult Contemporary chart in the USA.

Today in Madonna History: October 3, 1987

On October 3 1987, Madonna’s second single from the Who’s That Girl film soundtrack, Causing A Commotion, debuted at #24 on the Billboard Hot Dance Club Play chart in the USA.

This is what Camille Paglia had to say about the song:

“I recall my stunned admiration as I sat in the theatre in 1987 and first experienced the crashing, descending chords of Madonna’s Causing a Commotion, which opened her dreadful movie Who’s That Girl. If you want to hear the essence of modernity, listen to those chords, infernal, apocalyptic, and grossly sensual. This is the authentic voice of fin de siècle.”

Today in Madonna History: September 11, 1987

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On September 11 1987, Madonna won Best Female Video for Papa Don’t Preach at the MTV Video Music Awards at the Universal Amphitheatre in Los Angeles.

Having just completed her Who’s That Girl World Tour in Europe, Madonna did not attend the ceremony in person. Instead, a performance of Causing A Commotion recorded the week before in Turin, Italy was featured during the broadcast.

Today in Madonna History: July 25, 1990

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On July 25 1990, Blond Ambition Japan Tour 90 was released on VHS and LaserDisc by Warner-Pioneer, exclusively to the Japanese market.

Recorded in Yokohama, Japan on April 26 1990, the show had originally aired as a live television special in Japan. Due to high winds impacting the outdoor stadium during the concert, no stage curtains were used in the performance, allowing viewers the ability to see some of the normally hidden set changes in the darkened background.

It was the only official VHS release of the tour worldwide due to a sponsorship contract which granted Pioneer rights to issue the tour exclusively on LaserDisc in other regions. For this reason, copies of the Japanese VHS were in high demand from fans in other countries that shared the Japanese NTSC video format, with imported copies selling for approximately $100 USD.

Today in Madonna History: March 16, 1995

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On March 16 1995, Madonna’s The Immaculate Collection was certified 6x platinum (6 million units) in the USA.

Review by Stephen Thomas Erlewine (allmusic.com):

On the surface, the single-disc hits compilation The Immaculate Collection appears to be a definitive retrospective of Madonna’s heyday in the ’80s. After all, it features 17 of Madonna’s greatest hits, from Holiday and Like a Virgin to Like a Prayer and Vogue. However, looks can be deceiving. It’s true that The Immaculate Collection contains the bulk of Madonna’s hits, but there are several big hits that aren’t present, including Angel, Dress You Up, True Blue, Who’s That Girl and Causing a Commotion. The songs that are included are frequently altered. Everything on the collection is remastered in Q-sound, which gives an exaggerated sense of stereo separation that often distorts the original intent of the recordings. Furthermore, several songs are faster than their original versions and some are faded out earlier than either their single or album versions, while others are segued together. In other words, while all the hits are present, they’re simply not in their correct versions. Nevertheless, The Immaculate Collection remains a necessary purchase, because it captures everything Madonna is about and it proves that she was one of the finest singles artists of the ’80s. Until the original single versions are compiled on another album, The Immaculate Collection is the closest thing to a definitive retrospective.

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